The Stevensons

Presents a portrait of four generations of the Stevenson family in America, from the first Scotch-Irish immigrants to the life and career of the noted liberal politician Adlai Stevenson.

For centuries the seas around Scotland were notorious for shipwrecks. Mariners' only aids were skill, luck, and single coal-fire light on the east coast, which was usually extinguished by rain. In 1786 the Northern Lighthouse Trust was established, with Robert Stevenson appointed as chief engineer a few years later. In this engrossing book, Bella Bathhurst reveals that the Stevensons not only supervised the construction of the lighthouses under often desperate conditions but also perfected a design of precisely chiseled interlocking granite blocks that would withstand the enormous waves that batter these stone pillars. The same Stevensons also developed the lamps and lenses of the lights themselves, which "sent a gleam across the wave" and prevented countless ships from being lost at sea. While it is the writing of Robert Louis Stevenson that brought fame to the family name, this mesmerizing account shows how his extraordinary ancestors changed the shape of the Scotland coast against incredible odds and with remarkable technical ingenuity.

Four years ago, in the small town of Birravale, Eliza Dacey was murdered. Within hours, her killer was caught. Wasn't he? So read the opening titles of Jack Quick's new true-crime documentary - one that is persuading its millions of viewers that Curtis Wade was wrongly convicted. But just before the final episode, Jack uncovers evidence that may prove Wade guilty after all. Convinced it will ruin his show, he covers it up, and months later Wade is released after a retrial. Then a new victim is found bearing horrifying similarities to the original murder. Has Jack just helped a killer walk free? Determined to set things right, he returns to Birravale looking for answers. But Jack knows more than anyone that there's a fine line between fact and fiction. Between life and death.

In Life Beside Itself, Lisa Stevenson takes us on a haunting ethnographic journey through two historical moments when life for the Canadian Inuit has hung in the balance: the tuberculosis epidemic (1940s to the early 1960s) and the subsequent suicide epidemic (1980s to the present). Along the way, Stevenson troubles our commonsense understanding of what life is and what it means to care for the life of another. Through close attention to the images in which we think and dream and through which we understand the world, Stevenson describes a world in which life is beside itself: the name-soul of a teenager who dies in a crash lives again in his friend’s newborn baby, a young girl shares a last smoke with a dead friend in a dream, and the possessed hands of a clock spin uncontrollably over its face. In these contexts, humanitarian policies make little sense because they attempt to save lives by merely keeping a body alive. For the Inuit, and perhaps for all of us, life is "somewhere else," and the task is to articulate forms of care for others that are adequate to that truth.

This is the fascinating life story of Robert Louis Stevenson, the beloved author of classics such as "Treasure Island" and "Strange Case of Dr. Jekyll and Mr. Hyde," from his early days as an aspiring writer to his first published works, his love affair and then marriage to Fanny Osbourne, his success as an author, his many travels across Europe and the U.S., and finally his voyage to the islands of the South Pacific, where he eventually built the house of his dreams. Stevenson never let his weak lungs (which he referred to as pirates waging a battle inside him) and delicate constitution stand in the way of his insatiable thirst for adventure, living life on his own terms until the very end.

From beloved English author D.E. Stevenson who has sold more than 7 million books worldwide! In the first heartwarming book of this classic series, D.E. Stevenson proves that one little book can be the source of all kinds of trouble when residents of a small English village start to see themselves through someone else's eyes. Barbara Buncle is in a bind. Times are harsh, and Barbara's bank account has seen better days. Maybe she could sell a novel ... if she knew any stories. Stumped for ideas, Barbara draws inspiration from her fellow residents of Silverstream, the little English village she knows inside and out. To her surprise, the novel is a smash. It's a good thing she wrote under a pseudonym, because the folks of Silverstream are in an uproar. But what really turns Miss Buncle's world around is this: what happens to the characters in her book starts happening to their real-life counterparts. Does life really imitate art, and can she harness that power for good? With the wit and charm of a Jane Austen novel and the gossipy, small-town delight of the Flavia de Luce series, Miss Buncle's Book is D.E. Stevenson at her best!

This book tackles photography’s role during Robert Louis Stevenson’s travels throughout the Pacific Island region and is the first study of his family’s previously unpublished photographs. Cutting across disciplinary boundaries, the book integrates photographs with letters, non-fiction, and poetry, and includes much unpublished material. The original readings of photographs and non-fiction highlight Stevenson’s engagement with colonial ideology and reality and advance new arguments about Victorian travel, settlement, and colonialisms in the Pacific. Like the Stevensons, the book moves from the Marquesas to the atolls of the Gilbert Islands in Micronesia; from the Kingdom of Hawai‘i’s political ambitions to Samoan plantations and the Stevensons’ settlement at Vailima. Central to this study is the notion that Pacific history and Pacific Island cultures matter to the interpretation of Stevenson's work, and a rigorous historical and cultural contextualization ensures that local details structure literary and photographic interpretation. The book’s historical grounding is key to its insightful conclusions regarding travel, settlement, photography, and colonialism.