The Swedish God

Johan Egerkrans long dreamed of illustrating the Norse mythology, and when he released Norse Gods in Swedish it was an immediate success. Egerkrans re-tells the most exciting and imaginative sagas of the Norse mythology: From the creation myth in which the first giant Ymer is hacked to pieces by Odin and his brothers, to the gods' final destruction in Ragnarök. This is a gorgeously illustrated book in which gods, giants, dwarves, monsters and heroes are presented in all their glory. A book for those who already know and love these stories, as well as for those who have yet to discover Scandinavian mythology. A definitive work for readers of all ages. “It is a pleasure to be enchanted by the suggestive visualizations of Angerboda, Hel, Freya, Utgarda-Loki, Mimer and Surt." Dick Harrison, Svenska Dagbladet

Sweden is regarded as the world's most successful country in distributing goods according to the Marxist model, which says that members of society should contribute to wealth with their full capacity and receive their share from the goods in accordance with their needs, whatever that might mean. This book is a personal analysis of the Swedish human phenotype and lifestyle and has the very clear intention of achieving a realistic judgment: how great is the risk (or chance) that America will develop into a Swedish type social bureaucracy? Professional, insider guide to everybody who might consider working, studying, or marrying in Sweden.

*Includes pictures *Includes medieval accounts *Includes online resources and a bibliography for further reading Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes." One of the most famous of these Lawspeakers was the Icelander Snorri Sturluson, a masterful writer who wrote the Prose Edda in the thirteenth century. There are other sources for the Norse myths, namely the later "Poetic Edda," a collection of poems and prose work, and other sagas but the Snorri's Prose Edda is the most complete work whose attribution is known to modern scholars. The Prose Edda is a collection of Norse Myths split into three sections, the Gylfaginning (the Deluding of Gylfi), the Skáldskaparmál (the Language of Poetry) and the Háttatal (the Enumeration of Meters). The first has a frame story that entails a Swedish King, Gylfi, disguising himself as an old man, Gangleri, when he journeys to Asgard to meet the gods. When he arrives, he meets three men - "High One, Just-As-High, and Third" - who reveal to him stories of the world and the gods. The second section contains a warning for Christians not to believe in the Norse gods, specifically the two families, the Æsir and the Vanir, but also refutes the notion that they were demons, which was a common supposition among some Christians at the time. The Prose Edda begins in this line of thought with a euhemeristic prologue, which traces the history of the Norse Gods as human heroes of Troy, making Thor one of King Priam's sons. Thanks to recent modern Hollywood depictions of Heimdallr (by his Anglicized name Heimdall), played masterfully and enigmatically by the actor Idris Elba, this mysterious Norse god has once again emerged in pop culture. However, knowledge of his name has not brought with it many solutions to the problems of his character. The French philologist Georges Dumézil outlined the problems of Heimdallr excellently in his book Gods of the Ancient Northmen: "The god Heimdall poses one of the most difficult problems in Scandinavian mythography. As all who have dealt with him have emphasized, this is primarily because of a very fragmentary documentation; but even more because the few traits that have been saved from oblivion diverge in too many directions to be easily 'thought of together, ' or to be grouped as members of a unitary structure." Sadly, there is no known presence of any cult of Heimdallr that could help historians understand the practical role he played in Norse religion, though the myths surrounding him are many and varied. That being said, academics have not ceased to study Heimdallr because the enigmas surrounding him are precisely what make him so fascinating. In order to understand how this god, who was by no means a "lesser" deity in the Norse pantheon, could be so misunderstood today, it is worth analyzing the problems people still face when approaching the Norse "religion." Heimdallr: The Origins and History of the Norse God Who Keeps Watch for Ragnarök looks at the stories about the legendary Norse deity. Along with pictures depicting important people, places, and events, you will learn about Heimdallr like never before.

The myths and legends of the Norsemen have entertained both old and young alike for hundreds of years. This fascinating collection contains stories retold from the Icelandic Eddas, the principal sources of knowledge of Norse mythology, and the Sagas of the ancient world of the Vikings. Following the deeds of the powerful Norse gods, such as Odin, Thor and Loki, and filled with a host of fantastic creatures and objects containing magical properties, the tales in Norse Mythology will conjure up a world of heroism and romance that will enthrall readers.

This is a new release of the original 1942 edition.

*Includes pictures *Includes medieval accounts *Includes online resources and a bibliography for further reading "Yet remains that one of the Æsir who is called Týr: he is most daring, and best in stoutness of heart, and he has much authority over victory in battle; it is good for men of valour to invoke him. It is a proverb, that he is Týr-valiant, who surpasses other men and does not waver. He is wise, so that it is also said, that he that is wisest is Týr-prudent. This is one token of his daring: when the Æsir enticed Fenris-Wolf to take upon him the fetter Gleipnir, the wolf did not believe them, that they would loose him, until they laid Týr's hand into his mouth as a pledge. But when the Æsir would not loose him, then he bit off the hand at the place now called 'the wolf's joint;' and Týr is one-handed, and is not called a reconciler of men." Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes." One of the most famous of these Lawspeakers was the Icelander Snorri Sturluson, a masterful writer who wrote the Prose Edda in the thirteenth century. There are other sources for the Norse myths, namely the later "Poetic Edda," a collection of poems and prose work, and other sagas but the Snorri's Prose Edda is the most complete work whose attribution is known to modern scholars. The Prose Edda is a collection of Norse Myths split into three sections, the Gylfaginning (the Deluding of Gylfi), the Skáldskaparmál (the Language of Poetry) and the Háttatal (the Enumeration of Meters). The first has a frame story that entails a Swedish King, Gylfi, disguising himself as an old man, Gangleri, when he journeys to Asgard to meet the gods. When he arrives, he meets three men - "High One, Just-As-High, and Third" - who reveal to him stories of the world and the gods. The second section contains a warning for Christians not to believe in the Norse gods, specifically the two families, the Æsir and the Vanir, but also refutes the notion that they were demons, which was a common supposition among some Christians at the time. The Prose Edda begins in this line of thought with a euhemeristic prologue, which traces the history of the Norse Gods as human heroes of Troy, making Thor one of King Priam's sons. Timeless characters like Thor, Loki, and the All-Father Odin never fail to inspire new treatments of their stories, while many of the great characters from Norse myths wither, their secrets kept silent. Such secrets are inherent to the character of Týr. More closely aligned with the Greek Athena than Mars or Ares, Týr was once so highly regarded and devoutly worshiped that his name was synonymous with "godlike." "Týr-valiant" and "Týr-prudent" are but two of many such examples. Moreover, unlike most gods of war, Týr has much to offer modern historians in terms of religious practices, cultural unity, and the question of justice in northern Europe. Týr: The Origins and History of the Norse God of Law, War, and Justice looks at the stories about the legendary Norse deity. Along with pictures depicting important people, places, and events, you will learn about Týr like never before.

*Includes pictures *Includes Norse accounts *Includes online resources and a bibliography for further reading "Nj�rdr in N�at�n begot afterward two children: the son was called Freyr, and the daughter Freyja; they were fair of face and mighty. Freyr is the most renowned of the �sir; he rules over the rain and the shining of the sun, and therewithal the fruit of the earth; and it is good to call on him for fruitful seasons and peace." Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes." The Prose Edda is a collection of Norse Myths split into three sections, the Gylfaginning (the Deluding of Gylfi), the Sk�ldskaparm�l (the Language of Poetry) and the H�ttatal (the Enumeration of Meters). The first has a frame story that entails a Swedish King, Gylfi, disguising himself as an old man, Gangleri, when he journeys to Asgard to meet the gods. When he arrives, he meets three men - "High One, Just-As-High, and Third" - who reveal to him stories of the world and the gods. The second section contains a warning for Christians not to believe in the Norse gods, specifically the two families, the �sir and the Vanir, but also refutes the notion that they were demons, which was a common supposition among some Christians at the time. The Prose Edda begins in this line of thought with a euhemeristic prologue, which traces the history of the Norse Gods as human heroes of Troy, making Thor one of King Priam's sons. The Norse Myths also appear to follow a chronological narrative, which the historian John Lindow describes as having a "Mythical Past, Present and Future." Loki features in each of these literary "epochs" and it helps to understand the complexity of his character, as well as the belief system, to view the myths in this way. Freyr was son to sea-god Nj�rdr and twin brother to love goddess Freyja, all of whom were part of the Vanir, a less warlike, divine family. As part of a hostage exchange between warring families, Nj�rdr and Freyr were sent to live with the �sir. As a member of the Vanir, his integration into the warlike family gave Freyr relatively little to do in surviving mythology. Many of the surviving stories involve Thor exercising his physical strength while Loki and Odin exercise their cunning. Freyr was not noted for either of these attributes, nor did he have a love of besting the Giants, the gods' eternal enemies. Freyr's role as a fertility god-a recurring theme in the Vanir-meant that his relatively rare appearences in the myths weighed heavily on the dominant, cult role he performed across Scandinavia from a surprisingly early time. That being said, there are few superfluous characters in Norse myth, and Freyr is present at two major moments of the gods' history: the union of the two families (although there are very few surviving texts describing this exact moment) and Ragnar�k, the apocalyptic end. Freyr: The Origins and History of the Norse God of Love and Fertility looks at the stories about the legendary Norse deity. Along with pictures depicting important people, places, and events, you will learn about Freyr like never before.

As the Vikings began to migrate overseas as raiders or settlers in the late eighth century, there is evidence that this new way of life, centred on warfare, commerce and exploration, brought with it a warrior ethos that gradually became codified in the Viking myths, notably in the cult of Odin, the god of war, magic and poetry, and chief god in the Norse pantheon. The twelfth and thirteenth centuries, when most of Scandinavia had long since been converted to Christianity, form perhaps the most important era in the history of Norse mythology: only at this point were the myths of Thor, Freyr and Odin first recorded in written form. Using archaeological sources to take us further back in time than any written document, the accounts of foreign writers like the Roman historian Tacitus, and the most important repository of stories of the gods, old Norse poetry and the Edda, Christopher Abram leads the reader into the lost world of the Norse gods.