The Shadow Of Creusa

Anders Cullhed’s study The Shadow of Creusa explores the early Christian confrontation with pagan culture as a remote anticipation of many later clashes between religious orthodoxy and literary fictionality. After a careful survey of Saint Augustine’s critical attitudes to ancient myth and poetry, summarized as a long drawn-out farewell, Cullhed examines other Late Antique dismissals as well as appropriations of the classical heritage. Macrobius, Martianus Capella and Boethius figure among the Late Antique intellectuals who attempted to save or even restore the old mythology by means of allegorical representation. On the other hand, pious poets such as Paulinus of Nola and Bible epic writers such as Iuvencus or Avitus of Vienne turned against pagan lies, and the mighty arch-bishop of Milan, Saint Ambrose, played off unconditional Christian truth against the last Roman strongholds of cultural pluralism. Thus, The Shadow of Creusa elucidates a cultural conflict which was to leave traces all through the Middle Ages and reach down to our present day.

Imperial ceremony was a vital form of self-expression for late antique society. Sabine MacCormack examines the ceremonies of imperial arrivals, funerals, and coronations from the late third to the late sixth centuries A.D., as manifest in the official literature and art of the time. Her study offers us new insights into the exercise of power and into the social, political, and cultural significance of religious change during the Christianization of the Roman world.

Intensive Intermediate Latin: A Grammar and Workbook comprises an accessible grammar and related exercises in a single volume. It outlines every major grammatical point usually taught in an intermediate college Latin course, as well as other grammatical topics which may be introduced in the first semester of reading prose or poetry. Features include: Careful management and repetition of vocabulary used to encourage sole focus on the grammar A variety of exercises to enable students to recognize and isolate the grammatical structures in English, helping them to translate into Latin with greater ease Frequent Latin to English and full English to Latin translations Exercises requiring students to modify aspects of Latin sentences in order to enable improved grammar acquisition Written by an experienced instructor, Intensive Intermadiate Latin: A Grammar and Workbook is an ideal resource for students who want to build on their foundations of Latin. The title can be used as a textbook, grammar reference and practice resource for students and independent learners with some knowledge of the language. Intensive Intermediate Latin, with its sister volume Basic Latin, forms a compendium of essentials of Latin grammar.

Madness Unchained is a comprehensive introduction to and study of Virgil's Aeneid. The book moves through Virgil's epic scene by scene and offers a detailed explication of not only all the major (and many minor) difficulties of interpretation, but also provides a cohesive argument that explores Virgil's point in writing this epic of Roman mythology and Augustan propaganda: the role of fury or madness in Rome's national identity. There have been other books that have attempted to present a complete guide to the Aeneid, but this is the first to address every episode in the poem, omitting nothing, and aiming itself at an audience that ranges from the Advanced Placement Virgil student in secondary school to the professional Virgilian and everyone in-between, both Latinists and the Latin-less. Individual chapters correspond to the books of the poem; unlike some volumes that prejudice the reader's interpretation of the work by rearranging the order of episodes in order to influence their impact on the audience, this book moves in the order Virgil intended, and also gives rather fuller exposition to the second half of the poem, Virgil's self-proclaimed 'greater work' (maius opus).

The essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramatic' approaches (e.g., genre, plot, action, and the dramatic text) and 'theatrical' perspectives (e.g., costume, the body and gender of the actor). Following recent work in 'mobility studies,' mobility is examined from both material and symbolic angles, revealing both ample transnational movement and periodic resistance to border-crossing. Four final essays attend to the practical and theoretical dimensions of theatrical translation and adaptation, and contribute to the book’s overall inquiry into the ways in which values, properties, and identities are lost, transformed, or gained in movement across geo-linguistic borders.