The Silence On The Shore

Originally published in 1962, The Silence on the Shore is considered by many critics to be Hugh Garners best, most ambitious novel. Truly, in the person of Grace Hill, the landlady of the Toronto rooming house where most of the books events take place, Garner has created a fictional character never to be forgotten. Grace is a middle-aged snoop and an overweight nudist whose sexual release comes from watching wrestling matches at a hockey arena that is a thinly disguised Maple Leaf Gardens. Around Grace orbit her various boarders: alcoholic Gordon Lightfoot; Walter Fowler, an aspiring writer whose marriage has just broken up; Aline Garfield, a fundamentalist Christian grappling with various urges and torments; a Polish refugee woman; and a colourful cast of others whose lives intersect in drama that arises from arbitrary or coincidental encounters. According to scholar John Moss, the book is the best realistic novel of Canadian city life yet to be written.

Silence on the Shores depicts the final day in the life of a Maghrebian immigrant in France. Having crossed the Mediterranean to "the other shore" as a young man to find work, he ultimately remained in France, married a French woman, and broke the promise he made to his mother to return home one day. Aware that death is drawing close, he fears experiencing the ultimate form of exile: dying alone, with no fellow Muslim at his side to whisper the customary prayer for the dead in his ear. Le la Sebbar?s minimalist style deftly and powerfully conveys the simplicity of everyday life on both shores of the Mediterranean. Interweaving several monologues, she examines multiple facets of exile and the role of memory in easing its pain.

Silence on the Shores depicts the final day in the life of a Maghrebian immigrant in France. Having crossed the Mediterranean to "the other shore" as a young man to find work, he ultimately remained in France, married a French woman, and broke the promise he made to his mother to return home one day. Aware that death is drawing close, he fears experiencing the ultimate form of exile: dying alone, with no fellow Muslim at his side to whisper the customary prayer for the dead in his ear. Le la Sebbar?s minimalist style deftly and powerfully conveys the simplicity of everyday life on both shores of the Mediterranean. Interweaving several monologues, she examines multiple facets of exile and the role of memory in easing its pain.

Originally published in 1962, The Silence on the Shore is considered by many critics to be Hugh Garners best, most ambitious novel. Truly, in the person of Grace Hill, the landlady of the Toronto rooming house where most of the books events take place, Garner has created a fictional character never to be forgotten. Grace is a middle-aged snoop and an overweight nudist whose sexual release comes from watching wrestling matches at a hockey arena that is a thinly disguised Maple Leaf Gardens. Around Grace orbit her various boarders: alcoholic Gordon Lightfoot; Walter Fowler, an aspiring writer whose marriage has just broken up; Aline Garfield, a fundamentalist Christian grappling with various urges and torments; a Polish refugee woman; and a colourful cast of others whose lives intersect in drama that arises from arbitrary or coincidental encounters. According to scholar John Moss, the book is the best realistic novel of Canadian city life yet to be written.

The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of "modern-day" lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of "modern-day lynchings."

Feminist practical theology has emerged in the gap between wider feminist and wider practical theology. It celebrates distinctive concerns, arguments, emphases, and questions – unafraid to re-form practical theology in shape and substance, and to guide feminist theology towards the silences and stories of human lives that some professional theologies (including those shaped by feminist commitments) sometimes overlooks. Feminist practical theology is bold in exploration of doctrinal themes in poetic and prayerful modes, characteristically collaborative and in search of alliances with other advocacy perspectives. In the UK, such commitments have been exemplified by Nicola Slee, whom this volume honours. Chapters invite readers into wide ranging conversations that flow from young women’s experiences at university, poetic practice as theology, queer priesthood, theologies of critical masculinities, women presiding in worship, Black and decolonial theologies adjacent to feminist convictions, confrontations with sexual violence, rest and rewilding, and a post-menopausal Mary. Contributors are: Al Barrett, Gavin D’Costa, Deborah Kahn-Harris, Michael N. Jagessar, Sharon Jagger, Rachel Mann, Jenny Morgans, Eleanor Nesbitt, Karen O’Donnell, Mark Pryce, Anthony G. Reddie, Ruth Shelton, Anne Phillips and Alison Wooley.

The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. The contributions reveal that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being.