The Rules Of Modern Policing 1973 Edition

DCI Gene Hunt, star of Life on Mars, brings us a guide to seventies-style policing that makes Hitler's Gestapo look like a bunch of Brownies.

This book brings together academics, practitioners and experts in the field of forensic psychology to demonstrate the scope of the discipline and push its parameters. Its aim is to go beyond introductory texts to challenge perceptions, to raise questions for research and to pose problems for practice. The editors hope to inspire and stimulate debate about how forensic psychology can aid the practice of justice. The book is divided into six sections, addressing key topics from the discipline: investigation and prosecution; testimony and evidence; serious and persistent offending; treatment as intervention; intervention and prevention and punishment and corrections. The contributors are drawn from the UK, the USA and Australia. This updated, revised and significantly expanded edition develops the picture of diversity and depth of forensic psychology; considers ways in which the discipline has progressed and identifies challenges for its future sustainability and growth. includes a new section on treatment as intervention with contributions on personality disordered offenders; anger control group work with forensic psychiatric inpatients; and developments in treatment for drug misuse offenders additional chapters throughout including contributions on UK police interviews; the investigation and prosecutoin of rape; the effect of gender in the courtroom; forensic psychology and terrorism; the aetiology of genocide; self harm in prisons; post-corrections reintegration and many more an innovative textbook on forensic psychology exploring application of the subject and setting forensic psychology in a broader context demonstrates ways in which forensic psychology can aid the practice of criminal justice This book will be essential reading for students of forensic psychology and practitioners working in the field.

This book brings together academics, practitioners and experts in the field of forensic psychology to demonstrate the scope of the discipline and push its parameters. Its aim is to go beyond introductory texts to challenge perceptions, to raise questions for research and to pose problems for practice. The editors hope to inspire and stimulate debate about how forensic psychology can aid the practice of justice. The book is divided into six sections, addressing key topics from the discipline: investigation and prosecution; testimony and evidence; serious and persistent offending; treatment as intervention; intervention and prevention and punishment and corrections. The contributors are drawn from the UK, the USA and Australia. This updated, revised and significantly expanded edition develops the picture of diversity and depth of forensic psychology; considers ways in which the discipline has progressed and identifies challenges for its future sustainability and growth. includes a new section on treatment as intervention with contributions on personality disordered offenders; anger control group work with forensic psychiatric inpatients; and developments in treatment for drug misuse offenders additional chapters throughout including contributions on UK police interviews; the investigation and prosecutoin of rape; the effect of gender in the courtroom; forensic psychology and terrorism; the aetiology of genocide; self harm in prisons; post-corrections reintegration and many more an innovative textbook on forensic psychology exploring application of the subject and setting forensic psychology in a broader context demonstrates ways in which forensic psychology can aid the practice of criminal justice This book will be essential reading for students of forensic psychology and practitioners working in the field.

The Sweeney broke the mould for British cop shows. Until it was broadcast, they’d been rather stolid, sometimes quaint, dramas like Dixon of Dock Green, Z-Cars and Softly, Softly about policemen – or even bobbies: not cops. They were about upholding the law: not breaking it: about smart blue uniforms, not kipper ties and long hair. They were about preventing or punishing violence – not about inflicting it with pleasure on villains. Then, in 1975, The Sweeney burst onto commercial television. Based on the notoriously corrupt activities of Scotland Yard’s Flying Squad, it followed two dishevelled, uncouth detectives, Regan and Carter, played by John Thaw and Dennis Waterman, who hurtled around unsalubrious parts of London in a battered Ford Granada roughing up anyone who failed to spill the beans quickly enough. Where Dixon of Dock Green would bid his viewers “Goodnight all1”, with a cheery salute, this pair snarled “Shut it!” at toe-rags who spoke out of turn and “Put ‘em away, love” at gangsters’ molls whose boudoirs they’d burst in on. Philip Glenister’s Gene Hunt in Life on Mars is both parody and homage. Now Pat Gilbert has written the book on this cult cop show, interviewing dozens of people who made it happen, from screenwriters to stuntmen. It’s an essential companion to one of the DVD box sets.

NONE WHO ENTER THE WORLD HOUSE LEAVE IT UNCHANGED. In some rooms, forests grow; animals roam and objects come to life. Great secrets and treasures await the brave or foolhardy. And at the very top of the house, the prisoner it was all built to contain sat behind a locked door waiting for the key to turn. The day that happened, the world ended. A sequel to the stunning "The World House". File Under: Modern Fantasy [Worlds within Worlds | End of Days | A Prisoner Escapes | Dark Powers]

When Oscar Lupe appears 20,000 feet up in the air, his body is frozen solid and free-falling to earth. It shatters on impact. Soon after, a CIA Special Activities Division squad goes rogue with a cargo marked 'Torchwood' that they've been escorting from somewhere called Cardiff. The Agency puts Rex Matheson on the case. As the strange deaths pile up, Rex realises there must be experimental tech out there, but someone is obstructing him at every turn. Rex is the CIA's golden boy - but has he met his match in the evasive Mr Wynter...? Based on the hit science fiction series created by Russell T Davies, The Men Who Sold The World is a prequel to Torchwood: Miracle Day, starring John Barrowman and Eve Myles as Jack Harkness and Gwen Cooper, with Mekhi Phifer as Rex Matheson.

Cardiff Bay. The government has ordered the excavation of the wreckage of a secret underground base. DCI Tom Cutler is watching from a distance, fascinated by the process. There are people in his dreams. People he feels he should know. The disbanded Torchwood Institute spent a century accumulating non-terrestrial artefacts and catching aliens. Who knows what - or who - might still be intact down there. But by the time they find the first body, Suzie Costello is long gone. Based on the hit science fiction series created by Russell T Davies, Long Time Dead is a prequel to Torchwood: Miracle Day, starring John Barrowman and Eve Myles as Jack Harkness and Gwen Cooper. It features Suzie Costello, as played by Indira Varma.

Gwen and Rhys are on the run. Rhys was hoping this meant a windswept cottage on a cliff top, but he's had to settle for a miserable caravan in the isolated village of Rawbone. With the locals taking an unhealthy interest in their daughter, Gwen and Rhys start to realise that something is very wrong. As they uncover the village's terrible past, Gwen discovers that Torchwood will never leave her behind, and now she and Rhys stand alone in defence of the Earth. And the children of Rawbone can only bring her closer to the secret forces that want her out of the way. Based on the hit sci-fi series created by Russell T Davies, First Born is a prequel to Torchwood: Miracle Day, starring John Barrowman and Eve Myles as Jack Harkness and Gwen Cooper, with Kai Owen as Rhys Williams.