The Romance Tradition In Urdu

Like King Arthur in Europe, the Persian hero Amir Hamzah has fought and connived his way through eight centuries of adventure throughout the Islamic world. Here is a new translation of a version of his tale, told in Urdu in India, and set down and first published in 1871. Includes a glossary with pronunciation. No index. Annotation copyright Book N

Publisher Description

This work focuses on processes of articulating identity. The notions of "shared idioms" and "sacred symbols" shaping this volume suggest both a search for common ground and boundary-drawing processes. Individual chapters locate "sites" of these modes and the conditions that engender them, problematizing the truth-claims of unitary markers of identity.

With 600 signed, alphabetically organized articles covering the entirety of folklore in South Asia, this new resource includes countries and regions, ethnic groups, religious concepts and practices, artistic genres, holidays and traditions, and many other concepts. A preface introduces the material, while a comprehensive index, cross-references, and black and white illustrations round out the work. The focus on south Asia includes Afghanistan, Bangladesh, India, Pakistan, and Sri Lanka, with short survey articles on Tibet, Bhutan, Sikkim, and various diaspora communities. This unique reference will be invaluable for collections serving students, scholars, and the general public.

An astonishingly rich oral epic that chronicles the early history of a Bedouin tribe, the Sirat Bani Hilal has been performed for almost a thousand years. In this ethnography of a contemporary community of professional poet-singers, Dwight F. Reynolds reveals how the epic tradition continues to provide a context for social interaction and commentary. Reynolds’s account is based on performances in the northern Egyptian village in which he studied as an apprentice to a master epic-singer. Reynolds explains in detail the narrative structure of the Sirat Bani Hilal as well as the tradition of epic singing. He sees both living epic poets and fictional epic heroes as figures engaged in an ongoing dialogue with audiences concerning such vital issues as ethnicity, religious orientation, codes of behavior, gender roles, and social hierarchies.

Drawing on approaches from the history of emotions, Eve Tignol investigates how they were collectively cultivated and debated for the shaping of Muslim community identity and for political mobilisation in north India in the wake of the Uprising of 1857 until the 1940s. Utilising a rich corpus of Urdu sources evoking the past, including newspapers, colonial records, pamphlets, novels, letters, essays and poetry, she explores the ways in which writing took on a particular significance for Muslim elites in North India during this period. Uncovering different episodes in the history of British India as vignettes, she highlights a multiplicity of emotional styles and of memory works, and their controversial nature. The book demonstrates the significance of grief as a proactive tool in creating solidarities and deepens our understanding of the dynamics behind collective action in colonial north India.

Spanning A Range Of Topics-Print Culture And Oral Tales, Drama And Gender, Library Use And Publishing History, Theatre And Audiences, Detective Fiction And Low-Caste Novels-This Book Will Appeal To Historians, Cultural Theorists, Sociologists And All Interested In Understanding The Multiplicity Of India`S Cultural Traditions And Literary Histories.

This work situates the Qur’anic story of Moses’ meeting with Khiḍr (Sūrat al-Kahf, 18:60-82) in an ever-expanding network of intercultural and interreligious ideas about knowledge, humility, and spiritual excellence, where Moses and Khiḍr are seen as representing the ẓāhir (exoteric) and the bāṭin (esoteric), respectively.