The Soldier S Newfound Family

USA Today–Bestselling Author: Honor led him to her—will love keep him at her side? When he returns to Texas from overseas, U.S. Marine Carter Wallace makes good on a promise to tell a fallen soldier’s wife that her husband loved her. But widowed Savannah Blackmore, pregnant and alone, shares a different story with Carter—one that tests everything he believes. He brings Savannah back to the Triple C ranch, where family secrets—and siblings he hadn’t known about—await him. Now the marine who never needed anyone suddenly needs Savannah. Will opening his heart be the bravest thing he’ll ever do? Praise for Carol Award winner Kathryn Springer’s romances “A tender, touching story.” —Irene Hannon, RITA Award–winning author of Windswept Way “Compelling.” —Publishers Weekly (starred review) “Characters who feel like dear friends.” —Liz Johnson, bestselling author of The Red Door Inn

"Love Inspired inspirational romance"--Spine.

Frederick Rennie Emerson (1895-1972) was a dynamic presence in the cultural and intellectual life of Newfoundland and Labrador for much of the twentieth century. A musician, lawyer, educator, and folklore enthusiast, Emerson was a central figure in the preservation and mediation of Newfoundland culture in the tumultuous decades prior to and following Confederation with Canada in 1949. Glenn Colton shows how Emerson fostered greater awareness and understanding of Newfoundland's cultural heritage in local, national, and international contexts. His collaboration with song collector Maud Karpeles in the late 1920s preserved some of the most cherished folk songs in the English language, and a decade later, his lectures at Memorial University College emphasized folk traditions and classical repertoire to inspire cultural discovery for an entire generation. As Newfoundland's representative on the first Canada Council and vice-president of the Canadian Folk Music Society, he played a crucial role in shaping Canadian cultural policy during the transformative years of the mid-twentieth century. Colton also reveals the meaningful creative works Emerson composed in response to the same cultural heritage he documented and preserved: his one-act drama Proud Kate Sullivan (1940) is a pioneering depiction of Newfoundland life, and the folk-inspired Newfoundland Rhapsody (1964) is one of few examples of symphonic music composed by a Newfoundlander of his generation. Newfoundland Rhapsody explores Newfoundland society, Canada's emerging arts scene, and the international folk music community to offer a new lens through which to view the cultural history of twentieth-century Newfoundland and Canada.

Byrne, Chaffey, Fahey, Fizzard, Fudge, Grouchy, Hynes, Inkpen, Lyver, McLaughlin, Miles, Murphy, Puddester, Quirk -- the names themselves are evocative of Newfoundland. Family Names of the Island of Newfoundland traces the origins of almost 3,000 surnames found on the Island and provides an engaging and comprehensive collection of etymology, genealogy, and Newfoundland history. The introduction presents a fascinating discussion of the history and linguistic origins of surnames found in Newfoundland, which come from many different cultures, notably English, Welsh, Irish, Scottish, French, Syrian, Lebanese, and Mi'kmaq. The main body of the book comprises a dictionary of surnames in the province based on data collected from provincial voting lists, family records, government documents, and newspaper reports dating back to the seventeenth century. Each entry includes variant spellings and cross-references of the surname, the countries in which the name originated, and its meaning. Newfoundland place names associated with the surname are also given. The book also includes a ranking of the most common surnames in Newfoundland and a comparative analysis of the frequency of surnames in Scotland, Ireland, England, and Newfoundland. Originally published in 1977, Family Names of the Island of Newfoundland is a unique reference work, giving Newfoundlanders, both in the province and away, a fascinating look at their roots. This edition incorporates a number of additions and corrections and has been completely reset in a sturdier and more convenient format. It will be of great use to individuals tracing their ancestors and to genealogists researching early settlers in Newfoundland.

A reporter’s firsthand, close-up-and-personal look at the impact of our recent wars on America’s unlucky soldiers.

A proud Newfoundland soldier’s memoir gives unprecedented details of life as a German POW during the First World War. I’m going to tell my story. With those words, eighty-three-year-old Arthur Manuel set his remarkable First World War memoir in motion. Like many Great War veterans, Manuel had never discussed his wartime life with anyone. Hidden in the Manuel family records until its 2011 discovery by his grandson David Manuel, Arthur’s story is now brought to new life. Determined to escape his impoverished rural Newfoundland existence, he enlisted with the Royal Newfoundland Regiment in late 1914. His harrowing accounts of life under fire span the Allies’ ill-fated 1915 Gallipoli campaign, the Regiment’s 1916 near-destruction at Beaumont-Hamel, and his 1917 Passchendaele battlefield capture. Manuel’s account of his seventeen-month POW experience, including his nearly successful escape from a German forced labour camp, provides unique, compelling Great War insights. Powerful memories undimmed by age shine through Manuel’s lucid prose. His visceral hatred of war, and of the leaders on both sides who permitted such senseless carnage to continue, is ferocious yet tempered by Manuel’s powerful affection for common soldiers like himself, German and Allied alike. This poignant, angry, witty, and provocative account rings true like no other.

One Canadian in eight volunteered to fight between 1914 and 1918 and more than half of them were enlisted. Soldiers left their families behind to the tender mercy of a tight-fisted government and the Canadian Patriotic Fund, a national charity dominated by its wealthy donors. In time, the soldiers were remembered as the sacrificial heroes who won Canada a respected place in the world. The women who paid in loneliness and poverty were as easily forgotten as their letters, soaked in blood and Flanders mud. Fight or Pay tells the story of what happened to the soldiers' families and their quiet contributions to a fairer deal for Canadians in peace and war.

“In June a few years ago I set out to visit some of the World War One battlefields of Europe – the slope and valley and river and plain that the Newfoundland Regiment trained on, and fought over and through and under.” So begins Michael Winter’s extraordinary narrative that follows two parallel journeys, one laid on top of the other like a sketch on opaque paper over the lines of an old map. The first journey is that of the young men who came from Newfoundland’s outports, fields, villages and narrow city streets to join the storied regiment that led many of them to their deaths at Beaumont-Hamel during the Battle of the Somme on July 1, 1916. The second journey is the author’s, taken a century later as he walks in the footsteps of the dead men to discover what remains of their passage across land and through memory. Part unconventional history, part memoir-travelogue, part philosophical inquiry, Michael Winter uniquely captures the extraordinary lives and landscapes, both in Europe and at home, scarred by a war that is just now disappearing from living memory. In subtle and surprising ways, he also tells the hidden story of the very act of remembering – of how the past bleeds into the present and the present corrals and shapes the past. As he wanders from battlefield to barracks to hospital to hotel, and finally to a bereft stretch of land battered by a blizzard back home, Winter gently but persistently unsettles us – startling us with the unexpected encounters and juxtapositions that arise from his physical act of walking through the places where the soldiers once marched, this time armed with artifacts and knowledge those earlier souls could not have, yet undone by the reality of their bodily presence beneath the earth. In this unusual, poignant and beautiful book, Michael Winter gives us a new way of looking at a powerful piece of history that, he reminds us, continues to haunt our own lives.