The Rose And Irish Identity

Both Ireland and the Pacific Northwest are known for their climates, and have historically been associated with the rose. This collection of essays explores the exchange Ireland has had with the Northwest using the rose as an example by examining the beautiful and the harsh, the petals and the thorns. It is the culmination of the work of established and emerging historians and writers who have traversed the boundary between the Northwest and Ireland several times. The timely contributions gathered here include essays about the imperialist mindset, biased court systems, the victims of social hatred, and organized resistance. Timeless themes include grief, poetry and the oral tradition, and the effect plants have upon a given population. The book is a much-needed contribution to often overlooked aspects of colonialism and boundaries.

Blackness and Transatlantic Irish Identity analyzes the long history of imagined and real relationships between the Irish and African-Americans. Onkey examines how Irish and Irish-American identity is often constructed through or against African-Americans, mapping this through the work of writers, playwrights, political activists, and musicians.

While knowledge of history can explain our contemporary situation, an awareness of the myths and misuses of our history can bring a broader and more conciliatory approach to current political and social challenges. History or, more correctly, 'views of the past' or 'historical myths' have shaped politics in both Northern Ireland and the Republic of Ireland. These views served in part to cause and sustain the 'Troubles'. Eventually, many historical perceptions were challenged, which helped to promote the peace process. New ideas of revised and shared history were important. These changes are explored here. The public expression of history in Ireland through commemoration of important historical events and persons is investigated in a number of chapters. The impact of historical developments on identity is studied not just in Ireland, north and south, but also among the Irish diaspora, especially in America. In Irish History Matters, Brian M. Walker uses three decades of research to explore the effects historical events have had on Irish politics and society, and why they still have an important influence today.

What makes the Irish unique? Why do over 70 million people worldwide embrace their Irish heritage? What does it mean to be Irish today? These and other questions are addressed in this fascinating new book.Being Irish gathers a diverse group of 100 people - including well-known actors, musicians, novelists, sportspeople, journalists, political and religious leaders, community activists, asylum seekers, students and others - each trying to give expression to that special something that is more or less recognizable as Irish. This is not a sociological study; it consists of highly personal responses to a question of identity.Twenty-one years ago, Paddy Logue compiled the original edition of Being Irish to better understand the recent changes Ireland had undergone. Now his daughter, Derry-based solicitor Marie-Claire Logue, takes up the challenge to take a fresh look at Irishness, this time against a backdrop of Covid-19, Brexit, economic insecurity, weakening influence of the Catholic Church and a rapidly changing Northern Ireland.The contributions come from the ranks of the famous and not so famous, people at the center of things and people at the margins, people who live in Ireland and those who live abroad, the Irish and not-Irish-but-interested. Some delve into their personal histories to give meaning to their identities; while others rely on storytelling, humour and lyricism to approach a tentative sense of self.Above all, the reflections in this volume show that we can be Irish by birth, Irish by ancestry, Irish by geography, Irish and British, Northern Irish, Irish by accident, Irish by necessity, Irish and European, Irish by association, Irish by culture, Irish by history, Irish and American and Irish by choice. The life stories contained herein are sure to illuminate and entertain.

In Music and Literary Modernism, the intersections of music, literature and language are examined by an international group of scholars who engage in studies of modernist art and practice. The essays collected here present the significant place of music in the writing of T.S. Eliot, Ernest Hemingway, James Joyce, James Weldon Johnson, Mina Loy, Stephen Mallarme, Ezra Pound, Marcel Proust, Gertrude Stein,Wallace Stevens and Virginia Woolf, as well as the importance of literary art for composers such as George Antheil, Pierre Boulez, Olivier Messaein, and The Beatles. Contributors explore the role of music and literary modernism in the postmodern sublime, sound and "music" in language, the uneasy alliance of jazz and pop song in high modernist work, the Beatles as modernists, and other topics.

The study of British politics has been reinvigorated in recent years as a generation of new scholars seeks to build-upon a distinct disciplinary heritage while also exploring new empirical territory and finds much support and encouragement from previous generations in forging new grounds in relation to theory and methods. It is in this context that The Oxford Handbook of British Politics has been conceived. The central ambition of the Handbook is not just to illustrate both the breadth and depth of scholarship that is to be found within the field. It also seeks to demonstrate the vibrancy and critical self-reflection that has cultivated a much sharper and engaging, and notably less insular, approach to the terrain it seeks to explore and understand. In this emphasis on critical engagement, disciplinary evolution, and a commitment to shaping rather than re-stating the discipline The Oxford Handbook of British Politics is consciously distinctive. In showcasing the diversity now found in the analysis of British politics, the Handbook is built upon three foundations. The first principle that underpins the volume is a broad understanding of 'the political'. It covers a much broader range of topics, themes and issues than would commonly be found within a book on British politics. This emphasis on an inclusive approach also characterises the second principle that has shaped this collection - namely, diversity in relation to commissioned authors. The final principle focuses on the distinctiveness of the study of British politics. Each chapter seeks to reflect on what is distinctive- both in terms of the empirical nature of the issue of concern, and the theories and methods that have been deployed to unravel the nature and causes of the debate. The result is a unique volume that: draws-upon the intellectual strengths of the study of British politics; reflects the innate diversity and inclusiveness of the discipline; isolates certain distinctive issues and then reflects on their broader international relevance; and finally looks to the future by pointing towards emerging or overlooked areas of research.

The highly performative categories of 'Irish culture' and 'Irishness' are in need of critical address, prompted by recent changes in Irish society, the arts industry and modes of critical inquiry. This book broaches this task by considering Irish expressive culture through some of the paradigms and vocabularies offered by performance studies.

In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. In this second volume, the poems of Yeats’s early maturity emerge in the contexts of his engagement with Irish history and myth, along with nationalist politics; his increasing involvement with ritual magic and esoteric lore; and his turbulent, often unhappy, personal life. The poems of The Countess Kathleen and Various Legends and Lyrics (1892) reveal a poet of intense narrative power and metaphorical resource, adept at transforming miscellaneous sources into haunting and original poems. A major revision of his earlier narrative, ‘The Wanderings of Oisin’, takes place in this decade when Yeats is also taken up with the composition of elaborate and uncanny symbolic lyrics, many of them resulting from his love for Maud Gonne, that are finally collected in The Wind Among the Reeds (1899). This edition makes it possible to trace in detail Yeats’s debts to folklore and magic, alongside his involved and often difficult private and public life, in poetry of exceptional complexity and power.