The Routledge Handbook Of The Crimean War

The Routledge Handbook of the Crimean War is an edited collection of articles on the various aspects of the Crimean War written by distinguished historians from various countries. Part I focuses on diplomatic, military and regional perspectives. Part II includes contributions on social, cultural and international issues around the war. All contributions are based upon findings of the latest research. While not pretending to be an exhaustive encyclopaedia of this first modern war, the present volume captures the most important topics and the least researched areas in the historiography of the war. The book incorporates new approaches in national historiographies to the war and is intended to be the most up-to-date reference book on the subject. Chapters are devoted to each of the belligerent powers and to other peripheral states that were involved in one way or another in the war. The volume also gives more attention to the Ottoman Empire, which is generally neglected in European books on the war. Both the general public and students of history will find the book useful, balanced and up-to-date.

The Routledge Handbook of the Crimean War is an edited collection of articles on the various aspects of the Crimean War written by distinguished historians from various countries. Part I focuses on diplomatic, military and regional perspectives. Part II includes contributions on social, cultural and international issues around the war. All contributions are based upon findings of the latest research. While not pretending to be an exhaustive encyclopaedia of this first modern war, the present volume captures the most important topics and the least researched areas in the historiography of the war. The book incorporates new approaches in national historiographies to the war and is intended to be the most up-to-date reference book on the subject. Chapters are devoted to each of the belligerent powers and to other peripheral states that were involved in one way or another in the war. The volume also gives more attention to the Ottoman Empire, which is generally neglected in European books on the war. Both the general public and students of history will find the book useful, balanced and up-to-date.

The Crimean War (1854–56) is widely considered the first modern war with its tactical use of railways, telegraphs, and battleships, its long-range rifles, and its notorious trenches – precursors of the Great War. It is also the first media war: the first to know the impact of a correspondent on the field of battle and the first to be documented in photographs. No one, however, including the French themselves, seems to remember that France was there, fighting in Crimea, losing 95,000 soldiers and leading the Allied campaign to victory. It would seem that the Crimean War has no place in the canon of culturally retained historical events that define modern French identity. Looking at literature, art, theatre, material objects, and medical reports, The Crimean War and Cultural Memory considers how the Crimean War was and was not represented in French cultural history in the second half of the nineteenth century. Ultimately, the book illuminates the forgotten traces that the Crimean War left on the French cultural landscape.

This book is based on unpublished material, from single letters by barely literate private soldiers to the voluminous correspondence of commander-in-chief Lord Raglan. The whole experience of fighting in the Crimea is captured here: the thrill of combat, the men's impressions of their allies--French, Turkish and Sardinian--the horrors of their first winter in the Crimea, the scandalously inadequate medical arrangements and the impact made by Florence Nightingale. Written by a leading authority in this field, this is a colorful, fresh account of one of nineteenth century's most famous conflicts.

The War of 1812 ranged over a remarkably large territory, as the fledgling United States battled Great Britain at sea and on land across what is now the eastern half of the U.S. and Canada. Native people and the Spanish were also involved in the war’s interrelated conflicts. Often overlooked, the War of 1812 has been the subject of an explosion of new research over the past twenty-five years. The Routledge Handbook of the War of 1812 brings together the insights of this research through an array of fresh essays by leading scholars in the field, offering an overview of current understandings of the war that will be a vital reference for students and researchers alike. The essays in this volume examine a wide range of military, political, social, and cultural dimensions of the war. With full consideration given to American, Canadian, British, and native viewpoints, the international group of contributors place the war in national and international context, chart the course of events in its different theaters, consider the war’s legacy and commemoration, and examine the roles of women, African Americans, and natives. Capturing the state of the field in a single volume, this handbook is a must-have resource for anyone with an interest in early America.

Winfried Baumgart's masterful history of the Crimean War has been expanded and fully updated to reflect advances made in the field since the book's first publication. It convincingly argues that if the war had continued after 1856, the First World War would have taken place 60 years earlier, but that fighting ultimately ceased because diplomacy never lost its control over the use of war as an instrument in power politics. With 19 images, 13 maps and additional tables as well as a brand new chapters on 'the medical services', this expanded and fully-updated 2nd edition explores * The origins and diplomacy of the Crimean War * The war aims and general attitudes of the belligerent powers (Russia, France, and Britain), non-belligerent German powers (Austria and Prussia) and a selected number of neutral powers, including the United States * The characteristics and capabilities of the armies involved * The nature of the fighting itself The Crimean War: 1853-1856 examines the conflict in both its Europe-wide and global contexts, moving beyond the five great European powers to consider the role and importance of smaller states and theatres of war that have otherwise been under-served. To this end, it looks at fighting on the Danube front, the Black Sea, the Baltic Sea, the Caucasian battlefield, as well as the White Sea and the Pacific, with final chapters devoted to the Paris peace congress of 1856, the end of the war and its legacy. This book remains the definitive study of one of the most important wars in modern history.

The Crimean War combines an extraordinary oral and visual account of the Crimean War -- including many photographs and accounts never previously published. The history is told from eyewitness accounts from people on all sides of the conflict (British, French, Russian and Turkish) -- in the forms of letters and diaries of soldiers, sailors, doctors, artists, nurses and reporters. And as the Crimean War was the first war to be photographed and to which war artists were assigned, the book is heavily illustrated with striking images of war. The combination of art and personal accounts makes for an incredibly fascinating and original perspective on the events.

Chloroform, telegraphy, steamships and rifles were distinctly modern features of the Crimean War. Covered by a large corps of reporters, illustrators and cameramen, it also became the first media war in history. For the benefit of the ubiquitous artists and correspondents, both the domestic events were carefully staged, giving the Crimean War an aesthetically alluring, even spectacular character. With their exclusive focus on written sources, historians have consistently overlooked this visual dimension of the Crimean War. Photo-historian Ulrich Keller challenges the traditional literary bias by drawing on a wealth of pictorial materials from scientific diagrams to photographs, press illustration and academic painting. The result is a new and different historical account which emphasizes the careful aesthetic scripting of the war for popular mass consumption at home.