The Russian Country Estate Today

Om livet på de russiske godser indtil revolutionen

Russia’s country estates were fulcrums of culture, learning and socio-administration under the imperial state. Only a fraction of the original numbers of these structures survives today, and yet even today several of the most famous of these buildings have uncertain futures. At risk is the survival of this fascinating remnant of Russia’s cultural history. This matter is especially salient as post-Soviet Russia has participated in a struggle over means of its own self-representation. Historic landmarks enter the political arena during periods of drastic change. The struggle over monuments reveals notable adjustments and continuities over a nation’s historical narrative; the study of the treatment of certain monuments provides insight to the language, symbols and memory of a people in transition. This book examines links between two seemingly divergent spheres of human interaction, those of politics and culture. The aim of this book is not to analyse the artistic and architectural merits of Russia’s country estates, as a plethora of works already address this subject. Rather, the objective is to look at the underlying attitudes and circumstances which affect the survival of this integral feature of Russia’s pre-revolutionary secular past. A variety of factors come into play in estate preservation, such as: privatization, restitution, taxation, legislation, actions of governmental and non-government organizations, tourism, and others. This book analyzes Russia’s institutions and actors that continually compete for shifting and scarce resources in the sphere of culture, often to the detriment of physical cultural artefacts themselves. More than just Russia’s estates are subject to these forces although estates serve as an excellent lens with which to view these destructive processes at work.

This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.

In the years following the Napoleonic Wars, a mysterious manuscript began to circulate among the dissatisfied noble elite of the Russian Empire. Entitled The History of the Rus', it became one of the most influential historical texts of the modern era. Attributed to an eighteenth-century Orthodox archbishop, it described the heroic struggles of the Ukrainian Cossacks. Alexander Pushkin read the book as a manifestation of Russian national spirit, but Taras Shevchenko interpreted it as a quest for Ukrainian national liberation, and it would inspire thousands of Ukrainians to fight for the freedom of their homeland. Serhii Plokhy tells the fascinating story of the text's discovery and dissemination, unravelling the mystery of its authorship and tracing its subsequent impact on Russian and Ukrainian historical and literary imagination. In so doing he brilliantly illuminates the relationship between history, myth, empire and nationhood from Napoleonic times to the fall of the Soviet Union.

This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev’s A Month in the Country: have the British staged a ‘Russia of the theatrical mind’?

Linked by declarations of emancipation within the same five-year period, two countries shared human rights issues on two distinct continents. In this book, readers will find a case-study comparison of the emancipation of Russian serfs on the Yazykovo Selo estate and American slaves at the Palmyra Plantation. Although state policies and reactions may not follow the same paths in each area, there were striking thematic parallels. These findings add to our understanding of what happens throughout an emancipation process in which the state grants freedom, and therefore speaks to the universality of the human experience. Despite the political and economic differences between the two countries, as well as their geographic and cultural distances, this book re-conceptualizes emancipation and its aftermath in each country: from a history that treats each as a separate, self-contained story to one with a unified, global framework.

Making sense of the perplexing diversity of Europe is a challenging task. How compatible are national identities in Europe? What makes Europe European? What do Europeans have in common? European National Identities explores the diversity of European states, nations, and peoples. In doing so, the editors focus on the origins and elements of different national identities in Europe and different themes of national self-understanding. Each chapter contributes a unique view of national identities gravitating around myth, historical experiences and traumas, values, ethnic and linguistic differences, and religious fault lines. This work grounds European national identities within cultural, historical, and political dynamics, which makes the work approachable for many readers, including historians, sociologists, and political scientists. In addition, the editors illustrate that national identities continue to be a source of contention and a challenge to political developments, the demands of immigrants and minorities, and the dynamics of European integration. This book draws particular attention to identity shifts and conflicts within individual European countries.