The Sexual Life Of Catherine M

A window into a life of insatiable desire and uninhibited sex - this is Parisian art critic Catherine M.'s account of her sexual awakening and her unrestrained pursuit of pleasure. From the glamorous singles clubs of Paris to the Bois de Boulogne, she describes her erotic experiences in precise and beautiful detail. A phenomenal bestseller throughout Europe, The Sexual Life of Catherine M., like Fifty Shades of Grey, breaks with accepted ideas of sex and examines many alternative manifestations of desire. Told in spare, elegant prose, her story will shock, enlighten and liberate you.

“A haunting story of fragile female identity, sexually gained, violently lost” by the New York Times–bestselling author of The Sexual Life of Catherine M. (The New York Times Book Review). Catherine Millet’s erotic memoir The Sexual Life of Catherine M. was a landmark book—a portrait of a sexual life lived without boundaries and without a safety net. Described as “eloquent, graphic—and sometimes even poignant” by Newsweek, and as “[perhaps] one of the most erotic books ever written” by Playboy, it drew international attention for its audacity and the apparently superhuman sangfroid required of Millet and her partner, Jacques Henric, with whom she had an extremely public and active open relationship. Now, Millet’s follow-up answers the first book’s implicit question: How did you avoid jealousy? “I had love at home,” Millet explains, “I sought only pleasure in the world outside.” But one day, she discovered a letter in their apartment that made it clear that Jacques was seriously involved with someone else. Jealousy details the crisis provoked by this discovery and Millet’s attempts to reconcile her need for freedom and sexual liberation with the very real heartache caused by Jacques’s infidelity. Jealousy delves into the world of emotion as evocatively as The Sexual Life of Catherine M. delves into the realm of the senses. Here is the paradoxical confession of a libertine who discovers that love, in any of its forms, can have a dark side. “An honest, brutal piece of confession and self-analysis.” —The Guardian

Once upon a time in rural Maine, a big black bear found a briefcase under a tree. Hoping for food, he dragged it into the woods, only to find that all it held was the manuscript of a novel. He couldn’t eat it, but he did read it, and decided it wasn’t bad. Borrowing some clothes from a local store, and the name Hal Jam from the labels of his favorite foods he headed to New York to seek his fortune in the literary world. Then he took America by storm. The Bear Went Over the Mountain is a riotous, magical romp with the buoyant Hal Jam as he leaves the quiet, nurturing world of nature for the glittering, moneyed world of man. With a pitch-perfect comic voice and an eye for social satire to rival Swift or Wolfe, bestselling author William Kotzwinkle limns Hal’s hilarious journey to New York, Los Angeles, and the great sprawling country in between, where a bear makes good despite his animal instincts, and where money-hungry executives see not a hairy beast with a purloined novel, but a rough-hewn, soulful, media-perfect nature guy who just might be the next Hemingway. By turns sidesplittingly funny, stingingly ironic, and unexpectedly tender, The Bear Went Over the Mountain captures the zeitgeist of the 1990s dead-on, in a delicious bedtime story for grown-ups.

Written in spare, matter of fact prose, this work is the sexual diary of a well-known Parisian intellectual who likes to spend her nights in the singles clubs of Paris and the Bois de Boulogne where she has sex with a succession of anonymous men.

Dutiful daughter, frustrated wife, passionate lover, domineering mother, doting grandmother, devoted friend, tireless legislator, generous patron of artists and philosophers—the Empress Catherine II, the Great, was all these things, and more. Her reign, the longest in Russian Imperial history, lasted from 1762 until her death in 1796; during those years she built on the work begun by her most famous predecessor, Peter the Great, to establish Russia as a major European power and to transform its new capital, St Petersburg, into a city to rival Paris and London in the beauty of its architecture, the glittering splendor of its Court and the magnificence of its art collections. Yet the great Catherine was not even Russian by birth and had no legitimate claim to the Russian throne; she seized it and held on to it, through wars, rebellions and plagues, by the force of her personality, by her charm and determination, and by an unshakable belief in her own destiny. This is the story of Catherine the woman, whom power alone could never satisfy, for she also wanted love, affection, friendship and humor. She found these in letter-writing, in grandchildren, in gardens, architecture and greyhounds—as well as in a succession of lovers which gave rise to salacious rumors throughout Europe. The real Catherine, however, was more interesting than any rumor. Using many of Catherine's own words from her voluminous correspondence and other documents, as well as contemporary accounts by courtiers, ambassadors and foreign visitors, Virginia Rounding penetrates the character of this most powerful, fascinating and surprisingly sympathetic of eighteenth-century women.

As many can attest, the prevalence of sexual imagery has increased in modern society over the past half century. In this timely new study, Kenneth Kammeyer traces the historical development of sexual imagery in America and society's preoccupation with it, all within a firm theoretical and sociological framework.

A complete curriculum for teaching about sexual health and intimate relationships, taking into consideration the learning preferences, sensitivity, social and other issues characteristic of individuals with autism spectrum disorders.

"Catharine A. MacKinnon, noted feminist and legal scholar, explores and develops her original theories and practical proposals on sexual politics and law. These discourses, originally delivered as speeches, have been brilliantly woven into a book that retains all the spontaneity and accessibility of a live presentation. Through these engaged works on issues such as rape, abortion, athletics, sexual harassment, and pornography, MacKinnon seeks feminism on its own terms, unconstrained by the limits of prior traditions. She argues that viewing gender as a matter of sameness and difference--as virtually all existing theory and law have done--covers up the reality of gender, which is a system of social hierarchy, an imposed inequality of power"--Back cover.