The Skandapur A Iii

Skandapurāṇa III presents a critical edition of the Vindhyavāsinī Cycle (Adhyāyas 34.1-61, 53-69) from the Skandapurāṇa , with an introduction and annotated English synopsis. The work is currently only available in print as an exact reprint done in a smaller book size (15.5 x 23.5 cm) than the first printrun.

The World of the Skandapurāṇa consists of two parts. In the first part the historical environment in which this Purāṇa was composed is described. The second part explores six localities in Northern India that play a prominent role in the text.

This book deals with the early development of Śaivism in ancient Dakṣiṇa Kosala, the region that roughly corresponds to the modern state of Chhattisgarh, plus the districts of Sambalpur, Balangir and Kalahandi of Odhisha (formerly Orissa). At the end of the sixth and the beginning of the seventh century, this region was under the control of the Pāṇḍava king Śivagupta alias ‘Bālārjuna’ hailing from Śrīpura (the modern village of Sirpur), who was a great patron of religion. Epigraphical evidence, supported by archaeological remains, has shown that by the time of Śivagupta’s reign, which lasted for at least fifty-seven years, Dakṣiṇa Kosala was already a rich center of early Śaivism. In the context of this setting the following research questions were formulated: what circumstances fostered the rise and development of Śaivism in this area, and did the Skandapurāṇa, an important and contemporaneous religious scripture, play any role in that development? An answer to these questions would not only shed light on the religious processes at work in Dakṣiṇa Kosala, but would also touch upon the interplay of political, social, economic and geographical factors.

The 31 selected and revised articles in the volume Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together. One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239–241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop.

Skandapurāṇa IV presents a critical edition of Adhyāyas 70-95 from the Skandapurāṇa , with an introduction and annotated English synopsis. The text edited in this volume includes the myths of Viṣṇu’s manifestation as the Man-Lion (Narasiṃha), the birth of Skanda, the birth of Andhaka, and Hiraṇyākṣa’s battle with the gods culminating in his victory and capture of the Earth. Thanks to generous support of the J. Gonda Fund Foundation, the e-book version of this volume is available in Open Access.

Analyzing the ways in which ideas of heroic discourse and the socio-religious and political needs of the period moulded iconography, this book explores the evolution of the iconography of the early mediaeval Hindu temples of the Indian peninsula, over the course of the sixth-twelfth centuries C.E. In order to study the socio-religious and political atmosphere in which the early mediaeval temple iconography grew and developed its specific forms, the author makes use of the inscriptions, archaeological and the literary materials ranging from the fourth centuries B.C.E. to the thirteenth century C.E., as these give an idea of the continuities and discontinuities in the ideas of heroic and political discourses which lie at the back of the visual art forms that they created. Of particular interest are the royal charters, issued in Sanskrit and Tamil, the religious narratives from the Sanskrit epics and the Puranas, iconographic canons that form a part of the religious texts known as the Agamas, written in Sanskrit, the court literature of the early mediaeval period and the early historical Sangam Tamil literature, apart from the archaeological material from the Indian peninsula. The author focuses particularly on exploring the ideas of power current in the society that created the narrative iconography of the period and the region studied.

This book is the first fascicle in a series that is designed as a reader’s Companion to a Sourcebook that presents all written sources with regard to Hunnic Peoples in Central and South Asia from the 4th to the 6th centuries of the Common Era. Both these books are the outcome of an international research project, funded by the European Research Council, which aimed at collecting and exploring the texts regarding the Eastern, non-European Huns in more than a dozen original languages. The first fascicle of the Companion Series focuses on the history of Hunnic People in South Asia, where they are known as H?n?a in Sanskrit literature or Alkhan according to their own coinage. These Alkhan entered the Subcontinent in the 4th century. The fascicle reconstructs the history of the Alkhan kings, Khin?gila Toram?n?a, and Mihirakula, and the impact of their invasion and control of large parts of Northern and Western India on Indian history and culture, in particular on the Gupta Empire. This history is shown to be interrelated with historic developments within the Sasanian Empire and historic events to the north of the Hindu Kush. This first fascicle of the Companion and the Sourcebook (D. Balogh, ed.) are published simultaneously by Barkhuis, Groningen. In the coming years other fascicles in this series will appear, exploring the collected sources with a focus on the history of Hunnic Peoples in Central Asia.

This book offers an overview of the emergence of Bodh Gayā as a sacred site within Gayā Dharmakṣetra. It contextualizes the different encounters, incidents, and legends connected to the Buddha’s experiences shortly before and after he attained Bodhi – when, spiritually speaking, he was extremely lonely and was trying to carve a place for himself in the highly competitive Gayā Dharmakṣetra. Further, the book examines the role of various personalities and institutions contributed towards the emergence of Mahābodhi Temple. It incorporates a wealth of research on the role of the Victorian Indologists as well as the colonial administrators, the Giri mahants, and Anagārika Dharmapāla, to understand the material milieu pertaining not only to its identity but also access to spiritual resources as its conservation and development. This book is an indispensable read for students and scholars of history, cultural studies, and art and architecture as well as practitioners of Buddhism and Hinduism.