The Story Of Edinburgh

The late poet laureate, Sir John Betjeman, said that Edinburgh was the most beautiful city in Europe. Like some other great cities it is set on seven hills. But only one of these, Rome, rivals Edinburgh in matching the beauty of its setting with the stateliness of its buildings. Edinbrugh, too, provides the backdrop to much of the dark drama of the Scottish past, from Mary Queen of Scots to Bonnie Prince Charlie and beyond. Michael Fry, who has lived and worked there for nearly forty years, provides a compellingly readable account of this great city, from the earliest times to the present, balancing Edinburgh's cultural, political and social history, and painting a vivid portrait of a city - that like Stevenson's Dr Jekyll - is both dark and light, both dark and light, both 'Auld Reekie' and 'Athens of the North'. ‘Impressive ... in the style of Peter Ackroyd’s history of London’ Magnus Linklator, Spectator 'No one interested in the history of Edinburgh, and indeed Scotland, should be without it’ Allan Massie,Scotsman

This richly illustrated history explores every aspect of life in Edinburgh.This book covers the history of the city of Edinburgh from the first Mesolithic explorers who camped on the shores of the Forth some 10,000 years ago to the controversies of modern times.Taking a wider perspective it explores the ever-changing world resulting from industrialisation, which brought immigrants, wealth and poverty. Following that, new methods of transport opened up Edinburgh to the wider world. Now, with its historic architecture the city can become a battleground between developers and motorists who want more space in the central areas and conservationists who wish to protect the city’s landscape.

From the best-selling author of How To Write an Autobiographical Novel, Alexander Chee's award-winning debut is "One of the great queer novels . . . of our time."—Brandon Taylor, GQ Twelve-year-old Fee is a shy Korean-American boy growing up in Maine whose powerful soprano voice wins him a place as section leader of the first sopranos in his local boys choir. But when, on a retreat, Fee discovers how the director treats the boys he makes section leader, he is so ashamed, he says nothing of the abuse, not even when Peter, Fee’s best friend, is in line to be next. The director is eventually arrested, and Fee tries to forgive himself for his silence. But when Peter takes his own life, Fee blames only himself. Years later, after he has carefully pieced a new life together, Fee takes a job at a private school near his hometown. There he meets a young student, Arden, who, to his shock, is the picture of Peter—and the son of his old choir director. Told with “the force of a dream and the heft of a life” (Annie Dillard), this is a haunting, lyrically written debut novel that marked Chee “as a major talent whose career will bear watching” (Publisher’s Weekly).

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It started and ended with a financial catastrophe. The Darien disaster of 1700 drove Scotland into union with England, but spawned the institutions which transformed Edinburgh into a global financial centre. The crash of 2008 wrecked the city's two largest and oldest banks – and its reputation. In the three intervening centuries, Edinburgh became a hothouse of financial innovation, prudent banking, reliable insurance and smart investing. The face of the city changed too as money transformed it from medieval squalor to Georgian elegance. This is the story, not just of the institutions which were respected worldwide, but of the personalities too, such as the two hard-drinking Presbyterian ministers who founded the first actuarially-based pension fund; Sir Walter Scott, who faced financial ruin, but wrote his way out of it; the men who financed American railways and eastern rubber plantations with Scottish money; and Fred Goodwin, notorious CEO of RBS, who took the bank to be the biggest in the world, but crashed and burned in 2008.