The Scandal Of Images

In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making.

Denton, Holloway, and their contributors present analyses of communication strategies used in the Clinton administration, with a special focus on President Clinton's responses to the Lewinsky scandal and impeachment. Chapters explore the Clinton administration's attempts to control his image through rhetorical and media strategies, his appeal to women voters, the changing image of Hillary Rodham Clinton, and Clinton's discourse on race. The second half of the book focuses on Clinton's responses to the Lewinsky scandal, media coverage and polling during the scandal, and Clinton's impact on the symbolic nature of the American presidency. This book will be of particular interest to scholars, students, and other researchers involved with communication, political science, political sociology, political communication, and scandal.

Because many modern Christians can offer a reasonable explanation of the meaning of Jesus' death on the cross, they find it hard to understand the confusion displayed by the disciples after the events in the last pages of the Gospels. But if Paul were alive today, he would find it inexplicable that we modern believers are not scandalized by the cross. Proclaiming the Scandal of the Cross introduces pastors, church leaders, students, and lay readers to the need for contextualized atonement theology, offering creative examples of how the cross can be proclaimed today in culturally relevant and transformative ways. It makes helpful suggestions on how this vision for a culturally relevant message might be developed. The impressive list of contributors includes writings from C. S. Lewis, Rowan Williams, Frederica Mathewes-Green, Brian McLaren, and many more who are actively working out just how to make this life-transforming proclamation.

Popcorn and red wine will never be the same again After seven seasons of intrigue, lust and plot twists, Olivia Pope and her team of Gladiators are taking their final bow. In this new Special Edition from People, go behind the scenes of the hit show that helped redefine "must-see TV." From its very first episode, Scandal featured plots ripped from the headlines and the real-life White House, following a powerful D.C. fixer who was able to take every crisis in hand, while handling a . . . complicated affair with the President. We cover each and every season, the breakout moments, the shocking deaths and more, and pair it with outstanding photography. We track Olivia's style, provide profiles on all major cast members, and offer 16 new interviews with cast and crew, including Scandal creator Shonda Rhimes, Kerry Washington and Tony Goldwyn. Whether you've been a long-time Gladiator or are binge-watching now, PEOPLE Scandal is the perfect companion (as well as wine and popcorn)!

For the first-century Roman world the cross was first and foremost an instrument of shameful and violent execution. But early Christians, who had seen their world upended by the atoning power of the cross of Christ, came to view it in an entirely different light. Deeply scandalous, it was paradoxically glorious. For the cross of Christ marked the epochal saving event in God's dealings with Israel and the world. And its meaning could not be fathomed or encircled by a single image or formulation. Since its publication in 2000, Recovering the Scandal of the Cross has initiated among evangelicals a new conversation about the nature of the atonement and how it should be expressed in the varied and global contexts of today. In this second edition Green and Baker have clarified and enlarged their argument in a way that will continue to provoke thought and conversation on this critical topic.

The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.

Repairing the Athlete’s Image: Studies in Sports Image Restoration, edited by Joseph R. Blaney, Lance Lippert, and J. Scott Smith, offers twenty-one case studies and conceptual frameworks about athletes and their organizations as they attempt to mitigate the effects of malfeasance. Employing traditional Image Restoration Theory (IRT) approaches to athletic communication (and other innovative approaches), the contributors to this volume add to our understanding of which communicative strategies work best for athletes when their reputations are sullied. This comprehensive text presents case studies of varying athletes, sports, and public relations scenarios with prescriptive advice for those attempting to repair athletic reputations. The contributors variously explore such controversies and mischief as the steroids accusations lobbed at Barry Bonds and Roger Clemens, the Michael Phelps marijuana controversy, the sexual misconduct of Tiger Woods and Kobe Bryant, and other topical subjects in sports communication and image repair. While this book will be useful for athletes, coaches, managers, and agents in varying athletic endeavors and levels, it is also a dream collection for teachers and scholars of sports communication. The subjects examined in this study span country, gender, and popularity of sport (not to mention a healthy variety of types of accusations.) Repairing the Athlete’s Image is an essential resource for graduate and upper-level undergraduate courses in sports communication and popular culture.

This book tackles the question of why the United States is so resistant to radical change towards economic justice and peace. Taking full stock of the despair that launched the popular support for Bernie Sanders and Donald Trump, Swanger historicizes the political paralysis of post-1974 United States that deepened already severe economic inequalities, asking how the terrain for social movements in the early twenty-first-century US differs from that of the 1960s. This terrain is marked by the entrenchment of neoliberalism, anti-intellectualism, and difficulties paradoxically posed by the ease of social media. Activists now must contend with a paralyzing “post-factual” moment. Alain Badiou’s thought informs this book on breaking through contemporary political paralysis.