The Sea Stone Collection

Growing up in the small seaside town of Cutter's Cove, Maine, Kathy Jennings has walked the beach, since she was 11, searching for her magical sea stones. Now, her collection is to be envied. Still alone at 60, she finally finds that one special sea stone that tells her she will soon fall in love for the first time. Is 60 too old to fall in love? Not according to her life long friend, Becky Porter, who owns the local flower shop. An avid marathon runner, Becky is always willing to pull on her running shoes for any good cause. So, at 59, she makes plans to run a 5-K race to benefit Juvenile Diabetes. When she is diagnosed with terminal cancer, during her training, she finds herself unable to run her race. Kathy, a classic couch potato, steps up and offers to run it for her. However, the transformation from couch potato to marathon runner has its challenges for Kathy. Will meeting Marcus Stone, a handsome British gentleman, be just the inspiration she needs? Kathy soon discovers that she'll need more than just Marcus's love to see her through the loss of her best friend. She'll need God. However, both women have long ago turned their back on that one Divine Hope that could now see them through their challenges. As Becky's illness progresses, both women are forced to re-examine the childhood trauma that caused them to turn their backs on God so many years ago. Kathy finds herself torn between the happiness of finally falling in love and the heartache of watching a life long friend die.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

In the Anishnaabe language and worldview, stones are alive, infused with life force or spirit. Although many of the stories are about loss, under that surface they are alive, celebrating the beauty and preciousness of life.—Kateri Akiwenzie-Damm In these 14 unique stories, Kateri Akiwenzie-Damm takes on complex and dangerous emotions, exploring the gamut of modern Anishinaabe experience. Through unforgettable characters, these stories—about love and lust, suicide and survival, illness and wholeness—illuminate the strange workings of the human heart.

Discover four critically-acclaimed novels from award-winning author Tamara Ireland Stone, including the New York Times bestseller Every Last Word. In the New York Times bestselling Every Last Word, Samantha McAllister looks just like the rest of the popular girls in her junior class. But she’s hiding a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off. It doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. So when Sam meets Caroline, she has to keep her new friend a secret, right up there with Sam's weekly visits to her psychiatrist. But then Caroline introduces Sam to Poet's Corner, a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse. Slowly, she begins to feel more "normal" than she ever has as part of the popular crowd . . . until she finds a new reason to question her sanity and all she holds dear. In Little Do We Know, lifelong best friends and next-door neighbors Hannah and Emory have never gone a single day without talking. But now it’s senior year and they haven't spoken in three months. Not since the fight, where they each said things they couldn't take back. Then one fateful night, Emory's boyfriend, Luke, almost dies, and Hannah is the one who finds him and saves his life. As Luke tries to make sense of his experience, he secretly turns to Hannah, who becomes his biggest confidante. And in Luke, Hannah finds someone she can finally talk to. But Emory just wants everything to go back to normal—the way it was before the accident. But when the horrifying reason behind Hannah and Emory's argument ultimately comes to light, all three of them will be forced work together to protect the one with the biggest secret of all in this deeply moving, unforgettable story about love, betrayal, and the power of friendship. In Time Between Us, Anna and Bennett were never supposed to meet. She lives in 1995 Chicago and he lives in 2012 San Francisco. But Bennett's unique ability to travel through time and space brings him into Anna's life, and with him, a new world of adventure and possibility. As their relationship deepens, they face the reality that time might knock Bennett back where he belongs, even as a devastating crisis throws everything they believe into question. Against a ticking clock, Anna and Bennett are forced to ask themselves how far they can push the bounds of fate—and what consequences they can bear in order to stay together. In the sequel to Time Between Us, Time After Time, Anna and Bennett have found a way to stay together against all odds. It’s not a perfect arrangement, though, with Bennett unable to stay in the past for more than brief visits, skipping out on big chunks of his present in order to be with Anna. They each are confident that they’ll find a way to make things work…until Bennett witnesses a single event he never should have seen. Will the decisions he makes from that point on cement a future he doesn’t want?

Three siblings embark on an epic quest for a mythic grail in this first installment of Susan Cooper’s epic and award-winning The Dark Is Rising Sequence, now with a brand-new look! All through time, the two great forces of Light and Dark have battled for control of the world. Now, after centuries of balance, the Dark is summoning its terrifying forces to rise once more…and three children find themselves caught in the conflict. The Drew siblings—Simon, Jane, and Barney—are on a family holiday in Cornwall when they discover an ancient map in the attic of the house they are sharing with their Great Uncle Merry. They know immediately that the map is special but have no way of knowing how much. For the map leads to a grail: a vital weapon for the Light’s fight against evil. In taking on the quest to find the grail, the Drews will have to race against the sinister human beings who serve the dreadful power of the dark—an adventure that puts their own lives in grave peril.

Mike Aul thinks he’s living the good life in Ann Arbor, Michigan. At the age of 35, he’s working as a tattoo artist and running a lucrative business selling his Native American spiritual paintings on-line. Then a reoccurring dream reveals the image of an elderly Native American man from the days of the wild west. Following his instincts, Mike paints the image onto a canvas and it quickly becomes one of his best pieces. When the owner of a Phoenix art gallery invites him to display his work in a South- west exhibition, Mike seizes the opportunity and includes the painting of the elderly Native American in his collection. His life quickly takes a turn for the bizarre when a Navajo grandfather named Arthur White Horse, visits the Phoenix gallery and claims the man in the painting is actually an old friend of Mike’s who is reaching out to him from a past life. “He travels across time with a message for you,” Arthur declares. Mike quickly dismisses the old man’s words as Indian mumbo-jumbo. However, his questions begin to mount when the man in the painting suddenly begins to haunt his every move. Who is this mysterious “out of time” friend and what message could he possibly have for a young Michigan artist? Hoping to find the answers to these questions, Mike accepts Arthur’s invitation to visit him on the Navajo Indian Reservation. What he discovers in the mystical land of the Navajo is more than he bargains for and he returns a very different man!

Prepare yourslef for discoveries and new adventures with this incredible book about the true origin of wanderlust. This edition forms a complete history of the earliest start and progress of navigation, discovery, and commerce, by sea and land, from the earliest ages to the early 19th century. First part of the work covers voyages and travels of discovery in the middle ages; from the era of Alfred, King of England, in the ninth century to that of Don Henry of Portugal at the commencement of the fourteenth century. Second part deals with general voyages and travels chiefly of discovery; from the era of Don Henry, in 1412, to that of George III. in 1760. The rest of the work has some particular voyages and travels arranged in systematic order, Geographical and Chronological, and studies voyages during the era of George III conducted upon scientific principles, by which the Geography of the globe has been nearly perfected.

This book is a study of 'collecting' undertaken by Joseph Antoine Bruni d'Entrecasteaux and his shipmates in Tasmania, the western Pacific Islands, and Indonesia. In 1791-1794 Bruni d'Entrecasteaux led a French naval expedition in search of the lost vessels of La Pérouse which had last been seen by Europeans at Botany Bay in March 1788. After Bruni d'Entrecasteaux died near the end of the voyage and the expedition collapsed in political disarray in Java, its collections and records were subsequently scattered or lost. The book's core is a richly illustrated examination, analysis, and catalog of a large array of ethnographic objects collected during the voyage, later dispersed, and recently identified in museums in France, Norway, the Netherlands, Switzerland, and the United States. The focus on artifacts is informed by a broad conception of collecting as grounded in encounters or exchanges with Indigenous protagonists and also as materialized in other genres--written accounts, vocabularies, and visual representations (drawings, engravings, and maps). Historically, the book outlines the antecedents, occurrences, and aftermath of the voyage, including its location within the classic era of European scientific voyaging (1766-1840) and within contemporary colonial networks. Particular chapters trace the ambiguous histories of the extant collections. Ethnographically, contributors are alert to local settings, relationships, practices, and values; to Indigenous uses and significance of objects; to the reciprocal, dialogic nature of collecting; to local agency or innovation in exchanges; and to present implications of objects and their histories, especially for modern scholars and artists, both Indigenous and non-Indigenous.