The Scrap Book

My work has had nothing to do with gay liberation, Michel Foucault reportedly told an admirer in 1975. And indeed there is scarcely more than a passing mention of homosexuality in Foucault's scholarly writings. So why has Foucault, who died of AIDS in 1984, become a powerful source of both personal and political inspiration to an entire generation of gay activists? And why have his political philosophy and his personal life recently come under such withering, normalizing scrutiny by commentators as diverse as Camille Paglia, Richard Mohr, Bruce Bawer, Roger Kimball, and biographer James Miller? David M. Halperin's Saint Foucault is an uncompromising and impassioned defense of the late French philosopher and historian as a galvanizing thinker whose career as a theorist and activist will continue to serve as a model for other gay intellectuals, activists, and scholars. A close reading of both Foucault and the increasing attacks on his life and work, it explains why straight liberals so often find in Foucault only counsels of despair on the subject of politics, whereas gay activists look to him not only for intellectual inspiration but also for a compelling example of political resistance. Halperin rescues Foucault from the endless nature-versus-nurture debate over the origins of homosexuality ("On this question I have absolutely nothing to say," Foucault himself once remarked) and argues that Foucault's decision to treat sexuality not as a biological or psychological drive but as an effect of discourse, as the product of modern systems of knowledge and power represents a crucial political breakthrough for lesbians and gay men. Halperin explains how Foucault's radical vision of homosexuality as a strategic opportunity for self-transformation anticipated the new anti-assimilationist, anti-essentialist brand of sexual identity politics practiced by contemporary direct-action groups such as ACT UP. Halperin also offers the first synthetic account of Foucault'sthinking about gay sex and the future of the lesbian and gay movement, as well as an up-to-the-minute summary of the most recent work in queer theory. "Where there is power, there is resistance," Michel Foucault wrote in The History of Sexuality, Volume I. Erudite, biting, and surprisingly moving, Saint Foucault represents Halperin's own resistance to what he views as the blatant and systematic misrepresentation of a crucial intellectual figure, a misrepresentation he sees as dramatic evidence of the continuing personal, professional, and scholarly vulnerability of all gay activists and intellectuals in the age of AIDS.

The renowned Caldecott Honoree and illustrator of Chicka Chicka Boom Boom provides a moving, intimate, and inspiring inside look at her colorful picture book career. Lois Ehlert always knew she was an artist. Her parents encouraged her from a young age by teaching her how to sew and saw wood and pound nails, and by giving her colorful art supplies. They even gave her a special spot to work that was all her own. Today, many years and many books later, Lois takes readers and aspiring artists on a delightful behind-the-scenes tour of her books and her book-making process. Part fascinating retrospective, part moving testament to the value of following your dreams, this richly illustrated picture book is sure to inspire children and adults alike to explore their own creativity.

A joyful celebration of a mixed-race family and the love that binds them together. As the seasons turn, Maisie rides her bull in and out of Dada's tall tales. Her Mama wears linen and plays the viola. Her Dada wears kente cloth and plays the marimba.They come from different places, but they hug her in the same way. And most of all, they love her just the same. WINNER of the Family Category, Northern Lights Book Awards 2019. “Opens a window into what it can look and feel like to grow up in a biracial, multinational family that’s rich in story”—Kirkus Reviews, STARRED “When my four year old granddaughter spotted it, she exclaimed ‘That’s me and my mummy and daddy’!”—The Letterpress Project “We found a kindred spirit in Maisie. She will make a generation of mixed kids feel more visible”—The Tiger Tales

Cecil Beaton (1904-1980) was essential to the cultural life of Britain and beyond in the twentieth

Through rare photographs and previously unpublished government documents, this scrapbook recreates a story that shook the aviation world and forever changed a nation. In the chill of the Cold War, the RCAF and aircraft giant A. V. Roe developed and built a new generation of jet fighter, one that could intercept Soviet bombers flying over the North Pole, a fighter that would stand as the first line of defense for North America. This important collection is vital to understanding the plan, the dream, the technological victories, and how it all went wrong. A must for aviation enthusiasts!

From the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean, this collection includes seven books in one volume: the full texts of Slouching Towards Bethlehem; The White Album; Salvador; Miami; After Henry; Political Fictions; and Where I Was From. As featured in the Netflix documentary Joan Didion: The Center Will Not Hold. Joan Didion’s incomparable and distinctive essays and journalism are admired for their acute, incisive observations and their spare, elegant style. Now the seven books of nonfiction that appeared between 1968 and 2003 have been brought together into one thrilling collection. Slouching Towards Bethlehem captures the counterculture of the sixties, its mood and lifestyle, as symbolized by California, Joan Baez, Haight-Ashbury. The White Album covers the revolutionary politics and the “contemporary wasteland” of the late sixties and early seventies, in pieces on the Manson family, the Black Panthers, and Hollywood. Salvador is a riveting look at the social and political landscape of civil war. Miami exposes the secret role this largely Latin city played in the Cold War, from the Bay of Pigs through Watergate. In After Henry Didion reports on the Reagans, Patty Hearst, and the Central Park jogger case. The eight essays in Political Fictions–on censorship in the media, Gingrich, Clinton, Starr, and “compassionate conservatism,” among others–show us how we got to the political scene of today. And in Where I Was From Didion shows that California was never the land of the golden dream.

My name is Adela Silvestre, but as soon as the Instagram homepage welcomes me I'm magically transformed into The Mint Feather, a crafter who loves scrapbooking, Home Decor, and product photography. There, I explore all kinds of handicrafts or fields of art. I absolutely go crazy for wood and cardboard techniques. The noise of my electric screwdriver is my white noise. Collage making is my favorite art expression and decorating my house is my personal therapy. Without a doubt, what I most enjoy is looking at random objects and thinking how I can transform them into something completely different and creative. Are you joining the party?

This Is A New Release Of The Original 1922 Edition.