The Severed Self

The concept of sin permeates Søren Kierkegaard’s writing. This study looks at the entirety of his works in order to systematize his doctrine of sin. It demonstrates four key aspects: sin as misrelation, sin as untruth, sin as an existence state, and sin as redoubling in the crowd. Upon categorizing Kierkegaard’s doctrine of sin, his writings are examined to determine if his hamartiology is consistent across his numerous pseudonyms. To conclude, the study places Kierkegaard’s doctrine of sin within the broader theological discussion.

This study explores the relationship between the individual person (the self), the divine, and other people in the writings of the apostle Paul and the Roman Stoic Epictetus. It does so by examining self-involving actions expressed with reflexive pronouns (myself, yourself, etc.) in various kinds of sentences: for example, “Examine yourself” and “You do not belong to yourself.” After situating the topic within the fields of linguistics and ancient Greek, the study then examines the reflexive constructions in Epictetus’s Discourses, showing that reflexive texts express fundamental aspects of his ethic of rational self-interest in imitation of the indwelling rational deity. Next, the investigation examines the 109 reflexive constructions in Paul, providing an exegesis of each reflexive text and then synthesizing the results. Paul’s reflexive phrases are essential statements of his theology and ethics, expressing an interconnected narrative Christology, narrative apostolic identity, and narrative ethic. Most importantly, the study finds that for Epictetus, concern for others is a rational means to self-realization, whereas for Paul, concern for others is a community ethic grounded in the story of the indwelling Christ and is the antithesis of self-interest.

This book examines 13 movies that deal with the protagonist and his projected "other." The cinematic Other is interpreted as an unconscious personality, a denied part of the protagonist that appears in his life as a shadowy menace who won't go away. Devoting a chapter to each movie, the book starts with Mamoulian's Dr. Jekyll and Mr. Hyde and three cinematic pairs: two Hitchcock films, Shadow of a Doubt and Strangers on a Train; two versions of Cape Fear, J. Lee Thompson's 1962 original and Martin Scorsese's 1991 remake; and a pair of Clint Eastwood films, In the Line of Fire and Blood Work. The book then examines Something Wild, Sea of Love, Fight Club, Desperately Seeking Susan, Apocalypse Now and The Lives of Others. Overall the book aims to show how movies envision the unconscious Other we all too often project on other people.

By examining these competing depictions of combat that coexist in sixteenth-century texts ranging from Arthurian romance to early modern medical texts, this study reveals both the importance of combat in understanding the humanist subject and the contours of the previously neglected pre-modern subject.

This systematic philosophical study of self-expression explores the ways in which it reveals our states of thought, feeling, and experience. Green defends striking new theses on such topics as our ability to perceive emotion in others, artistic expression, empathy, expressive language, meaning, facial expression, and speech acts.

A bewitching journal filled with prompts and quotations from the imagination of worldwide #1 bestselling author Leigh Bardugo. "We learn to wring magic from the ordinary.” Find the magic in your life with this year-long journal. On every page you will find an introspective question to respond to, or an evocative quotation from the novels of the Grishaverse—a magical world created by bestselling author Leigh Bardugo. Open your windows to the moon, write down what each prompt or quote conjures in your mind, and let this journal guide you through 365 days of magical self reflection. This gorgeously designed journal includes foil accents and a ribbon bookmark. An Imprint Book