The Southern Journey Of Alan Lomax

A Best Photo Book of 2012 by American Photo. A new look at the legendary folklorist and his work. More than fifty years ago, on a trip dubbed “the Southern Journey,” Alan Lomax visited Virginia, Georgia, Alabama, Mississippi, Kentucky, and Tennessee, uncovering the little-known southern backcountry and blues music that we now consider uniquely American. Lomax’s camera was a constant companion, and his images of both legendary and anonymous folk musicians complement his famous field recordings. These photographs—largely unpublished—show musicians making music with family and friends at home, with fellow worshippers at church, and alongside workers and prisoners in the fields. Discussions of Lomax’s life and career by his disciple and lauded folklorist William Ferris, and a lyrical look at Lomax’s photographs by novelist and Grammy Award-winning music writer Tom Piazza, enrich this valuable collection.

At the age of 19 Shirley Collins was making a name for herself as a folk singer in post-war London. At a party she met famous American musical historian and folklorist, Alan Lomax and they became romantically involved. This is an account of the year of her life spent as Lomax's assistant and lover in America.

Winner of the 1993 National Book Critics Circle Award for nonfiction, this mususical and cultural exploration of the rich, sorrow-laden birth of the blues is an intimate and respectful look at an integral part of African American culture--a master work that has been 60 years in the making. Photos.

The remarkable life and times of the man who popularized American folk music and created the science of song Folklorist, archivist, anthropologist, singer, political activist, talent scout, ethnomusicologist, filmmaker, concert and record producer, Alan Lomax is best remembered as the man who introduced folk music to the masses. Lomax began his career making field recordings of rural music for the Library of Congress and by the late 1930s brought his discoveries to radio, including Woody Guthrie, Pete Seeger, and Burl Ives. By the 1940s he was producing concerts that brought white and black performers together, and in the 1950s he set out to record the whole world. Lomax was also a controversial figure. When he worked for the U. S. government he was tracked by the FBI, and when he worked in Britain, MI5 continued the surveillance. In his last years he turned to digital media and developed technology that anticipated today's breakthroughs. Featuring a cast of characters including Eleanor Roosevelt, Leadbelly, Carl Sandburg, Carl Sagan, Jelly Roll Morton, Muddy Waters, and Bob Dylan, Szwed's fascinating biography memorably captures Lomax and provides a definitive account of an era as seen through the life of one extraordinary man.

In 1933, folklorist John Lomax and his eighteen-year-old son, Alan, embarked on a tour of the American South with a modest budget and a lofty aim: to preserve America's folk heritage. Together, they visited churches, plantations and penitentiaries under the auspices of the Library of Congress, seeking out and recording the very best folk songs, gospel, and blues. Among their discoveries were the Delta bluesman Son House and the jailed singer Huddie Ledbetter, better known as Lead Belly. On this, their most ambitious musicological expedition, John and Alan Lomax saved for posterity thousands of songs that might otherwise have vanished without a trace. More than that, they amassed an archive of recordings that would shape the blues-driven rock 'n' roll of the 1960s and beyond. As George Harrison once remarked, "No Lead Belly, no Beatles."

Alan Lomax is a legendary figure in American folk music circles. Although he published many books, hundreds of recordings and dozens of films, his contributions to popular and academic journals have never been collected. This collection of writings, introduced by Lomax's daughter Anna, reintroduces these essential writings. Drawing on the Lomax Archives in New York, this book brings together articles from the 30s onwards. It is divided into four sections, each capturing a distinct period in the development of Lomax's life and career: the original years as a collector and promoter; the period from 1950-58 when Lomax was recording thorughout Europe; the folk music revival years; and finally his work in academia.

Based upon Cantometrics: An Approach to the Anthropology of Music (1976), by Alan Lomax, Songs of Earth: Aesthetic and Social Codes in Music is a contemporary guide to understanding and exploring Cantometrics, the system developed by Lomax and Victor Grauer for analyzing the formal elements of music related to human geography and sociocultural patterning. This carefully constructed cross-cultural study of world music revealed deep-rooted performance patterns and aesthetic preferences and their links with environmental factors and ancient socioeconomic practices. This new and updated edition is for anyone wishing to understand and more deeply appreciate the forms and sociocultural contexts of the musics of the world’s peoples, and it is designed to be used by both scholars and laypeople. Part One of the book consists of a practical guide to using the Cantometrics system, a course with musical examples to test one’s understanding of the material, a theoretical framework to put the methodology in context, and an illustration of the method used to explore the roots of popular music. Part Two includes guides to four other analytical systems that Lomax developed, which focus on orchestration, phrasing and breath management, vowel articulation, instrumentation, and American popular music. Part Three provides resources for educators who wish to use the Cantometrics system in their classrooms, a summary of the findings and hypotheses of Lomax’s original research, and a discussion of Cantometrics’ criticisms, applications, and new approaches, and it includes excerpts of Lomax’s original writings about world song style and cultural equity.

A graphic novel adaptation of the legend of Lee Shelton, better known as Stagger Lee, which tells of the dice game that led to Lee shooting and killing Billy Lyons, and which inspired the famous song.