The Ruin Of Rome

What really marked the end of the Roman Empire? James O'Donnell's magnificent new book takes us back to the sixth century and the last time the Empire could be regarded as a single community. Two figures dominate his narrative - Theodoric the 'barbarian', whose civilized rule in Italy with his philosopher minister Boethius might have been an inspiration, and in Constantinople Justinian, who destroyed the Empire with his rigid passion for orthodoxy and his restless inability to secure his frontiers with peace. The book closes with Pope Gregory the Great, the polished product of ancient Roman schools, presiding over a Rome in ruins.

This is the first book of its kind to address Shakespeare's relationship with Rome's authoritative myth, archaeologically, by taking as a point of departure a chronological reversal, namely the vision of the 'eternal' city as a ruinous scenario.

Traditionally a critical component of the education of any architect was to draw the ruins of ancient Rome, reconstructing either from ancient sources or, more often, pure fantasy, what the original structures must have looked like. From this training emerged generations of architects imbued with the aesthetic ideals that would form the Neoclassical and Beaux-Arts building styles. In this magnificently printed volume are reproduced some of the most extraordinarily handsome drawings of the ruins of ancient Rome made by French "Prix de Rome" architects from 1775 through 1925. Accompanied by text that explains how the Prix de Rome was awarded and the significance of the prize in the history of architecture, as well as how the study of ancient models formed the basis for nineteenth- and early twentieth-century architectural styles, these drawings provide an invaluable understanding of how the modern imagination recorded and transformed ancient fragments into a modern architectural idiom.

This book employs new archaeological and historical evidence to explain how and why Roman Britain became Anglo-Saxon England.

The Ruin of the Eternal City provides the first systematic analysis of the preservation practices of the popes, civic magistrates, and ordinary citizens of Renaissance Rome. This study offers a new understanding of historic preservation as it occurred during the extraordinary rebuilding of a great European capital city.

“Anexotic and instructive tale, told with life, learning and just the right measure of laughter on every page. O’Donnell combines a historian’s mastery of substance with a born storyteller’s sense of style to create a magnificent work of art.” — Madeleine K. Albright, former U.S. Secretary of State The dream Alexander the Great and Julius Caesar shared of uniting Europe, the Medi-terranean, and the Middle East in a single community shuddered and then collapsed in the wars and disasters of the sixth century. Historian and classicist James J. O'Donnell—who last brought readers his masterful, disturbing, and revelatory biography of Saint Augustine—revisits this old story in a fresh way, bringing home its sometimes painful relevance to today's issues. With unexpected detail and in his hauntingly vivid style, O'Donnell begins at a time of apparent Roman revival and brings readers to the moment of imminent collapse that just preceded the rise of Islam. Illegal migrations of peoples, religious wars, global pandemics, and the temptations of empire: Rome's end foreshadows today's crises and offers hints how to navigate them—if present leaders will heed this story.

The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.

"An illuminating reassessment of the architect whose innovative drawings of ruins shaped the enduring image of ancient Rome"--