The Spirit And The Secular

THE SPIRIT OF SECULAR ART explains the spiritual prestige of art. Various theorists have discussed how art has an aura or indefinable magic. This book explains how, when and why it gained its spiritual properties. The idea that all art is somehow spiritual (even though not religious) is often assumed; this book, while narrating the historical trajectory of art in the most accessible language, reveals how the mysteries of religious practice are abstracted and saved through all stages of secularisation in European culture. THE SPIRIT OF SECULAR ART presents a coherent theory defining the sacred basis of Western aesthetics. It evocatively describes the afterlife of the holy from Ancient Greece to the present, and outlines how the mysterious institution of art can be explained in material terms. Unlike other books in the genre, THE SPIRIT OF SECULAR ART radically deconstructs traditional art history in terms of 'prestige' and the value of the non-material. The book functions as: an alternative critical history of art, integrated with the histories of literature and belief; a philosophical essay on the fundamental values of art and religion; and a critique of the spiritual conceits of contemporary aesthetics and art appreciation.

A comparative look at religion and spirituality in postcolonial China and India The Modern Spirit of Asia challenges the notion that modernity in China and India are derivative imitations of the West, arguing that these societies have transformed their ancient traditions in unique and distinctive ways. Peter van der Veer begins with nineteenth-century imperial history, exploring how Western concepts of spirituality, secularity, religion, and magic were used to translate the traditions of India and China. He traces how modern Western notions of religion and magic were incorporated into the respective nation-building projects of Chinese and Indian nationalist intellectuals, yet how modernity in China and India is by no means uniform. While religion is a centerpiece of Indian nationalism, it is viewed in China as an obstacle to progress that must be marginalized and controlled. The Modern Spirit of Asia moves deftly from Kandinsky's understanding of spirituality in art to Indian yoga and Chinese qi gong, from modern theories of secularism to histories of Christian conversion, from Orientalist constructions of religion to Chinese campaigns against magic and superstition, and from Muslim Kashmir to Muslim Xinjiang. Van der Veer, an outspoken proponent of the importance of comparative studies of religion and society, eloquently makes his case in this groundbreaking examination of the spiritual and the secular in China and India.

How does one make disciples and plant the church in a secular environment? Does it take technical production? Is a great venue or “mother” church necessary? Does it take a well-networked team? Tangible factors such as these are easily remedied by consulting seasoned, church planting experts. Yet, what if some obstacles to plant the church aren’t tangible at all? The Spirit and the Secular examines the ways that Spirit-led Christians trust the Holy Spirit while church planting amidst a secular cultural backdrop. A review of Luke and the Acts of the Apostles traces a Spirit-led Christ and Spirit-led church as they make disciples. To better discern the challenge of what it means to be a contemporary church planter in Sweden, a historical review of Swedish culture reveals the rise of secularism alongside of the flourish of the Pentecostal church of the 1900s. What follows is a groundbreaking fieldwork study using a current, investigative interview method, Q-Methodology, measuring the perceptions of thirty church planters in Sweden who reveal their collective ideal and differing practices. The study wraps with a comprehensive analysis grounding the research in a theory of Spirit-led church planting.

Secular Societies, Spiritual Selves? is the first volume to address the gendered intersections of religion, spirituality and the secular through an ethnographic approach. The book examines how 'spirituality' has emerged as a relatively 'silent' category with which people often signal that they are looking for a way to navigate between the categories of the religious and the secular, and considers how this is related to gendered ways of being and relating. Using a lived religion approach the contributors analyse the intersections between spirituality, religion and secularism in different geographical areas, ranging from the Netherlands, Portugal and Italy to Canada, the United States and Mexico. The chapters explore the spiritual experiences of women and their struggle for a more gender equal way of approaching the divine, as well as the experience of men and of those who challenge binary sexual identities advocating for a queer spirituality. This volume will be of interest to anthropologists and sociologists as well as scholars in other disciplines who seek to understand the role of spirituality in creating the complex gendered dynamics of modern societies.

The place of religion in society has changed profoundly in the last few centuries, particularly in the West. In what will be a defining book for our time, Taylor takes up the question of what these changes mean, and what, precisely, happens when a society becomes one in which faith is only one human possibility among others.

Drawing on philosophical reflection, spiritual and religious values, and somatic practice, Spirit and the Obligation of Social Flesh offers guidance for moving amidst the affective dynamics that animate the streets of the global cities now amassing around our planet. Here theology turns decidedly secular. In urban medieval Europe, seculars were uncloistered persons who carried their spiritual passion and sense of an obligated life into daily circumambulations of the city. Seculars lived in the city, on behalf of the city, but—contrary to the new profit economy of the time—with a different locus of value: spirit. Betcher argues that for seculars today the possibility of a devoted life, the practice of felicity in history, still remains. Spirit now names a necessary “prosthesis,” a locus for regenerating the elemental commons of our interdependent flesh and thus for cultivating spacious and fearless empathy, forbearance, and generosity. Her theological poetics, though based in Christianity, are frequently in conversation with other religions resident in our postcolonial cities.

The Religious, the Spiritual, and the Secular presents an account of Auroville, a city in contemporary southeast India, and the vision of founder and well-known guru Sri Aurobindo. Auroville's eventual takeover and the promotion of its goals by the Indian government leads to a thought-provoking discussion of the meaning of "secularism" in India.