The Taxidermist S Lover

From award-winning author Polly Hallcomes a “lyrical debut” (Booklist, Starred Review) and contemporary gothic tale “filled with startling conclusions about the nature of art and love and death” (NYT Book Review). A modern Gothic tale of a woman obsessed with her lover’s taxidermy creatures and haunted by her past. One stormy Christmas, Scarlett recalls the ebb and flow of a yearlong love affair with Henry, a renowned taxidermist. Obsessed with his taxidermy creatures, she pushes him to outdo his colleague and world-famous rival in a crescendo of species-blending creativity. Scarlett will not be able to avoid a reckoning with her own past as Henry’s inventions creep into her own thoughts, dreams, and desires. Drenched in the torrential rains of the Somerset moorland and the sensual pleasures of the characters, The Taxidermist’s Lover lures you ever deeper into Scarlett’s delightfully eerie world. Bram Stoker Award Shortlist for Superior Achievement in a First Novel • IPPY Awards 2021 Gold Medal Winner

The enthralling new Sunday Times bestselling gothic novel from the author of THE WINTER GHOSTS, LABYRINTH and THE CITY OF LIES The clock strikes twelve. Beneath the wind and the remorseless tolling of the bell, no one can hear the scream . . . 1912. A Sussex churchyard. Villagers gather on the night when the ghosts of those who will not survive the coming year are thought to walk. And in the shadows, a woman lies dead. As the flood waters rise, Connie Gifford is marooned in a decaying house with her increasingly tormented father. He drinks to escape the past, but an accident has robbed her of her most significant childhood memories. Until the disturbance at the church awakens fragments of those vanished years . . .

A survival guide that shows how bigotry and redemption are mapped on the psyche and on the body

A humorous look at what happens when taxidermy goes terribly wrong, by the founder of the hit website crappytaxidermy.com. A relaxed toad enjoying a smoke and a brew. A cat with eerily flexible front legs. A smiling lion with receding gums. Whether you choose to laugh or cringe at these spectacularly bad attempts at taxidermy, you won't be able to tear your eyes away from the curiosities inside. This volume brings together the very best of the worst (along with a DIY "Stuff Your Own Mouse" lesson by an Insect Preparator from the American Museum of Natural History), showcasing the most perverse yet imaginative anatomical reconstructions of the animal kingdom you'll ever see.

Love in a Time of Slaughters examines a diverse array of contemporary creative narratives in which genocide and extinction blur species lines in order to show how such stories can promote the preservation of biological and cultural diversity in a time of man-made threats to species survival. From indigenous novels and Japanese anime to art installations and truth commission reports, Susan McHugh analyzes source material from a variety of regions and cultures to highlight cases where traditional knowledge works in tandem with modern ways of thinking about human-animal relations. In contrast to success stories of such relationships, the narratives McHugh highlights show the vulnerabilities of affective bonds as well as the kinds of loss shared when interspecific relationships are annihilated. In this thoughtful critique, McHugh explores the potential of these narratives to become a more powerful, urgent strategy of resistance to the forces that work to dehumanize people, eradicate animals, and threaten biodiversity. As we unevenly contribute to the sixth great extinction, this timely, compelling study sheds light on what constitutes an effective response from a humanities-focused, interdisciplinary perspective. McHugh’s work will appeal to scholars working at the crossroads of human-animal studies, literature, and visual culture, as well as artists and activists who are interested in the intersections of animal politics with genocide and indigeneity.

The celebrated New York Times Bestseller A Best Book of the Year pick at the New York Times, NPR, The New Yorker, TIME, Washington Post, Oprahmag.com, Thrillist, Shelf Awareness, Good Housekeeping and more. What does it take to come back to life? For Jessa-Lynn Morton, the question is not an abstract one. In the wake of her father’s suicide, Jessa has stepped up to manage his failing taxidermy business while the rest of the Morton family crumbles. Her mother starts sneaking into the taxidermy shop to make provocative animal art, while her brother, Milo, withdraws. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. It’s not until the Mortons reach a tipping point that a string of unexpected incidents begins to open up surprising possibilities and second chances. But will they be enough to salvage this family, to help them find their way back to one another? Kristen Arnett’s breakout bestseller is a darkly funny family portrait; a peculiar, bighearted look at love and loss and the ways we live through them together.

Shortlisted for the 2017 Text Prize Lottie collects dead creatures and lovingly cares for them, hoping to preserve them, to save them from disintegration. Her father understands—Lottie has a scientific mind, he thinks. Her aunt wants it to stop, and she goes to cruel lengths to make sure it does. And her mother? Lottie’s mother died long ago. And Lottie is searching for a way to be close to her. The Art of Taxidermy is a heartbreaking verse novel exploring love and death, grief and beauty, and the ways we try to make sense of it all. Sharon Kernot writes poetry and fiction. Her work has appeared in a variety of journals, magazines and anthologies including Island, Mascara Literary Journal, Best Australian Poems, and Australian Love Stories. ‘Completely mesmerising, fresh and unexpected.’ Diana Sweeney, winner of 2013 Text Prize ‘An intense exploration of grief.’ Steven Herrick ‘[An] exquisite lyrical verse novel...[A] sharply evocative tale.’ West Weekend ‘The work couples the swift, clipped charm of a verse novel and the unpredictable beauty of the Australian landscape in a captivating manner that showcases an author entirely comfortable with her form...Lingers in the mind for weeks afterwards.’ Tulpa Magazine ‘Kernot has created an intriguing tale of mystery and the imagination with a haunting ambience that the ghost of Edgar Allan Poe would recognise and admire...this is a delightful story about grief transformed and the urge to resurrect and to re-create.’ Saturday Paper ‘This book is beautifully written...while the novel is about grief, it is also about the importance of remembering and keeping the memory of loved ones alive.’ Magpies Magazine ‘In lyrical language, Kernot draws a comparison between the Australian bush and death: both are beautiful and desolate at once.’ Readings ‘Kernot’s writing is imbued with life and grace and moments of infectious joy.’ SA Weekend

The father of Minnesota ornithology, whose life story opens a window on a lost world of nature and conservation in the state’s early days Imagine a Minneapolis so small that, on calm days, the roar of St. Anthony Falls could be heard in town, a time when passenger pigeons roosted in neighborhood oak trees. Now picture a dapper professor conducting his ornithology class (the university’s first) by streetcar to Lake Harriet for a morning of bird-watching. The students were mostly young women—in sunhats, sailor tops, and long skirts, with binoculars strung around their necks. The professor was Thomas Sadler Roberts (1858–1946), a doctor for three decades, a bird lover virtually from birth, the father of Minnesota ornithology, and the man who, perhaps more than any other, promoted the study of the state’s natural history. A Love Affair with Birds is the first full biography of this key figure in Minnesota’s past. Roberts came to Minnesota as a boy and began keeping detailed accounts of Minneapolis’s birds. These journals, which became the basis for his landmark work The Birds of Minnesota, also inform this book, affording a view of the state’s rich avian life in its early days—and of a young man whose passion for birds and practice of medicine in a young Minneapolis eventually dovetailed in his launching of the beloved Bell Museum of Natural History. Bird enthusiast, doctor, author, curator, educator, conservationist: every chapter in Roberts’s life is also a chapter in the state’s history, and in his story acclaimed author Sue Leaf—an avid bird enthusiast and nature lover herself—captures a true Minnesota character and his time.