The Speech Of Gold

This is the first full study, translation, and critical annotation of the Essence of True Eloquence, by Tsong Khapa (1357-1419), universally acknowledged as the greatest Tibetan philosopher. The work is a study of the major schools of Mahayana Buddhism, known as Vijnanavada and Madhyamika, and an explanation of the Prasarigika (Dialecticist") interpretation of Madhyamika ("Centrism"). Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

William Jennings Bryan (1860-1925) moved to Lincoln, Nebraska, in 1887 as a young lawyer and rose rapidly in local Democratic Party affairs. In 1890 he was elected to the U.S. Congress in a Democratic landslide and was reelected in 1892, although he failed in a bid for the U.S. Senate in 1894. After the 1894 campaign, Bryan became editor of the Omaha World-Herald, continued his activities as a proponent of "free silver, " and began a successful stint as a Chautauqua lecturer, honing his already considerable oratorical skills. His reputation as a free-silver advocate was such that his delivery of the "Cross of Gold" speech at the 1896 Democratic Convention won him the nomination for president at the age of thirty-six. Bryan's proposal for the unlimited coinage of silver gained him support in the agrarian South and West and opposition in eastern states where banking and mercantile interests were paramount. During the 1896 campaign, Bryan traveled over eighteen thousand miles and made six hundred speeches in twenty-seven states, an unprecedented effort. Bryan lost to McKinley by ninety-five electoral votes, a result that conceals a relatively close popular vote. Although he twice more ran for president, served as Woodrow Wilson's secretary of state, and ended his career at the Scopes "Monkey Trial, " he will always be best remembered for his galvanic address in 1896. Robert W. Cherny is a professor of history at San Francisco State University. He is the author of A Righteous Cause: The Life of William Jennings Bryan.

This is the first full study, translated and critically annotated of the Essence of True Eloquence by Tsong Khapa (1357-1419) universally acknowledge as the greatest Tibetan Philosopher. The work is a study of the major schools of Mahayana Buddhism, known as Vijnanavada and Madhyamika and an explanation of the Prasangika interpretation of Madhyamika ( Centrism ). The translation and introduction supplement our view of Buddhism as a contemplative and mystical religion and reveal a rigorous, critical philosophy.

"No one makes me laugh harder than Judy Gold. If I had to pick one comedian to write a book about free speech, it would be Judy." – Amy Schumer From award-winning comedian Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art. From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs. But while comedians’ work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral. For comics like Judy Gold, today’s attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy. In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them, Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as: Person: "OMG! You’re a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?" Judy Gold: "Coincidently, right after I met you!" (micro-assault!) In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form—and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment.

This is the first full study, translation, and critical annotation of the Essence of True Eloquence, by Tsong Khapa (1357-1419), universally acknowledged as the greatest Tibetan philosopher. The work is a study of the major schools of Mahayana Buddhism, known as Vijnanavada and Madhyamika, and an explanation of the Prasarigika (Dialecticist") interpretation of Madhyamika ("Centrism"). Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

When Speech and Audio Signal Processing published in 1999, it stood out from its competition in its breadth of coverage and its accessible, intutiont-based style. This book was aimed at individual students and engineers excited about the broad span of audio processing and curious to understand the available techniques. Since then, with the advent of the iPod in 2001, the field of digital audio and music has exploded, leading to a much greater interest in the technical aspects of audio processing. This Second Edition will update and revise the original book to augment it with new material describing both the enabling technologies of digital music distribution (most significantly the MP3) and a range of exciting new research areas in automatic music content processing (such as automatic transcription, music similarity, etc.) that have emerged in the past five years, driven by the digital music revolution. New chapter topics include: Psychoacoustic Audio Coding, describing MP3 and related audio coding schemes based on psychoacoustic masking of quantization noise Music Transcription, including automatically deriving notes, beats, and chords from music signals. Music Information Retrieval, primarily focusing on audio-based genre classification, artist/style identification, and similarity estimation. Audio Source Separation, including multi-microphone beamforming, blind source separation, and the perception-inspired techniques usually referred to as Computational Auditory Scene Analysis (CASA).

An American poetry collection by Sid Gold. Gold straddles the fence between the free verse of our day and the avant-garde, mixing the two in his fourth book. The result is a pleasing experience of back-and-forth, free verse seemingly locating the reader in a familiar world, while Gold's prose poems comment on the strangeness of that familiar world. An altogether pleasant read.