The Sense Of Things

In May 1906, the Atlantic Monthly commented that Americans live not merely in an age of things, but under the tyranny of them, and that in our relentless effort to sell, purchase, and accumulate things, we do not possess them as much as they possess us. For Bill Brown, the tale of that possession is something stranger than the history of a culture of consumption. It is the story of Americans using things to think about themselves. Brown's captivating new study explores the roots of modern America's fascination with things and the problem that objects posed for American literature at the turn of the century. This was an era when the invention, production, distribution, and consumption of things suddenly came to define a national culture. Brown shows how crucial novels of the time made things not a solution to problems, but problems in their own right. Writers such as Mark Twain, Frank Norris, Sarah Orne Jewett, and Henry James ask why and how we use objects to make meaning, to make or remake ourselves, to organize our anxieties and affections, to sublimate our fears, and to shape our wildest dreams. Offering a remarkably new way to think about materialism, A Sense of Things will be essential reading for anyone interested in American literature and culture.

Wallace Stevens the poet and Wallace Stevens the insurance executive: for more than one critical generation it has seemed as if these two men were unacquainted--that Stevens was a poet who existed only in the rarefied world of language. However, the idea that Stevens lived a double life, the author maintains, is misleading. This compelling book uncovers what Stevens liked to think of as his "ordinary" life, a life in which the demands of politics, economics, poetry, and everyday distractions coexisted, sometimes peacefully and sometimes not. Examining the full scope of Stevens's career (from the student-poet of the nineteenth century to the award-winning poet of the Cold War years), Longenbach reveals that Stevens was not only aware of events taking place around him, but often inspired by those events. The major achievements of Stevens's career are shown to coalesce around the major historical events of his lifetime (the Great Depression and two World Wars); but Longenbach also dwells on Stevens's two extended periods of poetic silence, exploring the crucial aspects of Steven's life that were not exclusively poetic. Longenbach demonstrates that through Stevens's work in surety law he was far more intimately acquainted with legal and economic concerns than most poets, and he consequently thought deeply about the strengths--and, equally important, the limitations--of poetry as a social product and force.

This book proposes a new interpretative key for reading and overcoming the binary of idealism and realism. It takes as its central issue for exploration the way in which human consciousness unfolds, i.e., through the relationship between the I and the world—a field of phenomenological investigation that cannot and must not remain closed within the limits of its own disciplinary borders. The book focuses on the question of realism in contemporary debates, ultimately dismantling prejudices and automatisms that one finds therein. It shows that at the root of the controversy between realism and idealism there often lie equivocations of a semantic nature and by going back to the origins of modern phenomenology it puts into play a discussion of the Husserlian concept of transcendental idealism. Following this path and neutralizing the extreme positions of a critical idealism and a naïve realism, the book proposes a “transcendental realism”: the horizon of a dynamic unity that embraces the process of cognition and that grounds the relation, and not the subordination, of subject and object. The investigation of this reciprocity allows the surpassing of the limits of the domain of knowing, leading to fundamental questions surrounding the ultimate sense of things and their origin.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

Edwards (philosophy, Furman U.) describes a religious way of living that relies on neither religion's traditional power nor the current enthusiasm for values. He first provides an historical introduction, paying special attention to Kierkegaard and the early work of Heidegger. He then analyzes Heidegger's notion of "poetic dwelling on the earth as a mortal," and shows how this notion is exemplified in Thoreau's Walden, Norman Maclean's Young Men and Fire, and Wallace Stevens' poem "The Plain Sense of Things." Paper edition (unseen), $17.95. Annotation copyrighted by Book News, Inc., Portland, OR

We live in an age when the growth of the Internet has made it easier than ever to gain access to information and accumulate knowledge. But information is not the same as meaning, nor is knowledge identical with wisdom. Many people feel engulfed by a tsunami of facts in which they can find no meaning. In thirteen short, accessible chapters McGrath, author of the bestselling The Dawkins Delusion, leads the reader through a nontechnical discussion of science and faith. How do we make sense of the world around us? Are belief in science and the Christian faith compatible? Does the structure of the universe point toward the existence of God? McGrath's goal is to help readers see that science is neither anathema to faith, nor does it supersede faith. Both science and faith help with the overriding human desire to make sense of things. Faith is a complex idea. It is not a blind leap into the dark but a joyful discovery of a bigger picture of wondrous things of which we are all a part.

In prose as clean and beautiful as the stark prairie setting, The Plain Sense of Things tells the stories of three generations of a western Nebraska family. These tales of sorrow and hope are connected by the sinews of need and flawed love that keep families together. A farm wife struggles to support her children after the death of her second husband; a young woman grapples with the shift from girlhood to motherhood; World War II wreaks havoc on those left behind; and a failing farmstead breaks a family's heart. Amid hardship and change, these interwoven stories illuminate the resilience and d.

Science starts to get interesting when things don't make sense. Even today there are experimental results that the most brilliant scientists can neither explain nor dismiss. In the past, similar anomalies have revolutionised our world: in the sixteenth century, a set of celestial irregularities led Copernicus to realise that the Earth goes around the sun and not the reverse. In 13 Things That Don't Make Sense Michael Brooks meets thirteen modern-day anomalies that may become tomorrow's breakthroughs. Is ninety six percent of the universe missing? If no study has ever been able to definitively show that the placebo effect works, why has it become a pillar of medical science? Was the 1977 signal from outer space a transmission from an alien civilization? Spanning fields from chemistry to cosmology, psychology to physics, Michael Brooks thrillingly captures the excitement and controversy of the scientific unknown.