The Shadow Of The Parthenon

The fourth book in the ancient Greek Mysteries series is a mix of Sherlock Holmes and ancient Greece from bestselling author Saviour Pirotta, with stunning illustrations from up-and-coming illustrator Freya Hartas. This exciting adventure will have readers gripped from start to finish. Scribe Nico and his perceptive friend Thrax are back in Athens and Nico is looking forward to the spooky festival of Anthesteria and the lavish feasting at Master Lykos's house. But when the boys suspect a plot to assassinate the general of Athens, they must put the fun aside and infiltrate the Society of Centaurs. Will they discover the true identity of the society's leader, and will they stop the assassination? This dramatic and mysterious tale is packed with wonderful characters and insight into the daily life of the ancient Greeks, a required topic in the Key Stage 2 History curriculum. Perfect for fans of the Roman Mysteries, or anyone interest in ancient Greece.

This book comprehensively analyses the UK law and non-law instruments that care for cultural heritage. Viewing the law as a community of care, working with other communities, brings new insights to our understanding of cultural heritage protection, making this book of interest to legal and heritage academics and practitioners.

The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. Shadow-Makers tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious. Within a chronological framework encompassing medieval, baroque, enlightenment, sublime, picturesque, and modernist movements, a wide range of topics are explored, from Hawksmoor's London churches, Japanese temple complexes and the shade-patterns of Islamic cities, to Ruskin in Venice and Aldo Rossi and Louis Kahn in the 20th century. This beautifully-illustrated study seeks to understand the work of these shadow-makers through their drawings, their writings, and through the masterpieces they built.

Rod and Lucinda Heikell's West Aegean covers the coasts and islands near Athens, the adjacent islands in the Cyclades and the Eastern Peloponnisos to Monemvasia. Also covered is the mainland coast of Greece from Sounion to Volos and the adjacent coast of Evia, and the Northern Sporades including Skiathos and Skopelos.

This volume presents the proceedings of a conference hosted by the American School of Classical Studies, Athens and the Deutsches Archäologisches Institut, Athens in 2004. There are additional contributions from Patricia Butz, Robin Osborne, Katherine Schwab, Justin St. P. Walsh, Hilda Westervelt and Lorenz Winkler-Horacek. The contents are divided into four sections I. Structure and Ornament; II. Technique and Agency; III. Myth and Narrative and IV. Diffusion and Influence. Highlights include Robin Osbornes discussion of What you can do with a chariot but cant do with a satyr on a Greek temple; Ralf von den Hoffs consideration of the Athenian treasury at Delphi; and Katherine Schwabs presentation of New evidence for Parthenon east metope 14. The papers not only cover a great variety of issues in architectural sculpture but also present a range of case studies from all over the Greek world. The result is an important collection of current research.

"The Death of the Gods (Christ and Antichrist)" by Dmitry Sergeyevich Merezhkovsky is a profound and thought-provoking novel that delves deep into the timeless struggle between the forces of good and evil. Merezhkovsky's masterful storytelling unfolds a narrative that not only captivates the imagination but also stimulates profound philosophical contemplation. Through intricate character development, readers are drawn into a world where the very essence of humanity is explored, and the eternal questions of morality, spirituality, and the nature of existence are examined. Merezhkovsky's work transcends mere storytelling; it serves as a profound exploration of the human condition, leaving readers with a lasting impression and a renewed appreciation for the complexities of the eternal battle between Christ and Antichrist.