The Soul As Virgin Wife

The Soul as Virgin Wife presents the first book-length study to give a detailed account of the theological and mystical teachings written by women themselves, especially by those known as beguines, which have been especially neglected. Hollywood explicates the difference between the erotic and imagistic mysticism, arguing that Mechthild, Porete, and Eckhart challenge the sexual ideologies prevalent in their culture and claim a union without distinction between the soul and the divine. The beguines' emphasis in the later Middle Ages on spiritual poverty has long been recognized as an important influence on subsequent German and Flemish mystical writers, in particular the great German Dominican preacher and apophatic theologian Meister Eckhart. In The Soul as Virgin Wife, Amy Hollywood presents the first book-length study to give a detailed textual account of these debts. Through an analysis of Magdeburg's The Flowing Light of the Godhead, Marguerite Porete's Mirror of Simple Souls, and the Latin commentaries and vernacular sermons of Eckhart, Hollywood uncovers the intricate web of influence and divergence between the beguinal spiritualities and Eckhart.

The Temple of our Soul is one of the most attractive spiritual texts of the late Middle Ages and early modern period. Written by an anonymous woman, who was also the author of influential The Evangelical Pearl, this masterpiece offers insights into the mystical aspects of Christianity that were widespread in Rhineland and the Low Countries. For political, socio-economic, and geographical reasons, spiritual writings from the Low Countries were highly influential in France, England, and Spain. Language barriers, however, have made the original texts inaccessible to many scholars and students. This bilingual edition offers the first English translation The Temple of our Soul together with the original Dutch text. This edition includes an introduction that provides insights into the text's key themes and the social context in which it was written. In addition to students of medieval mysticism, it will also be of interest to scholars of late medieval and early modern vernacular literature and feminist theology.

Jonathan Garb's "Yearnings of the Soul: Psychological Thought in Modern Kabbalah" is an original, path-breaking study of the renderings of the "heart and soul" in the works of major, minor, and obscure but important figures of modern Kabbalah. Garb has unearthed a treasure-trove of neglected figures and texts, bringing into dialogue their views on heart and soul with those found in other religious and secular authorities. There is no other study that comes close to the territory Garb covers or, for that matter, provides the historical and cultural context necessary for understanding the rise of such psychological renderings in the works of the modern Kabbalists. His analysis shows that any attempt to essentialize the multiple and varied understandings of heart and soul in Jewish mysticism is mistaken. Analyzing text and figure in context on a case-by-case basis Garb is able to provide comparison without being reductive. This is an invaluable contribution to the discipline that cements Garb as the leading scholar of modern Kabbalah.

The great German mystic Meister Eckhart remains one of the most fascinating figures in Western thought. Revived interest in Eckhart's mysticism has been matched, and even surpassed, by the study of the women mystics of the late13th century. This book argues that Eckhart's thought cannot be fully be understood until it is viewed against the background of the breakthroughs made by the women mystics who preceded him.

A fascinating collaboration between a medieval historian and a professor of psychiatry, this enthralling book applies modern biological and psychological research findings to the lives of medieval mystics and ascetics. Drawing upon a database of over 1,400 medieval holy persons and in-depth studies of individual saints, this illuminating study examines the relationship between medieval mystical experiences, the religious practices of mortification; laceration of the flesh, sleep deprivation and extreme starvation, and how these actions produced altered states of consciousness and brain function in the heroic ascetics. Examining and disputing much contemporary writing about the political and gender motivations in the medieval quest for a closeness with God, this is essential reading for anyone with an interest in medieval religion or the effects of self-injurious behaviour on the mind.

The Middle Ages saw a flourishing of mysticism that was astonishing for its richness and distinctiveness. The medieval period was unlike any other period of Christianity in producing people who frequently claimed visions of Christ and Mary, uttered prophecies, gave voice to ecstatic experiences, recited poems and songs said to emanate directly from God and changed their ways of life as a result of these special revelations. Many recipients of these alleged divine gifts were women. Yet the female contribution to western Europe's intellectual and religious development is still not well understood. Popular or lay religion has been overshadowed by academic theology, which was predominantly the theology of men. This timely book rectifies the neglect by examining a number of women whose lives exemplify traditions which were central to medieval theology but whose contributions have tended to be dismissed as 'merely spiritual' by today's scholars. In their different ways, visionaries like Richeldis de Faverches (founder of the Holy House at Walsingham, or 'England's Nazareth'), the learned Hildegard of Bingen, Hadewijch of Brabant (exemplary voice of the Beguine tradition of love mysticism), charismatic traveller and pilgrim Margery Kempe and anchoress Julian of Norwich all challenged traditional male scholastic theology. Designed for the use of undergraduate student and general reader alike, this attractive survey provides an introduction to thirteen remarkable women and sets their ideas in context.

John D. Caputo has a long career as one of the preeminent postmodern philosophers in America. The author of such books as Radical Hermeneutics, The Prayers and Tears of Jacques Derrida, and The Weakness of God, Caputo now reflects on his spiritual journey from a Catholic altar boy in 1950s Philadelphia to a philosopher after the death of God. Part spiritual autobiography, part homily on what he calls the “nihilism of grace,” Hoping Against Hope calls believers and nonbelievers alike to participate in the “praxis of the kingdom of God,” which Caputo says we must pursue “without why.” Caputo’s conversation partners in this volume include Lyotard, Derrida, and Hegel, but also earlier versions of himself: Jackie, a young altar boy, and Brother Paul, a novice in a religious order. Caputo traces his own journey from faith through skepticism to hope, after the “death of God.” In the end, Caputo doesn’t want to do away with religion; he wants to redeem religion and to reinvent religion for a postmodern time.

The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straßburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres and could present themselves as authorities in the public eye. Mystic texts by Hildegard of Bingen, Marie de France and Margery Kempe, the medieval conduct poem known as Die Winsbeckin, the Devout Books of Sisters composed in convents in South-West Germany, but also quasi-historical documents such as the memoirs of Helene Kottaner or Anna Weckerin's cookery book, demonstrate that far more women were in the public gaze than had hitherto been assumed and that they possessed the self-confidence to establish their positions with their intellectual and their literary achievements.