The Sack Of Rome

The sack of Rome shocked the Christian world. Following the battle of Pavia, Pope Clement VII joined (1526) the French-led League of Cognac to resist the threatened Habsburg domination of Europe. Emperor Charles V appealed to the German diet for support and raised an army, which entered Italy in 1527 and joined the imperial forces from Milan, commanded by the Duke of Bourbon. This army marched on Rome, hoping to detach the pope from the league. The many Lutherans in its ranks boasted that they came with hemp halters to hang the cardinals and a silk one for the pope. Rome fell on 6 May 1527, Bourbon being killed in the first assault. Discipline collapsed, and the city was savagely pillaged for a week before some control was restored. Judith Hook's book is here reprinted with a foreward by Patrick Collinson.

Award-winning author Alexander Stille has been called "one of the best English-language writers on Italy" by the New York Times Book Review, and in The Sack of Rome he sets out to answer the question: What happens when vast wealth, a virtual media monopoly, and acute shamelessness combine in one man? Many are the crimes of Silvio Berlusconi, Stille argues, and, with deft analysis, he weaves them into a single mesmerizing chronicle—an epic saga of rank criminality, cronyism, and self-dealing at the highest levels of power.

Denied citizenship by the Roman Empire, a soldier named Alaric changed history by unleashing a surprise attack on the capital city of an unjust empire. Stigmatized and relegated to the margins of Roman society, the Goths were violent “barbarians” who destroyed “civilization,” at least in the conventional story of Rome’s collapse. But a slight shift of perspective brings their history, and ours, shockingly alive. Alaric grew up near the river border that separated Gothic territory from Roman. He survived a border policy that separated migrant children from their parents, and he was denied benefits he likely expected from military service. Romans were deeply conflicted over who should enjoy the privileges of citizenship. They wanted to buttress their global power, but were insecure about Roman identity; they depended on foreign goods, but scoffed at and denied foreigners their own voices and humanity. In stark contrast to the rising bigotry, intolerance, and zealotry among Romans during Alaric’s lifetime, the Goths, as practicing Christians, valued religious pluralism and tolerance. The marginalized Goths, marked by history as frightening harbingers of destruction and of the Dark Ages, preserved virtues of the ancient world that we take for granted. The three nights of riots Alaric and the Goths brought to the capital struck fear into the hearts of the powerful, but the riots were not without cause. Combining vivid storytelling and historical analysis, Douglas Boin reveals the Goths’ complex and fascinating legacy in shaping our world.

On May 5, 1527 Spanish, German, and Italian troops under the banner of the Holy Roman Emperor swarmed into Rome. Until December, when they were finally dispersed by plague, these troops plundered, tortured, raped, and murdered in the defenseless capital of Christendom. "The sack of Rome in 1527 was an event of tragic and decisive importance. It brought the Renaissance, the greatest period in Italian history, to its sudden and catastrophic end. We are fortunate to possess many eyewitness accounts of this extraordinary event. Only one contemporary account, however, offers an overview of the political and military situation in Italy that culminated in the sack of Rome. That account is here translated for the first time." (Introduction) Illustrated, maps, introduction, glossary, afterword, bibliography.

From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century Rome In this illustrated account of the sack of Rome as a cultural and artistic phenomenon, André Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or “Europeanization” of the Mannerist style by artists who fled the city—including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clement’s critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the pope’s temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Rome’s recovery.

The sack of Rome shocked the Christian world. Following the battle of Pavia, Pope Clement VII joined (1526) the French-led League of Cognac to resist the threatened Habsburg domination of Europe. Emperor Charles V appealed to the German diet for support and raised an army, which entered Italy in 1527 and joined the imperial forces from Milan, commanded by the Duke of Bourbon. This army marched on Rome, hoping to detach the pope from the league. The many Lutherans in its ranks boasted that they came with hemp halters to hang the cardinals and a silk one for the pope. Rome fell on 6 May 1527, Bourbon being killed in the first assault. Discipline collapsed, and the city was savagely pillaged for a week before some control was restored. Judith Hook's book is here reprinted with a foreward by Patrick Collinson.

“This magnificent love letter to Rome” (Stephen Greenblatt) tells the story of the Eternal City through pivotal moments that defined its history—from the early Roman Republic through the Renaissance and the Reformation to the German occupation in World War Two—“an erudite history that reads like a page-turner” (Maria Semple). Rome, the Eternal City. It is a hugely popular tourist destination with a rich history, famed for such sites as the Colosseum, the Forum, the Pantheon, St. Peter’s, and the Vatican. In no other city is history as present as it is in Rome. Today visitors can stand on bridges that Julius Caesar and Cicero crossed; walk around temples in the footsteps of emperors; visit churches from the earliest days of Christianity. This is all the more remarkable considering what the city has endured over the centuries. It has been ravaged by fires, floods, earthquakes, and—most of all—by roving armies. These have invaded repeatedly, from ancient times to as recently as 1943. Many times Romans have shrugged off catastrophe and remade their city anew. “Matthew Kneale [is] one step ahead of most other Roman chroniclers” (The New York Times Book Review). He paints portraits of the city before seven pivotal assaults, describing what it looked like, felt like, smelled like and how Romans, both rich and poor, lived their everyday lives. He shows how the attacks transformed Rome—sometimes for the better. With drama and humor he brings to life the city of Augustus, of Michelangelo and Bernini, of Garibaldi and Mussolini, and of popes both saintly and very worldly. Rome is “exciting…gripping…a slow roller-coaster ride through the fortunes of a place deeply entangled in its past” (The Wall Street Journal).

Fully illustrated with 180 photographs, artworks and maps, The 'Dark' Ages is an exciting, engaging and highly informative exploration of this often-overlooked period in early medieval history.