The Tangus Event

Environmental Expressive Therapies contributes to the emerging phenomenon of eco-arts therapy by highlighting the work that international expressive arts therapists have accomplished to establish a framework for incorporating nature as a partner in creative/expressive arts therapy practices. Each of the contributors explores a particular specialization and outlines the implementation of multi-professional and multi-modal "earth-based" creative/expressive interventions that practitioners can use in their daily work with patients with various clinical needs. Different forms of creative/expressive practices—such as creative writing, play therapy techniques, visual arts, expressive music, dramatic performances, and their combinations with wilderness and animal-assisted therapy—are included in order to maximize the spectrum of treatment options. Environmental Expressive Therapies represents a variety of practical approaches and tools for therapists to use to achieve multiple treatment goals and promote sustainable lifestyles for individuals, families, and communities.

Our perception of the Others is based on our conception of ourselves. In theory the Others should be different. If necessary, we alter their images to accommodate the apperception of ourselves. Thus Chinesia, an amalgamation of facts and fiction, was created. In order to avoid previous repetition of stereotypes and prejudices, the present study re-examines the parameters which created Chinesia and traces its development to the end of the 18th century. It discusses the reports of the European seafarers and trade embassies to China and analyzes the situation of the Jesuit missionaries and their European publications on China. These helped to develop a wondrous China during Baroque and early Enlightenment which, however, gradually became offensive to Christian pride. After Christian Wolff was dismissed from the University of Halle and banished from Prussia for eulogizing Confucianism, China was steadily downgraded, particularly by the historicists who were re-evaluating the position of Europe in World History. The white race was perceived as superior to all other races (David Hume and Kant); consequently, the complexion of the Chinese became increasingly yellower. It darkened from the Meerschaum hue (Lichtenberg) to the color of dried orange peels (Gobineau) toward the end of the 19th century. Finally, the Chinese were considered to be too stupid to have created the Chinese culture. The literary works of these periods reflect this development. The literary study begins with the analysis of European dramatization of the Manchu Conquest of China and its subsequent fictional Christianization. Then the Jesuit plays with Chinese themes are discussed, for the first time in literary history. Also analyzed is the reception of the Chinese Orphan motive in European literature which was the turning point in downgrading China, and subsequently Montesquieu's impact on Albrecht von Haller's novel "Usong" is examined. Thereafter, the study scrutinizes the contradictory positions of Herder and von Seckendorff (or Goethe, for that matter) in Weimar. The book concludes with a concise analysis of the 'eschatological sinism' of Hegel, Marx and Weber to indicate the development of the later centuries.

NEW YORK TIMES BESTSELLER • Includes Dean Koontz’s short story “Wilderness”! This ebook edition contains a special preview of Dean Koontz’s The Silent Corner. In Innocence, Dean Koontz blends mystery, suspense, and acute insight into the human soul in a masterfully told tale that will resonate with readers forever. He lives in solitude beneath the city, an exile from society, which will destroy him if he is ever seen. She dwells in seclusion, a fugitive from enemies who will do her harm if she is ever found. But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance—and nothing less than destiny—has brought them together in a world whose hour of reckoning is fast approaching. Praise for Innocence “A thriller that’s both chilling and fulfilling.”—People (four stars) “Laced with fantastical mysticism, it’s an allegory of nonviolence, acceptance and love in the face of adversity. . . . The narrative is intense, with an old-fashioned ominousness and artistically crafted descriptions. . . . An optimistic and unexpected conclusion [mirrors] his theme. Something different this way comes from Mr. Koontz’s imagination. Enjoy.”—Kirkus Reviews “Mystery and terror, the paranormal and romance—all combine to make Innocence a challenging and emotional experience.”—New York Journal of Books “This novel really is something special. . . . This may just be the book Dean Koontz was born to write.”—Thriller Books Journal “Entrancing . . . as speedy a chase-thriller as any Koontz . . . has ever constructed. Written in Koontz’ late mellifluent and reflective manner . . . [Innocence is] fueled by deep disgust with the world’s evils [and] hope for redemption.”—Booklist (starred review) “[An] imaginative, mystical thriller from bestseller Koontz . . . This is the most satisfying Koontz standalone in a while.”—Publishers Weekly “Masterful storyteller Koontz delivers perhaps his most eerie and unusual tale to date. The timeline in this amazing story is compact, and readers will be swept along as they try to unravel hints and clues as to the true nature of both the protagonists and the unfolding drama. Unpredictably spine-chilling and terrifying, this is a story readers won’t soon forget.”—RT Book Reviews “Elegant . . . Fans of Koontz’s previous series will be left hoping that Addison and Gwyneth, too, will return.”—Library Journal