The Theory Of Color In Its Relation To Art And Art Industry

List of books and essays used in the preparation of this work : p. [255]-258.

Reprint of the original, first published in 1876.

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List of books and essays used in the preparation of this work : p. [255]-258.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Theory of Color: In Its Relation to Art and Art-Industry There is one point, however, which I should here like to dwell upon somewhat more at length, i. E. The choice of terms for the designation of some of the colors. Peculiar difficulties had to be overcome in this respect, even in the German language, since several of the names, which are familiar to the physicist, are entirely unknown to the artist, while dyers and weavers employ still other designations, which are again different from those used by either of the two classes first named. I therefore resolved to depart from the usages of physical terminology in a few instances in which this terminology would be likely to give rise to decided misunderstandings, and I cannot refrain from expressing a strong hope, that these changes may be sanctioned and adopted by my colleagues in the profession. It seems well, at all events, to call attention to these changes here, and to give a concise statement of the reasons which induced them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This comprehensive, beautiful book delves deep into the complex but fascinating story of our relationship with colour throughout human history. Color is fundamental to our experience and understanding of the world. It crosses continents and cultures, disciplines and decades. It is used to convey information and knowledge, to evoke mood, and to inspire emotion. This book explores the history of our understanding of color, from the ancient world to the present, from Aristotle to Albers. Interspersed in the historical story are numerous thematic essays that look at how color has been used across a wide range of disciplines and fields: in food, music, language and many others. The illustrations are drawn from the Royal College of Art’s renowned Colour Reference Library which spans six centuries of works and nearly 2,000 titles, from a Gothic manuscript on the composition of the rainbow to hand-painted Enlightenment works on color theory and vibrant 20th-century color charts, including many fascinating examples not seen in other books. Delving far and wide in this fascinating and varied subject, this book will help readers find new layers of meaning and complexity in their everyday experiences and teach them to look closer at our colorful lives.