The Slow Philosophy Of J M Coetzee

In The Slow Philosophy of J.M. Coetzee Jan Wilm analyses Coetzee's singular aesthetic style which, he argues, provokes the reader to read his works slowly. The effected 'slow reading' is developed into a method specifically geared to analyzing Coetzee's singular oeuvre, and it is shown that his works productively decelerate the reading process only to dynamize the reader's reflexion in a way that may be termed philosophical. Drawing on fresh archival material, this is the first study of its kind to explore Coetzee's writing process as already slow; as a program of seemingly relentless revision which brings forth his uniquely dense and crystalline style. Through the incorporation of material from drafts and notebooks, this study is also the first to combine an exploration of the writer's stylistic choices with a rigorous analysis of the reader's responses. The book includes close readings of Coetzee's popular and lesser known work, including Disgrace, Waiting for the Barbarians, Elizabeth Costello, Life and Times of Michael K and Slow Man.

An eminent, ageing Australian writer is invited to contribute to a book entitled Strong Opinions. For him, troubled by Australia's complicity in the wars in the Middle East, it is a chance to air some urgent concerns: how should a citizen of a modern democracy react to their state's involvement in an immoral war on terror, a war that involves the use of torture? Then in the laundry room of his apartment block he encounters an alluring young woman. He offers her work typing up his manuscript. Anya is not interested in politics, but the job will be a welcome distraction, as will the writer's evident attraction towards her. Her boyfriend, Alan, is an investment consultant who understands the world in harsh economic terms. Suspicious of his trophy girlfriend's new pastime, Alan begins to formulate a plan...

Elizabeth Costello is an Australian writer of international renown. Famous principally for an early novel that established her reputation, she has reached the stage where her remaining function is to be venerated and applauded. Her life has become a series of engagements in sterile conference rooms throughout the world - a private consciousness obliged to reveal itself to a curious public: the presentation of a major award at an American college where she is required to deliver a lecture; a sojourn as the writer in residence on a cruise liner; a visit to her sister, a missionary in Africa, who is receiving an honorary degree, an occasion which both recognise as the final opportunity for effecting some form of reconciliation; and a disquieting appearance at a writers' conference in Amsterdam where she finds the subject of her talk unexpectedly amongst the audience. She has made her life's work the study of other people yet now it is she who is the object of scrutiny. But, for her, what matters is the continuing search for a means of articulating her vision and the verdict of future generations.

From the double Booker Prize-winning author of Disgrace, an astonishing novel of new beginnings and the troubles of youth. 'Brilliant... Tenaciously absorbing' Daily Telegraph David is the small boy who is always asking questions. Simón and Inés take care of him in their new town, Estrella. He is learning the language, he has begun to make friends and he has the big dog Bolívar to watch over him. But he'll be seven soon and he should be at school. And so, David is enrolled in the Academy of Dance. It's here, in his new golden dancing slippers, that he learns how to call down the numbers from the sky. Yet it's here too that he will make troubling discoveries about what adults are capable of. The Schooldays of Jesus is a mesmerising tale about growing up, and about the choices we are forced to make in our lives. 'Compelling, often very funny, full of sudden depths' Observer Longlisted for the Booker Prize 2016

Paul Rayment is on the threshold of a comfortable old age when a calamitous cycling accident results in the amputation of a leg. Humiliated, his body truncated, his life circumscribed, he turns away from his friends. He hires a nurse named Marijana, with whom he has a European childhood in common: hers in Croatia, his in France. Tactfully and efficiently she ministers to his needs. But his feelings for her, and for her handsome teenage son, are complicated by the sudden arrival on his doorstep of the celebrated Australian novelist Elizabeth Costello, who threatens to take over the direction of his life and the affairs of his heart.

In 2003, the South African writer J.M. Coetzee was awarded the Nobel Prize in Literature for his riveting portrayals of racial repression, sexual politics, the guises of reason, and the hypocrisy of human beings toward animals and nature, Coetzee was credited with being "a scrupulous doubter, ruthless in his criticism of the cruel rationalism and cosmetic morality of western civilization." The film of his novel Disgrace, starring John Malkovich, brought his challenging ideas to a new audience. Anton Leist and Peter Singer have assembled an outstanding group of contributors who probe deeply into Coetzee's extensive and extra ordinary corpus. They explore his approach to ethical theory and philosophy and Pay Particular attention to his representation of the human-animal relationship. They also confront Coetzee's depiction of the elementary conditions of life, the origins of morality, the recognition of value in others, the sexual dynamics between men and women, the normality of suppression, and possibility of equality in postcolonial society, With its wide-ranging consideration of philosphical issues, especially in relation to fiction, this volume stands alone in its extraordinary exchange of ethical and literary inquiry. This collection takes stock of J.M. Coetzee's impact from a number of interesting angles, Including animals, sexuality, race, and reason. The time is truly ripe for such a volume. Philosophers Who are interested Coetzee's work will find these essays useful for their own research, and readers of Coetzee who share an interest in philosophy will be able to further explore those interests."-Matthew Calarco, California State University at Fullerton, and author of Zoographies: The Question of the Animal from Heidegger to Derrida

The luminous new novel from 'one of the best writers of our time', double Booker Prize winner J. M. Coetzee. 'Full of truth, tearfully moving to read... Brilliant' Evening Standard Simón and David - a tall ten-year-old - are in a new land, together with a woman named Inés. The small family have found a home in which David can thrive. But David is spotted by Julio Fabricante, the director of a local orphanage, playing football with his friends. He shows unusual talent. When David announces that he wants to live with Julio and the children in his care, Simón and Inés are stunned. David is leaving them, and they can only love him and bear witness. The Death of Jesus is the completion of an incomparable trilogy in which J. M. Coetzee explores the meaning of a world empty of memory but brimming with questions. * A New York Times Notable Book * ___________________ 'Extraordinary... Coetzee stands as the pre-eminent novelist in the English-writing world' New Statesman 'You will read its cool, dry final sentences - as I did - with tears in your eyes' The Times