The Sandman And Other Tales Of Hoffmann

Traditionally he is a character in many children's stories. He is said to sprinkle sand or dust on or into the eyes of the child at night to bring on dreams and sleep. Hoffmann (1776-1822) created an inverse idea of the lovable character inThe Sandman, which showed how sinister such a character could be made. The protagonist of the story associates this nightmarish creature with the sinister figure of his father's associate Coppelius.

The young student Nathanael remains haunted by his childhood fears: he is convinced that Coppelius, a strange night-time visitor who used to come to his house to conduct alchemical experiments with his father - the latter dying as a consequence of one of these sessions - was none other than the Sandman, a mythical figure who was said to steal the eyes of children who refused to go to sleep. When a mysterious Italian salesman with a beautiful daughter moves into town, Nathanael's suspicions are reawakened, pushing him to the brink of madness as extraordinary event unfold. First published in 1816, this classic of German Gothic fiction has enthralled generations ever since, and has spawned countless interpretations by critics intrigued by its powerful symbolism. Sigmund Freud famously examined the novella in relation to his concept of the "e;Uncanny"e;, and an extract from this analysis is included in this volume.

‘The Elementary Spirit‘ (1844) was written by the German Romantic author E. T. A. Hoffmann, most famous for his novella ‘The Nutcracker and the Mouse King’ (1816) which inspired Tchaikovsky’s ‘The Nutcracker’. When Prussian lieutenant, colonel Albert von B. rides from Liège to Aachen, a chance encounter with Paul Talkebarth leads him to a mysterious country house where his best friend lies ill. But not everything or everyone are as they seem, and beset by strange dreams and apparitions, Albert is faced with a battle for his soul. ‘The Elementary Spirit’ is from Hoffmann’s ‘Later Works’. This classic short story is perfect for fans of horror and fantasy fiction and the authors H. P. Lovecraft and Neil Gaiman. Ernst Theodor Wilhelm Hoffmann (1776-1822), better known as E. T. A. Hoffmann, was a German Romantic author of fantasy and gothic horror. He was also a composer, music critic, draftsman and caricaturist. Hoffmann's stories inspired several famous operatic composers, including Richard Wagner, Jacques Offenbach and Léo Delibes. He is also the author of the novella ‘The Nutcracker and the Mouse King’, on which Tchaikovsky’s famous ballet, ‘The Nutcracker’ is based. The story also inspired the film ‘The Nutcracker and the Four Realms’ (2018), starring Keira Knightley, Morgan Freeman, Helen Mirren.

This selection of Hoffmann's finest short stories vividly demonstrates his intense imagination and preoccupation with the supernatural, placing him at the forefront of both surrealism and the modern horror genre. Suspense dominates tales such as Mademoiselle de Scudery, in which an apprentice goldsmith and a female novelist find themselves caught up in a series of jewel thefts and murders. In the sinister Sandman, a young man's sanity is tormented by fears about a mysterious chemist, while in The Choosing of a Bride a greedy father preys on the weaknesses of his daughter's suitors. Master of the bizarre, Hoffman creates a sinister and unsettling world combining love and madness, black humour and bewildering illusion.

Hoffmann is among the greatest and most popular of the German Romantics. This selection, while stressing the variety of his work, puts in the foreground those tales in which the real and the supernatural are brought into contact and conflict. The humour of these tales is a result of the incongruity of supernatural beings at large in an ostentatiously everyday world. They include The Golden Pot, recognized as Hoffmann's masterpiece by himself and posterity; its spine-chilling companion tale, The Sandman, which Offenbach drew on for his opera Tales of Hoffmann, and which Freud examines in his essay `The Uncanny'; two longer and more elaborate fantasies, set respectively in Germany and Italy; and the late story, My Cousin's Corner Window, which shows the powers of the imagination being applied to everyday urban life, and marks a transition in European literature generally from Romanticism to Realism. Ritchie Robertson's detailed introduction places the stories in their intellectual and historical context and explores their compelling narrative complexities.

E.T.A. Hoffmann's classic story, The Sandman'Der Sandmann, is presented complete and unabridged in English-German parallel text. A tale of madness, deceit and murder, The Sandman has spawned countless adaptations and informs much of modern horror. This volume also includes the full libretto of Jacques Offenbach's operatic interpretation of The Sandman, act II from The Tales of Hoffmann'Le contes d'Hoffmann, in English and French. Illustrations throughout.The Bilingual Library presents the world's classics in parallel text. Each page in the original language is mirrored by its English translation on the facing page. Series editor D. Bannon is a member of the American Literary Translators Association and the American Translators Association.

The story begins with a series of letters between Nathanael, his fiancée Clara, and her brother Lothar. Nathanael describes a childhood fear of a creature called The Sandman who was said to come at night and steal the eyes of children, which intermingled with a the appearance of a man named Coppelius in his father's room some nights to work on what appears to have been alchemy. This man once attacked Nathanael, threatening to take his eyes, and later killed his father before disappearing.