The Spectre

This carefully crafted ebook: "BOND VS. BLOFELD – The Spectre Trilogy (Complete Edition)" is formatted for your eReader with a functional and detailed table of contents. Ernst Stavro Blofeld is a super villain from the James Bond series of novels and films. An evil genius with aspirations of world domination, he is the archenemy of the British Secret Service agent James Bond. Blofeld is head of the global criminal organisation SPECTRE (Special Executive for Counter-intelligence, Terrorism, Revenge and Extortion) and is commonly referred to as Number 1. "Thunderball" - The crime syndicate, SPECTRE, headed by Ernst Stavro Blofeld blackmails the Western powers with their stolen atomic bombs. Can Bond deflect Blofeld's evil plans and foil his attempts? "On Her Majesty's Secret Service" - Blofeld is hiding in Switzerland to complete what he couldn't in "Thunderball". Will Bond's attacks on his centre go unpunished? What will the evil super villian do next? "You Only Live Twice" - After the death of his wife Bond loses his steam as a No. 1 secret agent. Sent on a mission in Japan, Bond comes face to face with Blofeld again . . . Ian Fleming (1908–1964) was an English author, journalist and naval intelligence officer who is best known for his James Bond series of spy novels. James Bond is a British Secret Service agent and often referred to by his code name, 007.

Demelza loves science, but she’s also inherited a distinctly un-scientific skill: Spectre Detecting—summoning the ghosts of the dead. When Grandma is kidnapped by a mysterious villain, she knows Spectre Detecting has something to do with it. Can Demelza solve the deadly mystery?

"Originally published in single magazine form in Adventure Comics 431-440, Wrath of the spectre 1-4"--T.p. verso.

This study of Babeuf as a political thinker, based on an analysis of his extensive writings, and on scholarship unavailable in English, shows him to be a major precursor of the modern revolutionary socialist tradition. The first part traces Babeuf's political evolution in the context of the French Revolution; the second examines his changing reputation among subsequent historians. The final section assesses the originality of his thought, showing him to be neither a Jacobin nor a Utopian.

In this rethinking of Marxism and its blind spots, Dick Howard argues that the collapse of European communism in 1989 should not be identified with a victory for capitalism and makes possible a wholesale reevaluation of democratic politics in the U.S. and abroad. The author turns to the American and French Revolutions to uncover what was truly "revolutionary" about those events, arguing that two distinct styles of democratic life emerged, the implications of which were misinterpreted in light of the rise of communism. Howard uses a critical rereading of Marx as a theorist of democracy to offer his audience a new way to think about this political ideal. He argues that it is democracy, rather than Marxism, that is radical and revolutionary, and that Marx could have seen this but did not. In Part I, Howard explores the attraction Marxism held for intellectuals, particularly French intellectuals, and he demonstrates how the critique of totalitarianism from a Marxist viewpoint allowed these intellectuals to see the radical nature of democracy. Part II examines two hundred years of democratic political life—comparing America's experience as a democracy to that of France. Part III offers a rethinking of Marx's contribution to democratic politics. Howard concludes that Marx was attempting a "philosophy by other means," and that paradoxically, just because he was such an astute philosopher, Marx was unable to see the radical political implications of his own analyses. The philosophically justified "revolution" turns out to be the basis of an anti-politics whose end was foreshadowed by the fall of European communism in 1989.

"After a combat incident in Iraq, Cal "Spectre" Martin was grounded and told he would never fly an F-16 again. Years later, he started a new civilian life with his F-16 pilot fiancee while being haunted by the nightmares of his last deployment. But when she goes missing on a routine training mission off the South Florida coast, Spectre unwillingly finds himself thrust back onto the frontlines of the war on terror - this time, not in the skies over Iraq, but on the streets of Miami. While searching for answers, Spectre uncovers a deadly international conspiracy that shakes his beliefs to the core and threatens national security. The stakes have never been higher as Spectre rises to overcome his inner demons, challenge his friendships, and take to the skies once again in a daring final mission"--Back cover.

A bold new history showing that the fear of Communism was a major factor in the outbreak of World War II The Spectre of War looks at a subject we thought we knew—the roots of the Second World War—and upends our assumptions with a masterful new interpretation. Looking beyond traditional explanations based on diplomatic failures or military might, Jonathan Haslam explores the neglected thread connecting them all: the fear of Communism prevalent across continents during the interwar period. Marshalling an array of archival sources, including records from the Communist International, Haslam transforms our understanding of the deep-seated origins of World War II, its conflicts, and its legacy. Haslam offers a panoramic view of Europe and northeast Asia during the 1920s and 1930s, connecting fascism’s emergence with the impact of the 1917 Bolshevik Revolution. World War I had economically destabilized many nations, and the threat of Communist revolt loomed large in the ensuing social unrest. As Moscow supported Communist efforts in France, Spain, China, and beyond, opponents such as the British feared for the stability of their global empire, and viewed fascism as the only force standing between them and the Communist overthrow of the existing order. The appeasement and political misreading of Nazi Germany and fascist Italy that followed held back the spectre of rebellion—only to usher in the later advent of war. Illuminating ideological differences in the decades before World War II, and the continuous role of pre- and postwar Communism, The Spectre of War provides unprecedented context for one of the most momentous calamities of the twentieth century.

Set in San Francisco, Brocken Spectre examines the way the past presses up against the present. The speaker, raised in the wake of the AIDS crisis, engages with ideas of belatedness, of looking back to a past that cannot be inhabited, of the ethics of memory, and of the dangers in memorializing and romanticizing tragedy.