The Silver Women

The construction of the Panama Canal is typically viewed as a marvel of American ingenuity. What is less visible, and less understood, is the project’s dependence on the labor of Black migrant women. The Silver Women shifts the focus of this monumental endeavor to the West Indian women who travelled to Panama, inviting readers to place women’s intimate lives, choices, grief, and ambition at the center of the economic and geopolitical transformation created by the construction of the Panama Canal and U.S. imperial expansion. Joan Flores-Villalobos argues that Black West Indian women made the canal construction possible by providing the indispensable everyday labor of social reproduction. West Indian women built a provisioning economy that fed, housed, and cared for the segregated Black West Indian labor force, in effect subsidizing the construction effort and the racial calculus that separated pay in silver for Black workers and gold for white Americans. But while also subject to racial discrimination and segregation, West Indian women mostly worked outside the umbrella of U.S. canal authorities. They did not hold contracts, had little access to official services and wages, and received pay in both silver and gold. From this position, they found ways to skirt, and at times subvert, the legal, moral, and economic parameters imperial authorities sought to impose on the migrant workforce. West Indian women developed important strategies of claims-making, kinship, community building, and market adaptation that helped them navigate the contradictions and violence of U.S. empire. In the meantime, these strategies of social reproduction nurtured further West Indian migrations, linking Panama to places like Harlem and Santiago de Cuba. The Silver Women is thus a history of Black women’s labor of social reproduction as integral to U.S. imperial infrastructure, the global Caribbean diaspora, and women’s own survival.

“With the fate of the free world hanging in the balance, women pilots went aloft to serve their nation. . . . A soaring tale in which, at long last, these daring World War II pilots gain the credit they deserve.”—Liza Mundy, New York Times bestselling author of Code Girls “A powerful story of reinvention, community and ingenuity born out of global upheaval.”—Newsday When the Japanese attacked Pearl Harbor in December 1941, Cornelia Fort was already in the air. At twenty-two, Fort had escaped Nashville’s debutante scene for a fresh start as a flight instructor in Hawaii. She and her student were in the middle of their lesson when the bombs began to fall, and they barely made it back to ground that morning. Still, when the U.S. Army Air Forces put out a call for women pilots to aid the war effort, Fort was one of the first to respond. She became one of just over 1,100 women from across the nation to make it through the Army’s rigorous selection process and earn her silver wings. The brainchild of trailblazing pilots Nancy Love and Jacqueline Cochran, the Women Airforce Service Pilots (WASP) gave women like Fort a chance to serve their country—and to prove that women aviators were just as skilled as men. While not authorized to serve in combat, the WASP helped train male pilots for service abroad, and ferried bombers and pursuits across the country. Thirty-eight WASP would not survive the war. But even taking into account these tragic losses, Love and Cochran’s social experiment seemed to be a resounding success—until, with the tides of war turning, Congress clipped the women’s wings. The program was disbanded, the women sent home. But the bonds they’d forged never failed, and over the next few decades they came together to fight for recognition as the military veterans they were—and for their place in history.

The Soviet Union was the first country in the world to declare women equal to men. At the same time, cinema was emerging as the newest and most accessible form of popular entertainment, and as a powerful tool in propagandizing the Party line. This book looks at the interaction between these two phenomena: at the extent to which women's new status and roles were reflected and promoted on Soviet screens throughout the country's history. Part I, written by Lynne Attwood, provides an essential framework for readers unfamiliar with Soviet studies. It offers a lucid and lively account of the milestones in Soviet history, the importance of film within this history and the changing images and experiences of Soviet women within both cinema and society. In Parts II and III, women from the former Soviet Union - film critics, directors, camera-operators and script-writers - relate their own experiences in the film industry, and their responses to the images of women portrayed on screen. This crisply-written book, illustrated with evocative photographs from Soviet films, will provide readers with a real insight into the relationship between women and film in the Soviet Union.

Women in Russian Theatre is a fascinating feminist counterpoint to the established area of Russian theatre populated by male artists such as Stanislavsky, Chekov and Meyerhold. With unprecedented access to newly-opened files in Russia, Catherine Schuler brings to light the actresses who had an impact upon Russian modernist theatre. Schuler brings to light the extradordinary lives and work of eight Russian actresses who flourished on the stage between the late nineteenth and early twentieth century.

Diamond Power Learning has come up with a Nine Monthly- Current Affairs Manual, for the year 2014-15. The manual comprises of different sections like Add-ons which has General Knowledge topics like Important Facts about the Earth, Important Crops of India, Indian States with International Boundaries, Important National Highways, Important Rivers and River Valley Projects of India, Important Towns on the River Banks, Sanctuaries and Parks in India, Mineral Resources of India, Nation and their Emblems, Biggest-Highest-Longest and the Largest in the World, Inventions and Discoveries, Nicknames of Important Indian Places, Newspaper/Journals in the History of India, Important Institutions of India, Basic Facts about the Human Body and many more. We have a special section for the readers for the In-Press News, which have covered the important Highlights of the time when the manual was about to be printed. One special Highlight is covered in an article form which comes under the section of News of the Months, with added MCQs to them. We have covered News under various sub-topics dated from Aug’14 till date, like Persons and Places in News, Appointments and Resignations, Awards and Honors, Bills/Laws/Constitutions, Books and Authors, Summits/Events and Conferences, Obituaries, National, International, India and the World, State, Sports, Science and Technology & Defence, Economy, Banking & RBI, Corporate, Reports and Surveys, Miscellaneous and have given various types of MCQs for the competitive Examinations. Union Budget, Railway Budget for the year 2015-16, Economic Survey for the year 2015 and Census 2011 is also there in the manual and a separate Questionnaire is also there. Articles on different burning topics have also been included. Furthermore, the magazine consists of a special section that has a collection of different types of MCQs for the competitive examinations. All in all, the Nine Monthly Manual from Diamond Magazines is a sure pathway to success in the competitive examinations.

A fantastic comic-book collaboration between the artist Rosanna Bruno and the poet Anne Carson, based on Euripides’s famous tragedy A NEW YORK TIMES BEST GRAPHIC NOVEL OF 2021 Here is a new comic-book version of Euripides’s classic The Trojan Women, which follows the fates of Hekabe, Andromache, and Kassandra after Troy has been sacked and all its men killed. This collaboration between the visual artist Rosanna Bruno and the poet and classicist Anne Carson attempts to give a genuine representation of how human beings are affected by warfare. Therefore, all the characters take the form of animals (except Kassandra, whose mind is in another world).

History is full of fascinating stories of colorful characters, but some of the most interesting parts of history are really odd. You have probably seen scenes of government officials with their powdered white wigs, but in 1700s England and high-society in the American colonies, women created towering hairstyles. Decorations such as ships and flowers were sometimes added to their hairdos, especially if attending a big party. Taking hours to create, women used beef tallow and sugar-water to keep their hairdos in place. This fictional account explains a very real fashion trend and the problems it created for women trying to look stylish!