The T Kaid Road

After the execution of her father, the young and beautiful Lady Asano is in grave danger from the powerful Lord Kira. In order to save herself Asano must find Oishi, the leader of the fighting men of her clan. She believes he is three hundred miles to the southwest in the imperial city of Kyoto. Disguising her loveliness in the humble garments of a traveling priest, and calling herself Cat, Lady Asano travels the fabled Tokaido Road. Her only tools are her quick wits, her samurai training, and her deadly, six foot-long naginata. And she will need them all, for a ronin has been hired to pursue her, a mysterious man who will play a role in Cat's drama that neither could have ever imagined. . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This book sketches the life and poetry of Kobayashi Issa (1763-1828), a Japanese poet popularly known as one of the Three Pillars of Haiku. While Basho with his mystic asceticism and Buson with his romantic aestheticism immeasurably enriched the haiku tradition, it was Issa who, with his bold individualism and all-embracing humanism, helped to modernize the form to a degree matched by no other poet. Based on the most recent scholarship, the book attempts to identify the sources of his originality in terms of his long checkered life. It traces his growth and maturity by examining his motherless childhood, struggling youth in Edo, wanderings in western Japan, restless existence as a haiku master, return home to Kashiwabara, three brief marriages, and last years as an old poet.

The unique beauty of the Japanese garden stems from its spirituality and rich symbolism, yet most discussions on this kind of garden rarely provide more than a superficial overview. This book takes a thorough look at the process of designing a Japanese garden, placing it in a historical and philosophical context. Goto and Naka, both academic experts in Japanese garden history and design, explore: The themes and usage of the Japanese garden Common garden types such as tea and Zen gardens Key maintenance techniques and issues. Featuring beautiful, full-colour images and a glossary of essential Japanese terms, this book will dramatically transform your understanding of the Japanese garden as a cultural treasure.

The history of the book in East Asia is closely linked to problems of language and script, problems which have also had a profound impact on the technology of printing and on the social and intellectual impact of print in this area. This volume contains key readings on the history of printed books and manuscripts in China, Korea and Japan and includes an introduction which provides an overview of the history of the book in East Asia and sets the readings in their context.

"Is Paris Still the Capital of the Nineteenth Century?" The question that guides this volume stems from Walter Benjamin's studies of nineteenth-century Parisian culture as the apex of capitalist aesthetics. Thirteen scholars test Benjamin's ideas about the centrality of Paris, formulated in the 1930s, from a variety of methodological perspectives. Many investigate the underpinnings of the French capital's reputation and mythic force, which was based largely upon the city's capacity to put itself on display. Some of the authors reassess the famed centrality of Paris from the vantage point of our globalized twenty-first century by acknowledging its entanglements with South Africa, Turkey, Japan, and the United States. The volume equally studies a broader range of media than Benjamin did himself: from modernist painting and printmaking, photography, and illustration to urban planning. The essays conclude that Paris did in many ways function as the epicenter of modernity's international reach, especially in the years from 1850 to 1900, but did so only as a consequence of the idiosyncratic force of its mythic image. Above all, the essays affirm that the study of late nineteenth-century Paris still requires nimble and innovative approaches commensurate with its legend and global aura.

An almost obsessional use of numbers characterizes Japanese popular culture. A wide variety of numerical formulae and strategies provide the means for explaining events and solving problems occurring in everyday life. These include such matters as the choice of the name for a child, ranking in almost any game or sport, the diagnosis and cure of illness or the decision to accept a new job. This text provides a general study of the field of Japanese popular numeracy. It introduces the reader to a world of numbers in which fortune-telling, the abacus and games involving numbers, as well as curious numerical names (of both people and places), illustrate the importance of systems of counting, calculation and forecasting. The study explores the cultural roots of attitudes towards numbers and makes suggestions about the contemporary implications of a culture in which mechanical numeracy (and number obsession) is general but the highest levels of academic mathematics still fall short of world standards.

In his eightieth year, Lord Rowallan has finally completed this autobiography. This is a book both moving and modest. He shares with us his joys and sorrows alike, keeping nothing back, yet never causing us embarrassment. He has inspired many people, especially the young, by his life, his unswerving standards, and his indomitable faith; and this, his testament, will surely do the same.

In Taiho-Jutsu: Law and Order in the Age of the Samurai, author and judo second-dan Don Cunningham provides a fascinating introduction to the civil society of Edo-period (1603-1867) Japan—particularly the role played by the well-known warrior class, the samurai. Cunningham shows that the samurai were not, as commonly portrayed, always all-powerful mediators ruling the chonin through the power of their swords. During this period the samurai became a part of the complex system of Japanese law enforcement. Made up of samurai as well as machi-bugyo-sho (town magistrates), yoriki ("assistant" samurai), doshin (samurai patrol officers), komono (assistants), goyokiki (part-time police assistants) and okappiki (informants and spies)—this intricate structure mirrored the Japanese society of the day. Taiho-Jutsu offers a detailed look at the weapons these law enforcement officers used—including the jutte (iron truncheon), tesson (iron fan), yori-bo (wooden staff), sodegarami (sleeve entangler), sasumata (spear fork), and torinawa (arresting ropes)—as well as a fascinating illustrated look at the techniques used to apprehend criminals. From kamae (stances) to parrying and striking and throwing techniques, these explanations demonstrate the practical techniques in Edo-period Japan.