The Saga Of The Land Of Jagannatha

The book is about lord Jagannatha - the established god of Hindus and His temple at Puri known as Badadeula. The book is for general reading for those interested to know about lord Jagannatha and His temple at Puri and not a historical treatise. Many of the descriptions and anecdotes in it are from the epics, legends and folktales that may or may not have historical relevance. But at the same time, they are interesting facts about lord Jagannatha since ages. The book with the captioned name is divided into four chapters (1) Lord Jagannatha, (2) The Temple - Badadeula, (3) The Festivals of Jagannatha and (4) Mahaprasada. (the food offerings to Jagannatha). The eight annexes deal with (i) Important temples in Puri, (ii) Important mathas (monasteries) in Puri, (iii) Different beshas (costumes/dresses) of Jagannatha, (iv) Important festivals in Badadeula, (v) Fables and facts about Jagannatha,(vi) Invasion on Puri and Badadeula by Afghans and Moguls (vii) Salient facts and figures about Badadeula and Puri and (viii) Places of interest in and around Puri.

In the Rig-Veda, 10.155.3, there is mention of a Daru (log of wood) floating in the ocean. Vedic prayers have indicated for taking shelter in the Daru. In spite of the fact that Acharya Sayana, the noted commentator on the Vedas, has categorically interpreted the hymn with Jagannath as the Daru floating at the sea shores, some scholars have refuted this interpretation under the argument that the hymn deals with âAlaxmi Stavaâ of Arayi.

The book attempts to trace an overview of the different components that define the cultural landscape of the state of Odisha in relation to its history, religious cults, art, and literature and to link the development of the various aspects to the role played over the centuries by the Geeta Govinda poem in its different manifestations. From being an important component of the rituals performed in the Jagannath Temple to becoming an essential part of the people’s daily lives and artistic expressions, this immortal poem has exercised its influence on the cultural landscape of the state from its early inception in the twelfth century until present times. Religious beliefs, visual representations, performative expressions, and literary compositions have been influenced by the strong emotional appeal contained in its verses. Its musical structure, spiritual underline and histrionic content have been an essential font of inspiration in the process of the rediscovery of a cultural identity during the last century and continue to exercise a strong influence on the performing arts of the present times. Among all the art forms, the classical style of Odissi dance, the way it has been re-structured in the middle of the last century, is perhaps the one which bears the closest contact with the poem, almost being synonymous with it. The dance’s lyrical quality and its emotional appeal steeped in a long history of association with devotional and spiritual values make it an ideal form of visual expression for the literary content of the poem.

The book examines the shaping of popular culture of Orissa over the last two hundred years. It brings together six articles, which delineate different aspects of the social and cultural history of Orissa health and disease, caste, class, gender, popular perceptions and literary constructions. Also included are two field notes that focus on certain vital issues of contemporary relevance in Korapat.

In this informative new book, Ravi Kalia continues his examination of the planning of Indian cities begun with his earlier study of Chandigarh. Here, Kalia makes systematic inquiries into the political circumstances that brought about modern Bhubaneswar, the capital of the state of Orissa, to reveal the historical and social circumstances that shaped the city. In this account, Kalia brilliantly shows the interplay of indigenous religious forces, regional loyalty, and Western secular ideas in the context of twentieth-century international architecture and planning movements. This book will prove invaluable to historians, architects, planners, sociologists, and scholars interested in India, as well as those interested in urban planning in developing countries.