The River Capture

'Exceptional' The Times 'Luminous . . . Unexpected' Guardian Shortlisted for Novel of the Year at the Irish Book Awards, the Dalkey Literary Awards and the Kerry Group Awards Luke O’Brien has left Dublin to live a quiet life on the bend of the River Sullane. Alone in his big house, he longs for a return to his family’s heyday and turns to books for solace. One morning a young woman arrives at his door, presenting Luke and his family with an almost impossible dilemma.

From the winner of the Irish Book of the Year Award comes this lyrical and quietly profound story of romance, family legacy and the enduring literary power of James Joyce.

A River Captured explores the controversial history of the Columbia River Treaty and its impact on the ecosystems, Indigenous peoples, contemporary culture, cross-border politics and recent history of the Pacific Northwest. Long lauded as a model of international co-operation, the Columbia River Treaty governs the storage and management of the waters of the upper Columbia River basin, a region rich in water resources and with a natural geography well suited to hydroelectric megaprojects. The Treaty also displaced more than 2,000 residents of over a dozen communities, flooded and destroyed archaeological sites, and upended once-healthy fisheries. Paying special attention to First Nations history, ecology, economics, politics, and Canada-US relations, this investigative work weaves from the present day to the past and back again in an engaging and unflinching examination of how and why Canada decided to sell water storage rights to American interests. With one of the Treaty's provisions set to change in 2024 and termination of the treaty requiring a 10-year notice period, this updated edition of A River Captured looks at the destructive mistakes of our collective past in order to save us from an even more difficult future

A vibrant, intimate, hypnotic portrait of one woman's life, from an important new writer Tess Lohan is the kind of woman that we meet and fail to notice every day. A single mother. A nurse. A quiet woman, who nonetheless feels things acutely—a woman with tumultuous emotions and few people to share them with. Academy Street is Mary Costello's luminous portrait of a whole life. It follows Tess from her girlhood in western Ireland through her relocation to America and her life there, concluding with a moving reencounter with her Irish family after forty years of exile. The novel has a hypnotic pull and a steadily mounting emotional force. It speaks of disappointments but also of great joy. It shows how the signal events of the last half century affect the course of a life lived in New York City. Anne Enright has said that Costello's first collection of stories, The China Factory, "has the feel of work that refused to be abandoned; of stories that were written for the sake of getting something important right . . . Her writing has the kind of urgency that the great problems demand" (The Guardian). Academy Street is driven by this same urgency. In sentence after sentence it captures the rhythm and intensity of inner life.

CHASING THE DEVIL is the gripping firsthand account of Sheriff David Reichert's relentless pursuit of the Green River Killer--a 21-year odyssey full of near-misses and startling revelations. For eight years, Sheriff David Reichert devoted his days and nights to capturing the Green River Killer. He was the first detective on the case in 1982, doggedly pursuing clues as the body count climbed to 49 and it became the most infamous unsolved case in the nation. Frantically following all of his leads, Sheriff Reichert befriended the victims families, publicly challenged the killer, and risked his own safety--and the endurance and love of his family--before he found his madman. But Reichert's hunt didn't end when he finally cornered a truck painter named Gary Ridgway. It would be yet another 11 haunting years before forensic science could prove Ridgway's guilt beyond a shadow of a doubt. Told in vivid detail by the man who knows the whole story, this is a real life suspense story of unparalleled heroism.

In 1987 photographer Sandra Dyas moved to Iowa City and began documenting the area's vibrant live music scene, with its distinctive combination of folk, blues, roots/Americana, and rock sounds. The sixty photos in Down to the River capture her twenty years of photographing live music venues and shooting portraits of musicians in and around the city, resulting in a collection of images as compassionate and honest as the music itself. Dyas's photographs present both the sweaty intensity of live performances and the more contemplative moments of individual portraits. They are complemented by Chris Offutt's empathetic essay, which also encapsulates the experience of connecting with a new home through its music. A companion CD with eighteen tracks by Iowa's finest singer/songwriters, including Dave Moore, Greg Brown, Bo Ramsey, David Zollo, and Pieta Brown, add up to an unmatched perspective on Iowa music and musicians. CD Tracks 1. Iowa Crawl, Joe Price 2. Poor Back Slider, Greg Brown 3. Parnell, David Zollo 4. #807, Pieta Brown 5. Wheels of Steel, Radoslav Lorkovic 6. Down to the River, Dave Moore 7. Lucy and Andy Drive to Arkansas, Kevin Gordon 8. Chuck Brown, Mike and Amy Finders 9. Nobody But You, Joe Price 10. Earleton, BeJae Fleming 11. Ceremonial Child, High and Lonesome 12. Sidetrack Lounge, Bo Ramsey 13. On the Edge, Pieta Brown 14. One Wrong Turn, Greg Brown 15. Not in Iowa, Kelly Pardekooper 16. Living in a Cornfield, Bo Ramsey 17. '57 Chevy, Tom Jessen's Dimestore Outfit 18. Roll on John, the Pines

“Identity politics” is everywhere, polarizing discourse from the campaign trail to the classroom and amplifying antagonisms in the media, both online and off. But the compulsively referenced phrase bears little resemblance to the concept as first introduced by the radical Black feminist Combahee River Collective. While the Collective articulated a political viewpoint grounded in their own position as Black lesbians with the explicit aim of building solidarity across lines of difference, identity politics is now frequently weaponized as a means of closing ranks around ever-narrower conceptions of group interests. But the trouble, Olúfẹ́mi O. Táíwò deftly argues, is not with identity politics itself. Through a substantive engagement with the global Black radical tradition and a critical understanding of racial capitalism, Táíwò identifies the process by which a radical concept can be stripped of its political substance and liberatory potential by becoming the victim of elite capture—deployed by political, social, and economic elites in the service of their own interests. Táíwò’s crucial intervention both elucidates this complex process and helps us move beyond a binary of “class” vs. “race.” By rejecting elitist identity politics in favor of a constructive politics of radical solidarity, he advances the possibility of organizing across our differences in the urgent struggle for a better world.

"Investigates the so-called 'Battle of Pease River' and December 1860 capture of Cynthia Ann Parker, contending that what became, in Texans' collective memory, a battle that broke Comanche military power was actually a massacre, mainly of women. Questions traditional knowledge and historiographic interpretations of the history of Texas"--Provided by publisher.