The River And The World Remade

When the waters rose, the people who stayed on the River learned they weathered the storms best together, but what happens when one of their own becomes curious about the Land? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A bracing, indispensable account of America’s epoch-defining involvement in the Great War, rich with fresh insights into the key issues, events, and personalities of the period After years of bitter debate, the United States declared war on Imperial Germany on April 6, 1917, plunging the country into the savage European conflict that would redraw the map of the continent—and the globe. The World Remade is an engrossing chronicle of America’s pivotal, still controversial intervention into World War I, encompassing the tumultuous politics and towering historical figures that defined the era and forged the future. When it declared war, the United States was the youngest of the major powers and militarily the weakest by far. On November 11, 1918, when the fighting stopped, it was not only the richest country on earth but the mightiest. With the mercurial, autocratic President Woodrow Wilson as a primary focus, G. J. Meyer takes readers from the heated deliberations over U.S. involvement, through the provocations and manipulations that drew us into the fight, to the battlefield itself and the shattering aftermath of the struggle. America’s entry into the Great War helped make possible the defeat of Germany that had eluded Britain, France, Russia, and Italy in three and a half years of horrendous carnage. Victory, in turn, led to a peace treaty so ill-conceived, so vindictive, that the world was put on the road to an even bloodier confrontation a mere twenty years later. On the home front, Meyer recounts the break-up of traditional class structures, the rise of the progressive and labor movements, the wave of anti-German hysteria, and the explosive expansion of both the economy and federal power, including shocking suspensions of constitutional protections that planted the seeds of today’s national security state. Here also are revealing portraits of Theodore Roosevelt, Henry Cabot Lodge, Robert La Follette, Eugene Debs, and John J. “Black Jack” Pershing, among others, as well as European leaders such as “Welsh Wizard” David Lloyd George of Britain, “Tiger” Georges Clemenceau of France, and Kaiser Wilhelm II of Germany. Meyer interweaves the many strands of his story into a gripping narrative that casts new light on one of the darkest, most forgotten corners of U.S. history. In the grand tradition of his earlier work A World Undone—which centered on the European perspective—The World Remade adds a new, uniquely American dimension to our understanding of the seminal conflict of the twentieth century. Praise for The World Remade “[G. J.] Meyer offers wonderful insights into many of the key players in this arresting saga . . . one that should be read to understand our emergence as a global power.”—Booklist (starred review) “Meyer gives a good sense of America’s future at that negotiating table and Wilson’s celebrated role at Versailles as the leader of the free world. . . . A refreshing look at this still-much-debated world debacle.”—Kirkus Reviews “Characters come alive and the past seems near. . . . Meyer succeeds brilliantly with his basic narrative approach, and any reader who wants to learn about American participation in the war will benefit from this book.”—Publishers Weekly “This book is well written, sharp, and has bearing on our present and future involvement in wars. A+”—Seattle Book Review “This lengthy revisionist history will fit well with American history and governmental studies departments in both public and academic libraries.”—Library Journal

A bracing, indispensable account of America’s epoch-defining involvement in the Great War, rich with fresh insights into the key issues, events, and personalities of the period After years of bitter debate, the United States declared war on Imperial Germany on April 6, 1917, plunging the country into the savage European conflict that would redraw the map of the continent—and the globe. The World Remade is an engrossing chronicle of America’s pivotal, still controversial intervention into World War I, encompassing the tumultuous politics and towering historical figures that defined the era and forged the future. When it declared war, the United States was the youngest of the major powers and militarily the weakest by far. On November 11, 1918, when the fighting stopped, it was not only the richest country on earth but the mightiest. With the mercurial, autocratic President Woodrow Wilson as a primary focus, G. J. Meyer takes readers from the heated deliberations over U.S. involvement, through the provocations and manipulations that drew us into the fight, to the battlefield itself and the shattering aftermath of the struggle. America’s entry into the Great War helped make possible the defeat of Germany that had eluded Britain, France, Russia, and Italy in three and a half years of horrendous carnage. Victory, in turn, led to a peace treaty so ill-conceived, so vindictive, that the world was put on the road to an even bloodier confrontation a mere twenty years later. On the home front, Meyer recounts the break-up of traditional class structures, the rise of the progressive and labor movements, the wave of anti-German hysteria, and the explosive expansion of both the economy and federal power, including shocking suspensions of constitutional protections that planted the seeds of today’s national security state. Here also are revealing portraits of Theodore Roosevelt, Henry Cabot Lodge, Robert La Follette, Eugene Debs, and John J. “Black Jack” Pershing, among others, as well as European leaders such as “Welsh Wizard” David Lloyd George of Britain, “Tiger” Georges Clemenceau of France, and Kaiser Wilhelm II of Germany. Meyer interweaves the many strands of his story into a gripping narrative that casts new light on one of the darkest, most forgotten corners of U.S. history. In the grand tradition of his earlier work A World Undone—which centered on the European perspective—The World Remade adds a new, uniquely American dimension to our understanding of the seminal conflict of the twentieth century. Praise for The World Remade “[G. J.] Meyer offers wonderful insights into many of the key players in this arresting saga . . . one that should be read to understand our emergence as a global power.”—Booklist (starred review) “Meyer gives a good sense of America’s future at that negotiating table and Wilson’s celebrated role at Versailles as the leader of the free world. . . . A refreshing look at this still-much-debated world debacle.”—Kirkus Reviews “Characters come alive and the past seems near. . . . Meyer succeeds brilliantly with his basic narrative approach, and any reader who wants to learn about American participation in the war will benefit from this book.”—Publishers Weekly “This book is well written, sharp, and has bearing on our present and future involvement in wars. A+”—Seattle Book Review “This lengthy revisionist history will fit well with American history and governmental studies departments in both public and academic libraries.”—Library Journal

For decades, filmmakers worldwide have been remaking Hollywood movies in colorful ways. They've chronicled a singing and dancing Hannibal Lecter in India, star-crossed lovers aboard the doomed Nigerian ship Titanic, a Japanese expedition to the planet of the apes, and an uncivil war in Turkey between Captain America and a mobbed-up Spider-Man. Most of these films were low budget and many were unauthorized, but all of them were fantastic--and lately have begun to resurface thanks to cherry-picked YouTube clips. But why and how were they made in the first place? This book tells the little-known stories of the wily filmmakers who made an Italian 007 flick by casting Sean Connery's tradesman brother, produced a Turkish space opera by stealing a print of Star Wars for its effects footage, and transported a full-fledged Terminator to the present day--not from a post-apocalyptic future, but from the vibrant mythology of Indonesia. Their stories reveal more than mere imitations; they demonstrate the fascinating ways ideas evolve as they cross borders.

Being fed up with the church is not the same as walking away from God. World Remade bears witness with hearts wounded by the unfaithfulness of our churches. It comes alongside those dissatisfied with the dissonance between Jesus’ teachings and the ways Christian leaders prioritize money, power, and politics. This is a book for the betrayed, the disillusioned, the worn out, and the fed up who can’t shake the sense that God still calls them. In World Remade, Larson offers a window into a faith challenged by a seminary education and fractured by the failures of a self-absorbed church. As frustration gives way to cynicism, he is met by a God who knows us in our darkness and who holds all creation together even when we ourselves are shattered.

They Called Us River Rats: The Last Batture Settlement of New Orleans is the previously untold story of perhaps the oldest outsider settlement in America, an invisible community on the annually flooded shores of the Mississippi River. This community exists in the place between the normal high and low water line of the Mississippi River, a zone known in Louisiana as the batture. For the better part of two centuries, batture dwellers such as Macon Fry have raised shantyboats on stilts, built water-adapted homes, foraged, fished, and survived using the skills a river teaches. Until now the stories of this way of life have existed only in the memories of those who have lived here. Beginning in 2000, Fry set about recording the stories of all the old batture dwellers he could find: maritime workers, willow furniture makers, fishermen, artists, and river shrimpers. Along the way, Fry uncovered fascinating tales of fortune tellers, faith healers, and wild bird trappers who defiantly lived on the river. They Called Us River Rats also explores the troubled relationship between people inside the levees, the often-reviled batture folks, and the river itself. It traces the struggle between batture folks and city authorities, the commercial interests that claimed the river, and Louisiana’s most powerful politicians. These conflicts have ended in legal battles, displacement, incarceration, and even lynching. Today Fry is among the senior generation of “River Rats” living in a vestigial colony of twelve “camps” on New Orleans’s river batture, a fragment of a settlement that once stretched nearly six miles and numbered hundreds of homes. It is the last riparian settlement on the Lower Mississippi and a contrarian, independent life outside urban zoning, planning, and flood protection. This book is for everyone who ever felt the pull of the Mississippi River or saw its towering levees and wondered who could live on the other side.

When Salim, a young Indian man, is offered a small business in Central Africa, he accepts. Accompanied by Metty, the son of one of the family slaves, he travels deep into the heart of the continent to become a trader in the town on a bend in the river. As Salim strives to establish himself, he becomes closely involved with the fluid and dangerous politics of the newly-independent state. V.S. Naipaul unfolds a powerful story of changing Africa, sustaining his superb characterization and dramatic invention right to the memorable conclusion. He uses the troubled continent as a text to preach magnificently upon the sickness of a world losing touch with its past. Together with A House for Mr Biswas, A Bend In The River established V.S. Naipaul as one of the pre-eminent novelists of our time.

By the acclaimed author of The Soul of an Octopus and the bestselling memoir The Good Good Pig. When Sy Montgomery ventured into the Amazon to unlock the mysteries of the littleknown pink dolphins, she found ancient whales that plied the Amazon River at dawn and dusk, swam through treetops in flooded forests, and performed underwater ballets with their flexible bodies. But she soon found out that to know the botos, as the dolphins are locally called, you must also know the people who live among them. And so in Journey of the Pink Dolphins, Montgomery—part naturalist, part poet, part Indiana Jones—winds her way through watery tributaries and riverside villages, searching for botos and hearing the tales of locals who believe these ethereal dolphins are shape-shifters—creatures that emerge from the water as splendidly dressed men or women only to enchant their human onlookers, capture their souls, and then carry them away to the Encante, an underwater world. Montgomery takes readers on four separate journeys, exploring the river-dwelling dolphins’ natural history, chronicling their conservation pressures, unraveling their prehistoric roots, and visiting with shamans who delve into the Encante.