The Strings Of Murder

'A hugely entertaining Victorian mystery' New York Times 'I enjoyed this - properly creepy and Gothic' Ian Rankin A spellbinding concoction of crime, history and horror - perfect for fans of Sherlock Holmes and Jonathan Creek. The First Case for Frey & McGray. Edinburgh, 1888. A violinist is murdered in his home. The dead virtuoso's maid swears she heard three musicians playing in the night. But with only one body in the locked practice room - and no way in or out - the case makes no sense. Fearing a national panic over another Ripper, Scotland Yard sends Inspector Ian Frey to investigate under the cover of a fake department specializing in the occult. However, Frey's new boss, Detective 'Nine-Nails' McGray, actually believes in such supernatural nonsense. McGray's tragic past has driven him to superstition, but even Frey must admit that this case seems beyond reason. And once someone loses all reason, who knows what they will lose next... * * * 'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it. Oscar de Muriel is going to be a name to watch.' Manda Scott 'A great cop double-act ... It's the pairing of the upright Frey and the unorthodox McGray that notches up the stars for this book. Like de Muriel, they're going places.' Sunday Sport 'One of the best debuts so far this year - a brilliant mix of horror, history, and humour. Genuinely riveting ... with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written - The Strings Of Murder is everything you need in a mystery thriller.' Crime Review

'A hugely entertaining Victorian mystery' New York Times 'I enjoyed this - properly creepy and Gothic' Ian Rankin _______________ A CASE FOR FREY & McGRAY The Scottish Highlands, 1889. When a young heir receives a sinister death threat, Inspectors Frey and 'Nine-Nails' McGray answer a desperate plea to offer him protection. The detectives travel north to the remote and misty Loch Maree, site of an ancient burial ground. They must stay with the mysterious Koloman family - any one of whom might be a suspect. But Frey and McGray have little time to get their bearings. Even before they arrive the boy's guardian is brutally murdered, and one thing becomes clear to the two detectives: Someone is willing to kill to protect the secrets of Loch Maree. _______________ Praise for the Frey & McGray series: 'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it. Oscar de Muriel is going to be a name to watch' Manda Scott 'Fun to read and a fast page-turner. Love and murder - they go together like strawberries and cream' Independent 'A brilliant mix of horror, history, and humour. Genuinely riveting with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written ... Everything you need in a mystery thriller' Crime Review 'Fast-paced, well-researched and thoroughly spellbinding. The mismatched pair is as entertaining as Holmes and Watson at their best' Historical Novel Society

'A hugely entertaining Victorian mystery' New York Times 'I enjoyed this - properly creepy and Gothic' Ian Rankin 1889. The Scottish Play is coming home. But before the darling couple of London theatre, Henry Irving & Ellen Terry, take their acclaimed Macbeth to the Edinburgh stage terror treads the boards. A grisly message found smeared across the cobbles in blood, foretelling someone's demise. As the bloody prophecies continue to appear Edinburgh's own beloved pair - Detective 'Nine-Nails' McGray & Inspector Ian Frey - enter the scene. Frey scoffs at this blatant publicity stunt, while McGray is convinced of supernatural affairs. As they scrutinise the key players, they discover that Terry, Irving, and his peculiar, preoccupied assistant (one Bram Stoker) all have reasons to kill, or be killed... But one thing is clear. By occult curse or human hand, death will take bow the night the curtain rises. Praise for the Frey & McGray series: 'I enjoyed this - properly creepy and Gothic' Ian Rankin 'A hugely entertaining Victorian mystery' New York Times 'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it. Oscar de Muriel is going to be a name to watch' Manda Scott 'Fun to read and a fast page-turner. Love and murder - they go together like strawberries and cream' Independent 'A brilliant mix of horror, history, and humour. Genuinely riveting with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written ... Everything you need in a mystery thriller' Crime Review 'Fast-paced, well-researched and thoroughly spellbinding. The mismatched pair is as entertaining as Holmes and Watson at their best' Historical Novel Society

“Burlesque is the background . . . [and] the background is perfect. Recommended for the readers who feel better when their eyebrows are raised.” —The New Yorker A mystery set in the underworld of burlesque theater, The G-String Murders was penned in 1941 by the legendary queen of the stripteasers—the witty and wisecracking Gypsy Rose Lee. Narrating a twisted tale of a backstage double murder, Lee provides a fascinating look behind the scenes of burlesque, richly populated by the likes of strippers Lolita LaVerne and Gee Gee Graham, comic Biff Brannigan and Siggy the g-string salesman. This is a world where women struggle to earn a living performing bumps and grinds, have gangster boyfriends, sip beer between acts and pay their own way at dinner. Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series: Bedelia; Bunny Lake Is Missing; By Cecile; The G-String Murders; The Girls in 3-B; Laura; The Man Who Loved His Wife; Mother Finds a Body; Now, Voyager; Return to Lesbos; Skyscraper; Stranger on Lesbos; Stella Dallas; Women’s Barracks. “[Lee’s] novel is a rich and lusty job, brimming over with infectious vitality and a hilarious jargon of her own.” —Life “A lurid, witty and highly competent detective story . . . Rich show business vocabulary and stage door gags make her book almost a social document . . . The G-String Murders builds up to a hair-raising climax.” —Time

'A hugely entertaining Victorian mystery' New York Times 'I enjoyed this - properly creepy and Gothic' Ian Rankin A spellbinding concoction of crime, history and horror - perfect for fans of Sherlock Holmes and Jonathan Creek. New Year's Day, 1889. In Edinburgh's lunatic asylum, a patient escapes as a nurse lays dying. Leading the manhunt are legendary local Detective 'Nine-Nails' McGray and Londoner-in-exile Inspector Ian Frey. Before the murder, the suspect was heard in whispered conversation with a fellow patient - a girl who had been mute for years. What made her suddenly break her silence? And why won't she talk again? Could the rumours about black magic be more than superstition? McGray and Frey track a devious psychopath far beyond their jurisdiction, through the worst blizzard in living memory, into the shadow of Pendle Hill - home of the Lancashire witches - where unimaginable danger awaits... * * * Praise for The Strings of Murder: 'This is wonderful. A brilliant, moving, clever, lyrical book - I loved it. Oscar de Muriel is going to be a name to watch.' Manda Scott 'One of the best debuts so far this year - a brilliant mix of horror, history, and humour. Genuinely riveting with plenty of twists, this will keep you turning the pages. It's clever, occasionally frightening and superbly written - The Strings Of Murder is everything you need in a mystery thriller.' Crime Review

Sometimes even the most carefully conceived burglary can take an unexpected turn. Florence Palmer has her eye on concert violinist Aaron Levy's priceless violin. Unfortunately, she finds it's already been stolen. Her surprise doubles when the virtuoso she'd planned to burgle offers to hire her to help him steal it back. But they're not the only ones looking for the missing violin. When Flo inadvertently becomes the prime suspect in a case of murder, she and Aaron need to clear her name. Will they find the real killer and get the violin back to its rightful owner without anyone else, especially themselves, being killed?

Jonathan Kellerman has distinguished himself as the master of the psychological thriller. Now L.A. psychologist-detective Alex Delaware confronts a long-unsolved murder of unspeakable brutality—an ice-cold case whose resolution threatens his survival, and that of longtime friend, homicide detective, Milo Sturgis. The nightmare begins when Alex receives a strange package in the mail with no return address. Inside is an ornate album filled with gruesome crime scene photos—a homicide scrapbook entitled The Murder Book. Alex can find no reason for anyone to send him this compendium of death, but when Milo views the book, he is immediately shaken by one of the images: a young woman, tortured, strangled, and dumped near a freeway ramp. This was one of Milo’s first cases as a rookie homicide cop: a vicious killing that he failed to solve, because just as he and his training partner began to make headway, the department closed them down. Being forced to abandon the young victim tormented Milo. But his fears prevented him from pursuing the truth, and over the years he managed to forget. Or so he thought. Now, two decades later, someone has chosen to stir up the past. As Alex and Milo set out to uncover what really happened twenty years ago, their every move is followed and their lives are placed in jeopardy. The relentless investigation reaches deep into L.A.’s nerve-centers of power and wealth—past and present. While peeling back layer after layer of ugly secrets, they discover that the murder of one forgotten girl has chilling ramifications that extend far beyond the tragic loss of a single life. A classic story of good and evil, sacrifice and sin, The Murder Book is a gripping page-turner that illuminates the darkest corridors of the human mind. It is a stunning tour de force. BONUS: This edition contains an excerpt from Jonathan Kellerman's Victims.