The Shepherd Of Hermas As Scriptura Non Grata

Composed within the first Christian century by a Roman named Hermas, the Shepherd remains a mysterious and underestimated book to scholars and laypeople alike. Robert D. Heaton argues that early Christians mainly received the Shepherd positively and accepted it unproblematically alongside texts that would ultimately be canonized, requiring decisive actions to exclude it from the late-emerging collection of texts now known as the New Testament. Freshly evaluating the evidence for its popularity in patristic treatises, manuscript recoveries, and Christian material culture, Heaton propounds an interpretation of the Shepherd of Hermas as a book meant to guide his readers toward salvation. Ultimately, Heaton depicts the loss of the Shepherd from the closed catalogue of Christian scriptures as a deliberate constrictive move by the fourth-century Alexandrian bishop Athanasius, who found it useless for his political, theological, and ecclesiological objectives and instead characterized it as a book favored by his heretical enemies. While the book’s detractors succeeded in derailing its diffusion for centuries, the survival of the Shepherd today attests that many dissented from the church’s final judgment about Hermas’s text, which portends a version of early Christianity that was definitively overridden by devotion to Christ himself, rather than principally to his virtues.

From its original composition and wide distribution in the early second century, the Shepherd of Hermas has both puzzled and intrigued readers with its strange images, surprising language, and challenging rhetoric. Today, both critical and confessional scholars struggle with placing its message in its original historical-theological context while lay readers find the work to be riddled with countless puzzles. To help dispel some of the mystery and misunderstandings concerning the Shepherd of Hermas, this volume offers a new lucid translation that recreates the original colloquial tone of the work. Accompanying the translation is a commentary that unpacks the meanings of the ancient text. Alongside these, a number of introductions focus on matters of date, authorship, genre, theological and practical content, and the writing’s relationship to other ancient literature.

The Shepherd of Hermas is a Christian literary work of the 2nd century, considered a valuable book by many Christians, and considered canonical scripture by some of the early Church fathers such as Irenaeus. The Shepherd had great authority in the 2nd and 3rd centuries, and along with the Apocrypha, it was bound with New Testament in the Codex Sinaiticus. It was listed between the Acts of the Apostles and the Acts of Paul in the stichometrical list of the Codex Claromontanus. It's believed the shepherd is one of the meanings that was probably attached to some figurines of the Good Shepherd as well as a symbol for Christ. The work comprises five visions, twelve mandates, and ten parables. It relies on allegory and pays special attention to the Church, calling the faithful to repent of the sins that have harmed it. The book was originally written in Greek and translated into Latin in Rome, and only the Latin version has been preserved in full; of the Greek, the last fifth or so is missing.

The Pastor of Hermas is a Christian literary work of the 1st or 2nd century, considered a valuable book by many Christians, and considered canonical scripture by some of the early Church fathers such as Irenaeus. The Pastor or "The Shepherd of Hermas" had great authority in the 2nd and 3rd centuries. It was bound as part of the New Testament in the Codex Sinaiticus, and it was listed between the Acts of the Apostles and the Acts of Paul in the stichometrical list of the Codex Claromontanus.The work comprises five visions, twelve mandates, and ten parables. It relies on allegory and pays special attention to the Church, calling the faithful to repent of the sins that have harmed it.The book was originally written in Rome, in the Greek language, but a Latin translation was made very shortly afterwards. Only the Latin version has been preserved in full; of the Greek, the last fifth or so is missing.The shepherd is one of the meanings that was probably attached to some figurines of the Good Shepherd as well as a symbol for Christ, or a traditional pagan kriophoros.The book consists of five visions granted to Hermas, a former slave. This is followed by twelve mandates or commandments, and ten similitudes, or parables. It commences abruptly in the first person: "He who brought me up sold me to a certain Rhoda, who was at Rome. After many years I met her again, and began to love her as a sister." As Hermas was on the road to Cumae, he had a vision of Rhoda. She told him that she was his accuser in heaven, on account of an unchaste thought the (married) narrator had once had concerning her, though only in passing. He was to pray for forgiveness for himself and all of his house. He is consoled by a vision of the Church in the form of an aged woman, weak and helpless from the sins of the faithful, who tells him to do penance and to correct the sins of his children. Subsequently he sees her made younger through penance, yet wrinkled and with white hair; then again, as quite young but still with white hair; and lastly, she shows herself as glorious as a Bride.

The authors of the nine essays in this collection deal with individual or certain sets of manuscripts in order to demonstrate that approach and method are both crucial and pivotal aspects for a sound investigations. Thus, the essays serve as a variety of approaches destined by their topics, but all of them concerned about acknowledged methods.

This illustrated reference work covers a wide range of festivals that have sacred origins and are, or have been, part of a folk tradition, a world religion, or a major civilization. Traditional Festivals: A Multicultural Encyclopedia travels around the world and across the centuries to uncover an often unexpected richness of meaning in some of the major sacred festivals of the world's religions, the hallowed calendars of ancient civilizations, and the seasonal celebrations of tribal cultures. From Akitu to Yom Kippur, its 150+ entries look at the content and context of these festivals from a number of perspectives (including those relating to theology, anthropology, folklore, and social theory), tracing their historical development and variations across cultures. Readers will get a vivid sense of what each festival means to the people celebrating it; how each captures its culture's beliefs, hopes and fears, founding myths, and redemptive visions; and how each expresses the universal need of humans to connect their lives to a timeless spiritual dimension.

The catacombs of Rome have captured imaginations for centuries. This innovative study takes a fresh look at these underground spaces, and considers how art, space, texts, and practices can tell us more about the catacombs and the people who dug and decorated them.