The Spanish American Homeland

Foreigners in the Homeland analyzes the reception of the Latin American Boom novel in Spain. It argues in favor of an expanded concept of national literature that is not restricted to the native production of citizens but also takes into consideration the importance and nationalization of foreign cultural products. Charting the courses of interliterary relations between Spain and Spanish America, the book analyzes the conditions of the literary market during the 1960s and 1970s, follows the appropriation and canonization of Latin American authors and texts by readers and writers, and examines their impact on the resurgence of regional literatures within Spanish territory.

The traditional narrative of the American West tells of a frontier settled by pioneers emigrating from the east to the Pacific coast. Yet Spanish conquistadors arrived in Central America 150 years before the Pilgrims landed at Plymouth Rock. With them came missionaries who tried to convert the Pueblo and Plains Indians to Christianity by force, a suppression of native religious beliefs that led to cultural clashes and outright war. This is the story--fully documented--of how Spanish explorers, soldiers and men of the church pushed north from Mexico in the 1500s, seeking riches and establishing settlements from Texas to California 250 years before the influx of American settlers in the mid-1800s.

In this book, Steven R. Brydon analyzes American war propaganda spanning from the Spanish-American War through the wars in Afghanistan and Iraq. Brydon argues that many of these wars were fought based on false or misleading narratives, beginning with blaming Spain for the sinking of the Maine and continuing, most recently, with charges that Saddam Hussein had weapons of mass destruction and was involved in the terrorist attacks of September 11. Research has shown that well-told stories can affect the public’s beliefs, attitudes, and actions, and Brydon has identified some of these recurring stories that have been told to support and sustain each war during this time period. Using Fisher’s narrative paradigm, Brydon critically evaluates these “war stories” to determine if they possessed narrative coherence and fidelity that provided good reasons to go to war, rather than simply the appearance of these qualities. The responsibility, Brydon stresses, is on the media and on academics to view future war narratives through a critical lens, in order to best inform the American people. Scholars of media studies, history, military studies, American studies, and international relations will find this book particularly useful.

"Companion volume to Reinterpreting the Spanish American essay (see item #bi 97002053#), this anthology collects work of 22 essayists including Gâomez de Avellaneda, Ocampo, Peri Rossi, Castellanos, and others less known. Many treat topics related to women. Excellent translations; short introductory essays on each writer. First-rate contribution to revisionist literary history"--Handbook of Latin American Studies, v. 58.

From 1895 to 1898, Cuban insurgents fought to free their homeland from Spanish rule. Though often overshadowed by the "Splendid Little War" of the Americans in 1898, according to John Tone, the longer Spanish-Cuban conflict was in fact more remarkable, foreshadowing the wars of decolonization in the twentieth century. Employing newly released evidence--including hospital records, intercepted Cuban letters, battle diaries from both sides, and Spanish administrative records--Tone offers new answers to old questions concerning the war. He examines the origin of Spain's genocidal policy of "reconcentration"; the causes of Spain's military difficulties; the condition, effectiveness, and popularity of the Cuban insurgency; the necessity of American intervention; and Spain's supposed foreknowledge of defeat. The Spanish-Cuban-American war proved pivotal in the histories of all three countries involved. Tone's fresh analysis will provoke new discussions and debates among historians and human rights scholars as they reexamine the war in which the concentration camp was invented, Cuba was born, Spain lost its empire, and America gained an overseas empire.

As David Ignatow's foreword notes, the time is ripe for a multicultural canonical modernist, and Marzan himself, a poet with Puerto Rican roots, has produced an insightful study of Williams' sometimes hidden, sometimes obvious debt to his Spanish American heritage. At the same time, Marzan raises serious questions about how 'ethnic' literature shapes the modern canon. --American Literature I have been waiting for some time for a study of Williams's Latin American roots, and this book fills that bill. . . . It's a significant addition to the Williams canon. --Paul Mariani, author of William Carlos Williams: A New World Naked William Carlos Williams wrote from an all-encompassing American vision that recalls the spirit of Walt Whitman. Paradoxically, though, this most-American poet sprang from foreign roots--a Puerto Rican mother and a father who was an English-born Caribbean islander. In this poetically evocative work, Julio Marzan explores the Latin American roots of Williams' poetry. In particular, he focuses on the dualities and contradictions between Williams' public, North American persona, Bill, and his private, poetically encrypted Latin persona, Carlos. He shows how Williams' poetry draws on Latin American and Spanish sources, particularly the poetry of Spaniard Luis de Gongora, to encode a Latin subtext in poems that ostensibly present a mainstream, Anglo vision. These explorations uncover a wealth of complexity in Williams and his poetry. Reflecting the experience of many immigrants, his life and work embody the unreconcilable desires to assimilate and win acceptance in a new land while remaining separate and immersed in the beloved culture of one'sbirth. A published poet, Julio Marzan is also editor of Inventing a Word: An Anthology of Twentieth-Century Puerto Rican Poetry.