The Roy Stories

Barry Gifford has been writing gritty, American tales for the past forty years. His novels, stories, poetry, and films have helped shape the American neo-noir genre. The New York Times Book Review says that he "can sum up in a few words the cruelty, horror, and crushing banality that shape an entire life.” Andrei Codrescu calls Gifford “a great comic realist,” while Pedro Almodóvar likens him to the surrealist filmmaker Luis Buñuel, and Jonathan Lethem describes his style as “William Faulkner by way of B-movie film noir, porn paperbacks, and Sun Records rockabilly.” In The Roy Stories Gifford brings his signature style to a collection of tales following the character of Roy, who has made appearances in a number of Gifford’s previous story collections. Roy lives a mystical kind of life, skinning crocodiles in Southern Florida at age nine in the 1940s and playing in the back alleys of Chicago in the 1950s. This deep-feeling boy observes every detail in his surroundings with a sense of dark humor and an openness that will clutch readers tightly by the heart and lead them on a historical journey.

A tie-in to the new documentary, Roy's World, directed by Rob Christopher narrated by Lili Taylor, Matt Dillon and Willem Dafoe, these stories comprise one of Barry Gifford's most enduring works, his homage to the gritty Chicago landscape of his youth Barry Gifford has been writing the story of America in acclaimed novel after acclaimed novel for the last half-century. At the same time, he's been writing short stories, his "Roy stories," that show America from a different vantage point, a certain mix of innocence and worldliness. Reminiscent of Mark Twain's Huckleberry Finn and Ernest Hemingway's Nick Adams stories, Gifford's Roy stories amount to the coming-of-age novel he never wrote, and are one of his most important literary achievements--time-pieces that preserve the lost worlds of 1950s Chicago and the American South, the landscape of postwar America seen through the lens of a boy's steady gaze. The twists and tragedies of the adult world seem to float by like curious flotsam, like the show girls from the burlesque house next door to Roy's father's pharmacy who stop by when they need a little help, or Roy's mom and the husbands she weds and then sheds after Roy's Jewish mobster father's early death. Life throws Roy more than the usual curves, but his intelligence and curiosity shape them into something unforeseen, while Roy's complete lack of self-pity allow the stories to seem to tell themselves.

The memories I had built exploded. As the debris landed, my mind grasped at the facts. The Broken Pane is about loss and family, when families are broken. Finding yourself in the pieces of memory. About a young woman and her search for answers. In her early twenties, Tam rushes to her childhood flat only to be confronted by a tragic discovery. Anchored by the weight of family lore, she struggles to come to terms with her loss. As her life spirals, she sets off to find the one person who may hold the answers: her mother. Tam's travels take her far from a home which was more broken than she had ever realised. Walking the line between reliable memory and unreliable narrator, Charlie Roy's debut novel invites you to consider whether you are shaped by your past ― or if you shape your past yourself?

If you enjoyed the 1994 fictitious movie Forrest Gump, youll love Roy Story, the remarkable, rags-to-riches true account of the colorful, comical and quick-witted Roy Bucek, who succeeded beyond his wildest dreams on the football field, the battlefield and in numerous business fields with a combination of a tremendously strong backbone and an incomparable funny bone. Bucek came from such poverty that he and his family barely noticed the so-called Great Depression. His athleticism earned him a college scholarship, where he became the first official track and field All-American in Texas A&M history and helped the 1939 Aggies win the football national championship. Bucek lost his eye in the historic Battle of the Bulge in World War II, but he became a man of remarkable entrepreneurial vision. He built so many successful businesses in Schulenburg, Texas that he resided in a sprawling home he built just south of Interstate-10 and at the end ofBucek Street. His fascinating stories are guaranteed to mesmerize you and motivate you to pursue your own dreams, no matter how far-fetched they may seem. Roy Story is a captivating read that will take you back in time and challenge you to build a brighter future.

"From 1998 to 2005 Neil Drabble photographed an American teenager, Roy, as he grew from adolescence to early manhood. On one level this extensive body of work can be viewed as a fascinating document of an always-compelling transition. Closer scrutiny reveals further nuances; a collaboration, a partnership, a personal portrait and at the same time a universal picture of adolescence. Drabble chose not to depict significant events that might appear in a family album nor definitive moments associated with documentary photography. Instead, these photographs concentrate on the listless, off-scene periods, the 'in between moments' of everyday life. This focus on the marginal passages of disregarded time situates the viewer at the heart of adolescence, defined as the period between childhood and adulthood, suspended between longing (for the deferred promise of adulthood) and regret (for the loss of childhood as refuge). By photographing the same person repeatedly and intimately over their formative years, a sense of mirroring began to emerge, reawakening something of the artist's own adolescent self, blurring the line between portrait and self-portrait"--Provided by publisher.

The USA Today bestselling series "Our baby died on prom night, and nothing was ever the same again." Corabelle doesn't feel like any of the other college girls. On what should have been one of the happiest nights of her life, she and her boyfriend Gavin watched a nurse disconnect the ventilator from their seven-day-old baby. During the funeral two days later, Gavin walked out and never returned. Since then, her life has been a spiral of disasters. The only thing that has helped is her ability to black out whenever the pain gets too hard to bear, a habit that has become an addiction. When Gavin shows up in her astronomy class four years later, he is hell-bent on getting her back, insisting she forgive him. Corabelle knows she can't resist the touch that fills the empty ache that has haunted her since he left. But if he learns what she has done, if he follows the trail back through her past, her secrets will destroy their love completely. And once again, she'll lose the only person who always believed she was innocent. A New Adult Contemporary Romance. Contains themes of loss, second chance, love story, first love, reuniting, new adult and coming of age, pregnancy, grief, dangerous romance, college, and blue collar. HEA. 288 print pages

Welcome to Roy's house! Come on in and take a look around. There is a big sofa with room for lots of friends, three red fish swimming in a bowl, a yellow chair for reading, and, of course, Roy's studio, filled with paintbrushes. Susan Goldman Rubin pairs her simple narrative style with the energetic works of Roy Lichtenstein to create an early concept book that is also a fun and accessible introduction to one of the twentieth century's most iconic artists.

Barry Gifford has been writing gritty, American tales for the past forty years. His novels, stories, poetry, and films have helped shape the American neo-noir genre. The New York Times Book Review says that he "can sum up in a few words the cruelty, horror, and crushing banality that shape an entire life.” Andrei Codrescu calls Gifford “a great comic realist,” while Pedro Almodóvar likens him to the surrealist filmmaker Luis Buñuel, and Jonathan Lethem describes his style as “William Faulkner by way of B-movie film noir, porn paperbacks, and Sun Records rockabilly.” In The Roy Stories Gifford brings his signature style to a collection of tales following the character of Roy, who has made appearances in a number of Gifford’s previous story collections. Roy lives a mystical kind of life, skinning crocodiles in Southern Florida at age nine in the 1940s and playing in the back alleys of Chicago in the 1950s. This deep-feeling boy observes every detail in his surroundings with a sense of dark humor and an openness that will clutch readers tightly by the heart and lead them on a historical journey.