The Role Of Zion Jerusalem In Isaiah 40 55 A Corpus Linguistic Approach

In The Role of Zion/Jerusalem in Isaiah 40–55 Reinoud Oosting offers a linguistic and literary analysis of the Biblical Hebrew text of Isaiah 40-55, focusing on the depiction of Zion/Jerusalem in these chapters.

In The Role of Zion/Jerusalem in Isaiah 40–55 Reinoud Oosting offers a linguistic and literary analysis of the Biblical Hebrew text of Isaiah 40-55, focusing on the depiction of Zion/Jerusalem in these chapters.

Notions of women as found in the Bible have had an incalculable impact on western cultures, influencing perspectives on marriage, kinship, legal practice, political status, and general attitudes. Women and Exilic Identity in the Hebrew Bible is drawn from three separate strands to address and analyse this phenomenon. The first examines how women were conceptualized and represented during the exilic period. The second focuses on methodological possibilities and drawbacks connected to investigating women and exile. The third reviews current prominent literature on the topic, with responses from authors. With chapters from a range of contributors, topics move from an analysis of Ruth as a woman returning to her homeland, and issues concerning the foreign presence who brings foreign family members into the midst of a community, and how this is dealt with, through the intermarriage crisis portrayed in Ezra 9-10, to an analysis of Judean constructions of gender in the exilic and early post-exilic periods. The contributions show an exciting range of the best scholarship on women and foreign identities, with important consequences for how the foreign/known is perceived, and what that has meant for women through the centuries.

This book analyzes the `strophic' structure of the poems in Isaiah 40-48 and discusses the consequence of this approach for their interpretation. Among other things, the autor takes a critical stand as to the `redaktionsgeschichtliche' approach of the poems concerned.

Jerusalem/Zion's metaphoric investiture/divestiture of dress is a central force to create new perspectives on reality and of a nation's selfhood in contexts of suffering and destruction, making dress in prophetic metaphors a crucial means of communication and perception management.

Isaiah 40-66, by Marvin A. Sweeney, is the nineteenth published volume in The Forms of Old Testament Literature (FOTL), a series that provides a form-critical analysis of the books and units in the Hebrew Bible. Building on his earlier FOTL volume Isaiah 1-39, Sweeney here presents his analysis of Isaiah 40-66 within both the synchronic literary form of Isaiah and the diachronic history of its composition. In keeping with the methodology and goals of the FOTL series, Isaiah 40-66 offers detailed examinations of the formal structure of the chapters covered; the genres that function within these chapters; the literary, historical, and social settings of the text; and the overall interpretation of Isaiah 40-66 and its constituent textual units. Including a glossary of the genres and formulas discussed, this commentary will be a useful resource to anyone wishing to engage more deeply with this central book in the Hebrew Bible.

The Fruits of Madness: Perspectives on the Prophetic Movements in Judaism, Christianity, Islam, and in Literature brings together selected oral presentations given at the Seminar in Biblical Characters in Three Traditions (Judaism, Christianity, and Islam) and in Literature held at the University of Vienna, Austria, in July 2014 as part of the Annual International Meeting of the Society of Biblical Literature. The contributions include work on life on the fringes between two types of lifestyles; the Hebrew Bible/Old Testament prophetic movement phenomenon from the point of view of ancient concerns about the effectiveness of communication between the human and godly realms; resistance led by prophets in ancient Israelite society; the distinction between priests and prophets in ancient Israelite and early Jewish societies; the Prophet Hosea (and his vicissitudes) in the light of the lyrics of the famous Canadian poet and musician, Leonard Cohen; the apocalyptic movements of the exilic and post-exilic eras within Judaism; the biblical Daniel as located at the point of confluence and an agent of prophecy, wisdom, and apocalyptic; and the reliability of God’s/YHWH’s word as mediated to three persons reputed to have received that word. The reader will intuit the theme of liminality in several of the contributors: it dogs the study of prophecy like a great hound its prey. With these writings, the reader is challenged to view the ancient Israelite and early Jewish concern with prophet and prophecy in a fresh and enjoyable, though thought-provoking way, making this volume a worthwhile read.

These essays explore the idea of the city in the Hebrew Bible by means of thematic and textual studies. The essays are united by their portrayal of how the city is envisaged in the Hebrew Bible and how the city shapes the writing of the literature considered. In its conceptual framework the volume draws upon a number of other disciplines, including literary studies, urban geography and psycho-linguistics, to present chapters that stimulate further discussion on the role of urbanism in the biblical text. The introduction examines how cities can be conceived and portrayed, before surveying recent studies on the city and the Hebrew Bible. Chapters then address such issues as the use of the Hebrew term for 'city', the rhythm of the city throughout the biblical text, as well as reflections on textual geography and the work of urban theorists in relation to the Song of Songs. Issues both ancient and modern, historical and literary, are addressed in this fascinating collection, which provides readers with a multi-faceted and interdisciplinary view of the city in the Hebrew Bible.