The Story Of Rock N Roll

Traces the history of rock and roll music from the 1950's to the present day and discusses its changing styles and leading personalities.

The history of Vancouver rock 'n' roll is populated by pioneers, visionaries and mavericks. Many of those work(ed) behind the scenes. The musical talent always has always been here, but not the infrastructure (managers, producers, independent labels) needed. While musicians plugged away, learning what they needed to succeed, the support formed. Music and business merged and went out in the world as a symbiotic relationship. There was trial and error but eventually a music industry was created. From The Poppy Family to BTO, Bryan Adams, Sarah McLachlan, Nickelback and Michael Buble - No. 1 stars all - the history of Vancouver rock 'n' roll is their story and the story of countless others.

Put on your dancing shoes and move to the music. Rock and roll sprang from a combination of African-American genres, Western swing, and country music that exploded in post World War II America. Jim O'Connor explains what constitutes rock music, follows its history and sub-genres through famous musicians and groups, and shows how rock became so much more than just a style of music influencing fashion, language, and lifestyle. This entry in the New York Times best-selling series contains eighty illustrations and sixteen pages of black and white photographs.

Traces the history of rock and roll music from the 1950's to the present day and discusses its changing styles and leading personalities.

Robert Palmer, a preeminent rock critic and musician who was the chief advisor for the public television series, explores the complex creative processes that have allowed rock music to endure as a living art, fed from sources deep within nonconformist, anti-mainstream, often multiethnic American culture.

A Social History of Early Rock 'n' Roll in Germany explores the people and spaces of St. Pauli's rock'n'roll scene in the 1960s. Starting in 1960, young British rockers were hired to entertain tourists in Hamburg's red-light district around the Reeperbahn in the area of St. Pauli. German youths quickly joined in to experience the forbidden thrill of rock'n'roll, and used African American sounds to distance themselves from the old Nazi generation. In 1962 the Star Club opened and drew international attention for hosting some of the Beatles' most influential performances. In this book, Julia Sneeringer weaves together this story of youth culture with histories of sex and gender, popular culture, media, and subculture. By exploring the history of one locale in depth, Sneeringer offers a welcome contribution to the scholarly literature on space, place, sound and the city, and pays overdue attention to the impact that Hamburg had upon music and style. She is also careful to place performers such as The Beatles back into the social, spatial, and musical contexts that shaped them and their generation. This book reveals that transnational encounters between musicians, fans, entrepreneurs and businessmen in St. Pauli produced a musical style that provided emotional and physical liberation and challenged powerful forces of conservatism and conformity with effects that transformed the world for decades to come.

From the author of the critically acclaimed Elvis Presley biography: Last Train to Memphis brings us the life of Sam Phillips, the visionary genius who singlehandedly steered the revolutionary path of Sun Records. The music that he shaped in his tiny Memphis studio with artists as diverse as Elvis Presley, Ike Turner, Howlin' Wolf, Jerry Lee Lewis, and Johnny Cash, introduced a sound that had never been heard before. He brought forth a singular mix of black and white voices passionately proclaiming the vitality of the American vernacular tradition while at the same time declaring, once and for all, a new, integrated musical day. With extensive interviews and firsthand personal observations extending over a 25-year period with Phillips, along with wide-ranging interviews with nearly all the legendary Sun Records artists, Guralnick gives us an ardent, unrestrained portrait of an American original as compelling in his own right as Mark Twain, Walt Whitman, or Thomas Edison.