The Skyscraper

"You expect the city of Al Capone and what you find are pleasant boulevards coursing up and down between the neo-classical buildings of the 1893 Universal Exhibition ... The city center unfolds before you, an architectural miracle that is to twentieth-century urban planning what Venice must have been for the fifteenth century." Like a cross between Philip Marlowe and Walter Benjamin, Marco d'Eramo stalks the streets of Chicago, leaving no myth unturned. Maintaining a European's detached gaze, he slowly comes to recognize the familiar stink of modernity that blows across the Windy City, the origins of whose greatness (the slaughterhouses, the railroads, the lumber and cereal-crop trades) are by now ancient history, and where what rears its head today is already scheduled for tomorrow's chopping block. Chicago has been the stage for some of modernity's key episodes: the birth of the skyscraper, the rise of urban sociology, the world's first atomic reactor, the hard-nosed monetarism of the Chicago School. Here in this postmodern Babel, where the contradictions of American society are writ large, d'Eramo bears witness to the revolutionary, subversive power of capitalism at its purest.

A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.

A gorgeous graphic tour of the inner workings of skyscrapers—from the author of The Works Indispensable and unforgettable, The Heights is the ultimate guide to the way skyscrapers work—from the bases of their foundations to the peaks of their spires. With skyscrapers becoming essential elements of urban life, there has never been a greater need for understanding and embracing these complex structures. Using innovative illustrations to tackle the vast complexity of these buildings, The Heights explores with remarkable insight every aspect of designing, building, and maintaining a modern skyscraper, as well as the individuals who build and maintain these architectural cathedrals. In the process, The Heights provides a remarkable snapshot of urban life at the dawn of the twenty-first century.

The Skyscraper Curse is Dr. Mark Thornton's definitive work on booms and busts, and it explains why only Austrian economists really understand them. It makes business cycle theory accessible to a whole new 21st-century audience. And they need it, especially those under 40. Many of the brilliant quants working on Wall Street and at the Fed barely remember the Crash of 2008, much less understand it. But Mark Thornton does, and his book is a warning about overheated equity markets, over-inflated housing prices, and clueless central bankers. Given the shaky stock markets lately, 2018 may be the year the Fed’s latest bubble bursts. And when it does, it will be even more painful than 10 years ago. In fact, US household and business debt is now one trillion dollars higher than 2008. Mark is well known as an expert on bubbles and Fed malfeasance. His work appears in outlets like Wall Street Journal, Bloomberg, Forbes, The Economist, Barron’s, and Investor’s Business Daily. His now-infamous Skyscraper Index theory draws the connection between loose monetary policy, artificially low interest rates, and vanity construction projects. Put the three together and it doesn’t turn out well. And let’s not forget that Dr. Thornton was among only a handful of economists to warn about the dangerous housing bubble in 2004, and again in 2006. Cabbies and waiters bought up condos with no money down in places like Las Vegas. Prices rose 25 percent or more every year in some coastal markets. Even people with terrible credit financed houses at five or seven times their annual income. All of it was made possible by the Fed and its mania for low interest rates. So when the experts said “Nobody could have seen this coming,” the Mises Institute had Mark’s articles and papers ready to go. The housing crash, and the meltdown in equity markets less than a year later, were thoroughly explained by Austrian business cycle theory. And Mark was the capable face of the Mises Institute during it all. Without a lay-friendly book like The Skyscraper Curse, millions more Americans will be duped by the next crash. Dr. Thornton’s book tells the story that needs to be told. It will be among the only alternative explanations available when the next crisis comes.

Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York. Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them. As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.

tenant is looming in importance. The owner is having more influence on the building. As Gerald D. Hines has said, there are indications that the desire for more discretionary time will lead to more residential high-rises dose to or in the midst of downtown office buildings. Downtown living could become the desired alternative. Tall buildings will be approached increasingly from the standpoint of an urban ecology - that what happens to apart can influence the whole. Provid ing for public as well as private needs in a tall building project is just one example (facilities for schools, shops, religious, and other needs). More attention will be paid to maintaining streets as lively and interesting places. Will a new "world's tallest" be built? Will we go a mile high? The answer is probably "yes" to the first, "no" to the second. With the recent spate of super-tall buildings on the drawing boards, going to greater heights was in the back of many people's minds at the Chicago conference. But in the U nited States, at least, buildings of 70 to 80 stories would appear to provide needed space consistent with economy. The future, then, is described in depth by papers that go into specific areas.

This profusely illustrated work offers abundant insights into the early development of the skyscraper and the influence of two master builders who played key roles in its evolution. Rare photos, floor plans, and renderings document such influential structures as Sullivan's Wainwright Building in St. Louis, Wright's Larkin building in Buffalo and many others.

When a famous sculpture is stolen from the museum, two sets of twins team up to track down the thief.