The Terrorist Prince

Murtaza Bhutto, 1954-1996, political leader from Pakistan.

No company in our time has been as mysterious or as controversial as Blackwater. Founded by former Navy SEAL Erik Prince in 1997, it recruited special forces veterans and others with the skills and courage to take on the riskiest security jobs in the world. As its reputation grew, government demand for its services escalated, and Blackwater's men eventually completed nearly one hundred thousand missions in Iraq and Afghanistan. Both the Bush and Obama administrations found the company indispensible. It sounds like a classic startup success story, except for one problem: Blackwater has been demonized around the world. From uninformed news coverage to grossly distorted fictional portrayals, Blackwater employees have been smeared as mercenaries, profiteers, jackbooted thugs, and worse. Because of the secrecy requirements of Blackwater's contracts with the Pentagon, the State Department, and the CIA, Prince was unable to speak out when his company's opponents spread false information. But now he's able to tell the full and often shocking story of Blackwater's rise and fall. In Civilian Warriors, Prince pulls no punches and spares no details. He explains his original goal of building an elite center for military and law enforcement training. He recounts how the company shifted gears after 9/11. He honors our troops while challenging the Pentagon's top leadership. And he reveals why highly efficient private military contractors have been essential to running our armed forces, since long before Blackwater came along. Above all, Prince debunks myths about Blackwater that spread while he was forced to remain silent-myths that tarnished the memory of men who gave their lives for their country but never got the recognition they deserved. He reveals new information about some of the biggest controversies of the War on Terror, including: • The true story of the Nisour Square massacre in Baghdad. • The actual details of Blackwater's so-called impunity in Iraq. • The events leading up to the televised deaths of Blackwater contractors in Fallujah. Prince doesn't pretend to be perfect, and he doesn't hide the sometimes painful details of his private life. But he has done a great public service by setting the record straight. His book reads like a thriller but is too improbable to be fiction.

It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed. While the production of these films did ebb, the full impact of the attacks on Hollywood's creative output is still taking shape. Did 9/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy? Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9/11. He considers documentary portraits and conspiracy films, as well as serial television shows (most notably Fox's 24) and made-for-TV movies that re-present the attacks in a broader, more intimate way. Ultimately Prince finds that in these triumphs and failures an exciting new era of American filmmaking has taken shape.

The New York Times–bestselling author thrills fans with a series that starts with a military hero facing the most daring adventure of all—falling in love. It will be the biggest challenge of Veronica St. John’s career. She has two days to teach a rugged Navy SEAL to impersonate a European prince who has been targeted by terrorists. It’s a tough assignment, but Veronica is sure she’s up to the task—until she actually meets Joe. Despite his physical resemblance to the handsome prince, Lieutenant Joe Catalanotto is nothing like the stuffy aristocrat. Everything about the combat-hardened Navy SEAL—from the arrogant gleam in his eyes and streetwise attitude to the New York accent—says regular guy, not royalty. One conversation and Veronica knows nothing could turn this military man into an aristocrat. Joe, on the other hand, is confident he’s got what it takes to complete his duty. But neither of them expects their assignment to include falling in love . . . “Not only is the suspense nail-bitingly intense, the blistering passion and emotional sensitivity make this a love story you’ll put in your treasure chest.” —Romantic Times

Publisher Description

An inside look at the kingdom of Saudi Arabia discusses Wahhabism, the corruption within the Saudi royal family, its ties to terrorism, and the threat it poses to the Western world.

Bombay’s first female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay. November 1921. Edward VIII, Prince of Wales and future ruler of India, is arriving in Bombay to begin a fourmonth tour. The Indian subcontinent is chafing under British rule, and Bombay solicitor Perveen Mistry isn’t surprised when local unrest over the royal arrival spirals into riots. But she’s horrified by the death of Freny Cuttingmaster, an eighteen-year-old female Parsi student, who falls from a second-floor gallery just as the prince’s grand procession is passing by her college. Freny had come for a legal consultation just days before her death, and what she confided makes Perveen suspicious that her death was not an accident. Feeling guilty for failing to have helped Freny in life, Perveen steps forward to assist Freny’s family in the fraught dealings of the coroner’s inquest. When Freny’s death appears suspicious, Perveen knows she can’t rest until she sees justice done. But Bombay is erupting: as armed British secret service march the streets, rioters attack anyone with perceived British connections, and desperate shopkeepers destroy their own wares so they will not be targets of racial violence. Can Perveen help a suffering family when her own is in danger?