The Smoke Is Rising

THE FUTURE IS HERE. India has just sent its first spacecraft to the moon, and the placid city of Mysore is gearing up for its own global recognition with the construction of HeritageLand—Asia’s largest theme park. From behind the formidable gates of Mahalakshmi Gardens to the shanty houses on the edge of town, the people of Mysore are abuzz as they watch their city prepare for a complete transformation. As government officials make plans for the expected tourism extravaganza, Mysore’s residents find themselves swept up in the ferment. Susheela, an elderly widow, is forced into a secretive new life. Uma, trying to escape her painful past, learns the lasting power of local gossip. And Mala must finally confront the reality of her husband’s troubling behaviour. Savagely funny and deeply poignant, The Smoke Is Rising is a riveting portrait of a city hurtling towards an epic clash of modernity and tradition, and all the wandering souls—some hopeful, some broken, and a few somewhere in between—who find themselves caught in the middle.

Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals’s universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood’s long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne’s work foregrounds the voices of the filmmakers and performers—in interviews with Alexie and director Chris Eyre, among others—to explore the film’s audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers’ appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film’s text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark.

JENNY, 16, WISHED SHE HADN’T FOUND IT. Bobbi’s monthly list of bills, scrawled on an Aid to Families with Dependent Children stipend envelope, was tucked beneath an ashtray holding a half-smoked joint and smashed cigarette butts. “Mary Jane…rent…PG&E…groceries.” As always, Jenny’s mom’s weed connection topped the list while food sat at the bottom. Residing in rural Concow, California, in the 1980s, Jenny is accustomed to pot being the priority within her household and the necessities that most people take for granted not; however, the newfound methamphetamine is unsettling. A spoon on her dresser, a syringe in the bathroom medicine cabinet, tweakers in the attic! Jenny isn’t sure she can endure two long years ‘til she’ll graduate from Oroville High and be out on her own. When Bobbi, jonesing, delivers her very own death blow, Jenny can’t wait. Halfway through her sophomore year, she leaves home for good, oblivious that what lies ahead—teenage motherhood with no one to count on—will be so harrowing. How can she build a life for herself and son, and will it ever be normal? When Bobbi dies of an overdose in 2007, her urgent last request begins chasing Jenny, now in her mid-thirties. Facing heart-rending struggles, in Smoke Rings Rising the once drug-endangered daughter lays out with grit and grace how she turns haunting truths into inspiring triumph. In doing so, Jenny finds the true meaning of love, living, forgiving, and letting go.

Smokescreen cuts through years of misunderstanding and misdirection to make an impassioned, evidence-based argument for a new era of forest management for the sake of the planet and the human race. Natural fires are as essential as sun and rain in fire-adapted forests, but as humans encroach on wild spaces, fear, arrogance, and greed have shaped the way that people view these regenerative events and given rise to misinformation that threatens whole ecosystems as well as humanity's chances of overcoming the climate crisis. Scientist and activist Chad T. Hanson explains how natural alarm over wildfire has been marshaled to advance corporate and political agendas, notably those of the logging industry. He also shows that, in stark contrast to the fear-driven narrative around these events, contemporary research has demonstrated that forests in the United States, North America, and around the world have a significant deficit of fire. Forest fires, including the largest ones, can create extraordinarily important and rich wildlife habitats as long as they are not subjected to postfire logging. Smokescreen confronts the devastating cost of current policies and practices head-on and ultimately offers a hopeful vision and practical suggestions for the future—one in which both communities and the climate are protected and fires are understood as a natural and necessary force.

A sensational new series from the bestselling creator of The Darkslayer and The Chronicles of Dragon.The unexpected begins ...Agent Sidney Shaw is one of the FBI's finest. Tough as nails with a calculating mind, she thought she was ready for anything.Enter John Smoke. His spirited arrest methods landed him hard time in prison. The decorated veteran, now branded an ex-con, just wants to serve his time in peace. The powers that be have other plans.When Sidney is assigned to be Smoke's handler, both of their lives are turned upside down. She plays by the rules. He trusts his instincts. Fighting to control him, she finds herself chasing him down a secret, dark, supernatural path where a vast criminal network rears its head in the heart of Washington, D.C.

NEW YORK TIMES BESTSELLER Jeff Shaara returns to the Civil War terrain he knows so well, with the latest novel in the series that started with A Blaze of Glory and A Chain of Thunder. In The Smoke at Dawn, the last great push of the Army of the Cumberland sets the stage for a decisive confrontation at Chattanooga that could determine the outcome of the war. Summer, 1863. The Federal triumph at Vicksburg has secured complete control of the Mississippi River from the Confederacy, cementing the reputation of Ulysses S. Grant. Farther east, the Federal army under the command of William Rosecrans captures the crucial rail hub at Chattanooga. But Rosecrans is careless, and while pursuing the Confederates, the Federal forces are routed in north Georgia at Chickamauga Creek. Retreating in a panic back to Chattanooga, Rosecrans is pursued by the Confederate forces under General Braxton Bragg. Penned up, with their supply lines severed, the Federal army seems doomed to the same kind of defeat that plagued the Confederates at Vicksburg. But a disgusted Abraham Lincoln has seen enough of General Rosecrans. Ulysses Grant is elevated to command of the entire theater of the war, and immediately replaces Rosecrans with General George Thomas. Grant gathers an enormous force, including armies commanded by Joseph Hooker and Grant’s friend, William T. Sherman. Grant’s mission is clear: Break the Confederate siege and destroy Bragg’s army. Meanwhile, Bragg wages war as much with his own subordinates as he does with the Federals, creating dissension and disharmony in the Southern ranks, erasing the Confederate army’s superiority at exactly the wrong time. Blending evocative historical detail with searing depictions of battle, Jeff Shaara immerses readers in the world of commanders and common soldiers, civilians and statesmen. From the Union side come the voices of Generals Grant, William Tecumseh Sherman, and George Thomas—the vaunted “Rock of Chickamauga”—as well as the young private Fritz “Dutchie” Bauer. From the Rebel ranks come Generals Bragg, Patrick Cleburne, and James Longstreet, as well as the legendary cavalry commander, Nathan Bedford Forrest. A tale of history played out on a human scale in the grand Shaara tradition, The Smoke at Dawn vividly recreates the climactic months of the war in the West, when the fate of a divided nation truly hangs in the balance. Praise for The Smoke at Dawn “Civil War history fiends will be riveted.”—Parade “A beautifully written novel . . . Shaara once again elevates history from mere rote fact to explosive and engaging drama.”—Bookreporter “Shaara’s mastery of military tactics, his intimate grasp of history, and his ability to interweave several supporting narratives into a cohesive and digestible whole . . . will appeal to a broad range of historical- and military-fiction fans.”—Booklist “Top-notch . . . As with the best historical war novels, knowing the ultimate outcome of the bitter fighting is not a bar to engagement.”—Publishers Weekly