The Stage Kiss

An enchanting new comedy by Pulitzer Prize finalist Sarah Ruhl.

In this slow-burn yet highly combustible enemies-to-lovers romance, perfect for fans of Rachel Lynn Solomon and Abby Jimenez, two stage actors find themselves falling for each other with each onstage kiss...against their better judgment. Actress Eden Blake’s biggest claim to fame is a mortifying pharmaceutical commercial for male enhancement pills. That is until the female lead on the nationwide tour of Broadway’s hit Pride & Prejudice musical abruptly quits and Eden is called up to fill the role. The cast of Liz and Darcy: The Musical has just settled into a three-week run in Washington, DC, and Broadway royalty Brennon Thorne is set to play Darcy. Despite Brennon’s reputation as being “a dream to work with,” Eden’s first impression of him is more like a nightmare. Now, she’ll have to kiss the pompous jerk eight shows per week. Brennon can’t disguise his disdain for understudies like Eden. But New York is filled with reminders of his most recent failed relationship, and this American tour is a much-needed distraction from his loneliness. As Eden and Brennon take the stage playing Jane Austen’s most memorable characters, their reality begins to mirror Elizabeth and Darcy’s—explosive chemistry and all. Together, they power through press performances and curtain calls, even as rumors of Brennon’s checkered romantic past resurface and prove to Eden that he can’t be trusted. But with each choreographed stage kiss, Eden and Brennon’s passion for the stage—and each other—ignites. Maybe, just maybe, not all rumors are to be believed—and not all showmances are doomed to fail.

Kevin and Jill meet during auditions for a community theatre play. Kevin immediately expresses his dismay about the director's decision to have the actors read a kiss scene, with real kissing required. What starts as a debate between two strangers about the wisdom of the director's demands evolves into a funny and fragile connection as two lonely individuals confront their insecurities about romance, sex, and, of course, kissing.

In this slow-burn yet highly combustible enemies-to-lovers romance, perfect for fans of Rachel Lynn Solomon and Abby Jimenez, two stage actors find themselves falling for each other with each onstage kiss...against their better judgment. Actress Eden Blake’s biggest claim to fame is a mortifying pharmaceutical commercial for male enhancement pills. That is, until the female lead on the nationwide tour of Broadway’s hit Pride & Prejudice musical abruptly quits, and Eden is called up to fill the role. The cast of Liz and Darcy: The Musical has just settled into a three-week run in Washington, DC, and Broadway royalty Brennon Thorne is set to play Darcy. Despite Brennon’s reputation as being “a dream to work with,” Eden’s first impression of him is more like a nightmare. Now, she’ll have to kiss the pompous jerk eight shows per week. Brennon can’t disguise his disdain for understudies like Eden. But New York is filled with reminders of his most recent failed relationship, and this American tour is a much-needed distraction from his loneliness. As Eden and Brennon take the stage playing Jane Austen’s most memorable characters, their reality begins to mirror Elizabeth and Darcy’s—explosive chemistry and all. Together, they power through press performances and curtain calls, even as rumors of Brennon’s checkered romantic past resurface and prove to Eden that he can’t be trusted. But with each choreographed stage kiss, Eden and Brennon’s passion for the stage—and each other—ignites. Maybe, just maybe, not all rumors are to be believed—and not all showmances are doomed to fail.

Dene knows that being in a movie is going to be so perfect, untilshefinds out that she has to kiss a boy...She has never kissed aboy before, then she meets her co-star. Suddenly, everything's evenscarier.

Staging Sex lays out a comprehensive, practical solution for staging intimacy, nudity, and sexual violence. This book takes theatre practitioners step-by-step through the best practices, tools, and techniques for crafting effective theatrical intimacy. After an overview of the challenges directors face when staging theatrical intimacy, Staging Sex offers practical solutions and exercises, provides a system for establishing and discussing boundaries, and suggests efficient and effective language for staging intimacy and sexual violence. It also addresses production and classroom specific concerns and provides guidance for creating a culture of consent in any company or department. Written for directors, choreographers, movement coaches, stage managers, production managers, professional actors, and students of acting courses, Staging Sex is an essential tool for theatre practitioners who encounter theatrical intimacy or instructional touch, whether in rehearsal or in the classroom.

Actors and actresses play characters such as the embittered Medea, or the lovelorn Romeo, or the grieving and tearful Hecabe. The theatre audience holds its breath, and then sparks begin to fly. But what about the actor? Has he been affected by the emotions of the character he is playing? What'sgoing on inside his mind? The styling of emotions in the theatre has been the subject of heated debate for centuries. In fact, Diderot in his Paradoxe sur le comedien, insisted that most brilliant actors do not feel anything onstage. This greatly resembles the detached acting style associated with Bertolt Brecht, which, in turn, stands in direct opposition to the notion of the empathy-oriented "emotional reality" of the actor which is most famously associated with the American actingstyle known as method acting. The book's survey of the various dominant acting styles is followed by an analysis of the current state of affairs regarding the psychology of emotions. By uniting the psychology of emotions with contemporary acting theories, the author is able to come to the conclusion that traditional acting theories are no longer valid for today's actor. Acting Emotions throws new light on the age-old issue of double consciousness, the paradox of the actor who must nightly express emotions while creating the illusion of spontaneity. In addition, the book bridges the gap between theory and practice by virtue of the author's large-scale field study of the emotions of professional actors. In Acting Emotions, the responses of Dutch and Flemish actors is further supplemented by the responses of a good number of American actors. The book offers a unique view of how actors act out emotions and how this acting out is intimately linked to the development of contemporary theatre.

After three decades of undying adoration, KISS fans will get their first fully authorized and total access look at the band who loves to "rock 'n' roll all nite and party every day!" Twenty years ago, KISS officially revealed the faces behind the stage makeup, and fans all over the world got their first look at the band. Now, in KISS: BEHIND THE MASK, the band's legion of fans and music enthusiasts alike will get to know the men behind the stage personas. After 30 years as a band, KISS are more than just a rock 'n' roll institution-they are legends. For decades, they have consistently remained among the most successful acts in the history of popular music. KISS' legendary stagemanship and extreme theatrics are well known by two generations of rock fans, and they are already pulling in the next one. Now, through their own words and exclusive material contributed by some of the biggest rock stars in the industry, KISS: BEHIND THE MASK will tell the band's full story.