The Scent Of Time

In his philosophical reflections on the art of lingering, acclaimed cultural theorist Byung-Chul Han argues that the value we attach today to the vita activa is producing a crisis in our sense of time. Our attachment to the vita activa creates an imperative to work which degrades the human being into a labouring animal, an animal laborans. At the same time, the hyperactivity which characterizes our daily routines robs human beings of the capacity to linger and the faculty of contemplation. It therefore becomes impossible to experience time as fulfilling. Drawing on a range of thinkers including Heidegger, Nietzsche and Arendt, Han argues that we can overcome this temporal crisis only by revitalizing the vita contemplativa and relearning the art of lingering. For what distinguishes humans from other animals is the capacity for reflection and contemplation, and when life regains this capacity, this art of lingering, it gains in time and space, in duration and vastness.

Can a drop of perfume tell the story of the twentieth century? Can a smell bear the traces of history? What can we learn about the history of the twentieth century by examining the fate of perfumes? In this remarkable book, Karl Schlögel unravels the interconnected histories of two of the world’s most celebrated perfumes. In tsarist Russia, two French perfumers – Ernest Beaux and Auguste Michel – developed related fragrances honouring Catherine the Great for the 300th anniversary of the Romanov dynasty. During the Russian Revolution and Civil War, Beaux fled Russia and took the formula for his perfume with him to France, where he sought to adapt it to his new French circumstances. He presented Coco Chanel with a series of ten fragrance samples in his laboratory and, after smelling each, she chose number five – the scent that would later go by the name Chanel No. 5. Meanwhile, as the perfume industry was being revived in Soviet Russia, Auguste Michel used his original fragrance to create Red Moscow for the tenth anniversary of the Revolution. Piecing together the intertwined histories of these two famous perfumes, which shared a common origin, Schlögel tells a surprising story of power, intrigue and betrayal that offers an altogether unique perspective on the turbulent events and high politics of the twentieth century. This brilliant account of perfume and politics in twentieth-century Europe will be of interest to a wide general readership.

Beauty today is a paradox. The cult of beauty is ubiquitous but it has lost its transcendence and become little more than an aspect of consumerism, the aesthetic dimension of capitalism. The sublime and unsettling aspects of beauty have given way to corporeal pleasures and 'likes', resulting in a kind of 'pornography' of beauty. In this book, cultural theorist Byung-Chul Han reinvigorates aesthetic theory for our digital age. He interrogates our preoccupation with all things slick and smooth, from Jeff Koon's sculptures and the iPhone to Brazilian waxing. Reaching far deeper than our superficial reactions to viral videos and memes, Han reclaims beauty, showing how it manifests itself as truth, temptation and even disaster. This wide-ranging and profound exploration of beauty, encompassing ethical and political considerations as well as aesthetic, will appeal to all those interested in cultural and aesthetic theory, philosophy and digital media.

2003 Commonwealth Writers Prize for Best First Book (Caribbean & Canada Region) 2002 City of Calgary W. O. Mitchel Book Award 2001 Canongate Prize for short fiction The Scent of a Lie is a book of fourteen inter-connected stories set in two charismatic towns in Portugal where characters weave in and out of the narrative. The book can be read as a novel in fragments. This is a remarkable debut collection of tales told by a true storyteller. The Scent of a Lie received the 2003 Commonwealth Writers Prize for Best First Book in the Caribbean & Canada region and the 2002 City of Calgary Book Award. One of the stories received the 2001 Canongate Prize for short fiction at the International Book Festival in Edinburgh, Scotland. The Scent Of A Lie, (...) marks the debut of a remarkable writer. - John Terauds, Toronto Star With this book of linked stories, Paulo Da Costa adds piquant new spice to the CanLit broth. Paying homage to a fabulist tradition running from Marquez and Borges and Carlos Fuentes all the way back to Cervantes, Da Costa evokes his God-beset, earthbound peasants, priests and villagers with palpable, redolent precision. Jim Bartley, The Globe and Mail The reader can see just how well da Costa writes: the language here is lyrical and flowing, and the imaginativeness of the stories speaks for itself. Da Costa is clearly a writer to watch. Tim McNamara, Edmonton Journal The most uniformly fresh, sprightly, meaty work of Canadian fiction I’ve read in a long time. Vue weekly, Print Culture - Christopher Wiebe

“A compelling tale of cultural displacement and yearning” (The Boston Globe), from award-winning author Lara Vapnyar: a “sly and seductive” (The New York Times Book Review) new novel about sexual awakening and the relentless search for love. Though only thirty-eight, Lena finds herself in the grips of a midlife crisis. She feels lost in her adoptive country, her career is at a dead end, and her marriage has spiraled into apathy and distrust—it seems impossible she will ever find happiness again. But then she strikes up a precarious friendship with Ben, a failed artist turned reluctant academic, who is just as lost as she is. They soon surprise themselves by embarking on an impulsive weekend adventure, uncharacteristically leaving their responsibilities behind. On the way to Ben’s remote cabin in Maine, Lena begins to talk, for the first time in her life, about the tumultuous summer she spent as a counselor in a Soviet children’s camp twenty years earlier, when she was just discovering romance and her own sexuality. As Lena opens up to Ben about secrets she has long kept hidden, they begin to discover together not only the striking truths buried in her puzzling past, but also more immediate, passionate ones about the urgency of this short, stolen time they have together. “Enchanting…vivid and rich” (The New York Times), filled with Lara Vapnyar’s characteristic empathy, deadpan humor, and striking honesty, The Scent of Pine weaves themes of ambition, loneliness, longing, and the fickle nature of desire into a “book of elegant writing and propulsive storytelling” (Chicago Tribune).

Annie Martin loves the Plain ways of her Old Order Mennonite people, like those revered by her beloved grandfather. Retreating from a contentious relationship with her mother, Annie goes to live with her Daadi Moses in Apple Ridge. But as spring moves into Pennsylvania and Annie spends time amongst the cherry trees with the handsome Aden Zook, she wishes she could forget how deeply the lines between the Old Order Amish and Old Order Mennonite are drawn. Can Annie and Aden find a place for their love to bloom in the midst of the brewing storm?