The Seafarer S Kiss

After rescuing maiden Ragna, mermaid Ersel realizes the life she wants is above the sea. But when Ersel's suitor catches them together, she must say goodbye or face brutal justice from the king. Desperate, Ersel makes a deal with Loki and is exiled as a result. To fix her mistakes and be reunited with Ragna, Ersel must outsmart the God of Lies.

The sacred mysteries essential to Viking survival will be lost if Inge Andersdottir cannot find a daughter to inherit the ancient wisdom. Inge and her husband Karl-Eirik adopt Thora, a young thrall with skaldic (poetic) powers and more. Thora kills a glasscaster and the king condemns her to Lesser Outlawry: a long season of exile to the rivers of Russia and then Istanbul - on Karl's boat, The Seafarer. Reluctantly, Inge agrees to go along and finds a stormy voyage – a grueling portage, an encounter with the Overlord of Kiev, her former lover, with a suspected Greek spy and an attack by the savage Pechenegs. The crew must deal with an unexpected change in captains. Thora is captured and put into an Arab harem. It is up to Inge and her wondrous skills to save the boat, the crew and her daughter.

The Seafarer’s Mind is a wonderful resource for seafarers. The book is rich in narrative and case studies and covers a wide range of issues and challenges facing sailors on the high seas. A hard hitting account which unpacks the realities of a modern version of indentured labour, the author provides hope in the often harsh world of seafaring. This is a practical guide to living in isolating and confined situations where temptations abound and moral compasses are often abandoned. Martin Otto is the world’s leader in serving seafarers through his international mission work. He is to be commended for being God’s advocate in such an insightful, humble and practical manner. This book will become a widely read text and is sure to become a key reference for all seafarers seeking to live a Godly life in an often harsh and unforgiving environment. I recommend it wholeheartedly. Professor Ross Dowling AM Global Cruise Ship Lecturer Perth, Australia

A year ago, Magnus Tolljursson helped repel a treacherous attack from his father’s enemies, and discovered he carries the berserker’s seed of madness. Now he must sail to the settlement from whence those attackers came, and fulfill a promise to a friend. He doesn’t know what he’ll find in Husavik and never suspects he may lose his heart. In her father’s absence, Embra Fritisson has been engaged in a desperate battle to keep leadership of the settlement. When Magnus arrives saying her father is dead, she fears her unstable family will splinter into factions and destroy one another. She must retain control, but how can she hope to keep her head while falling in love with the enemy?

The concept of the individual or the self, central in so many modern-day contexts, has not been investigated in depth in the Anglo-Saxon period. Focusing on Old English poetry, the author argues that a singular, Anglo-Saxon sense of self may be found by analyzing their surviving verse. The concept of the individual, with an identity outside of her community, is clearly evident during this period, and the widely accepted view that the individual as we understand it did not really exist until the Renaissance does not stand up to scrutiny.

We are imprisoned in circadian rhythms, as well as in our life reviews that follow chronological and causal links. For the majority of us our lives are vectors directed toward aims that we strive to reach and delimited by our birth and death. Nevertheless, we can still experience fleeting moments during which we forget the past and the future, as well as the very flow of time. During these intense emotions, we burst out laughing or crying, or we scream with pleasure, or we are mesmerized by a work of art or just by eyes staring at us. Similarly, when we watch a film, the screening time has a well defined beginning and end, and screening and diegetic time and their relations, together with narrative and stylistic techniques, determine a time within the time of our life with its own rules and exceptions. Through the close analysis of Stanley Kubrick's, Adrian Lyne's, Michael Bay's and Quentin Tarantino's oeuvres, this book discusses the overall 'dominating' time of their films and the moments during which this 'ruling' time is disrupted and we momentarily forget the run toward the diegetic future – suspense – or the past – curiosity and surprise. It is in these very moments, as well as in our own lives, that the prison of time, through which the film is constructed and that is constructed by the film itself, crumbles displaying our role as spectators, our deepest relations with the film.

Transience is found in every meeting and form of coexistence between people and things that live and exist by, or move across or along, the Black Sea. It may come in various forms and guises, from de facto states, tourism, migration, trafficking or military troops, and it needs to be written and captured in sensuous, affective and imaginative ways. With particular attention to poetics, politics and aesthetics, this volume focuses on the scales of transient moments and histories, and enables readers to see and sense the many forms of transience that occur in a given landscape, sea or space.

Addressing the Language Theory section of the NEAB A-Level English Language syllabus, this textbook covers language and its description, the linguistic system of English, language change, language acquisition, language and society, and language in use. There are exercises and activities throughout the book, and suggestions for project work and extended study. The book assumes very little prior knowledge of the subject.