The Things We Carry

A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.

The Things We Carry is an autobiographical account of a man's journey in a lifelong struggle against PTSD. Aside from trying to offer everyone a glimpse of what it is like to live with PTSD, the book is an attempt to suggest that despite the accepted disparities, there really are some shared commonalities among those who suffer this horrifying disorder--that sad sense of alienation from society. All of us, at some points in our lives, witness life-threatening experiences that may or may not leave considerable stress or trauma. Some of us are fortunate enough to have the ability to withstand even the worst experience life may bring, while some just don't have the innate capacity to do so. Readers will be invited to glimpse into the life of a war veteran, who, because of the power of his enduring faith in God and the ardent love and support of his family, was able to triumph over PTSD. At eighteen, the author is a corrections officer. Traumatized by the highly stressful employment by being subjected to mostly deplorable realities of prisons, he resigned, and one thing led to another until he decided to enlist with the US Air Force. He completed various tours in Southwest Asia and finally deploys to Iraq where he witnessed the most significant "triggers" to his PTSD. In essence, the author elaborates that The Things We Carry is an invitation to bear witness to the spiritual truth that all of humankind are born and destined to engage in a "spiritual combat" on a daily basis since we have consecrated our existence to follow and serve Christ. Further, this book aims to engage everyone to take his or her part, no matter how trivial or gargantuan, in helping every victim of extreme traumatic stress heal by making them feel that they belong, by making the feel that they are loved.

A politician’s past war crimes are revealed in this psychologically haunting novel by the National Book Award–winning author of The Things They Carried. Vietnam veteran John Wade is running for senate when long-hidden secrets about his involvement in wartime atrocities come to light. But the loss of his political fortunes is only the beginning of John’s downfall. A retreat with his wife, Kathy, to a lakeside cabin in northern Minnesota only exacerbates the tensions rising between them. Then, within days of their arrival, Kathy mysteriously vanishes into the watery wilderness. When a police search fails to locate her, suspicion falls on the disgraced politician with a violent past. But when John himself disappears, the questions mount—with no answers in sight. In this contemplative thriller, acclaimed author Tim O’Brien examines America’s legacy of violence and warfare and its lasting impact both at home and abroad.

“A gorgeous memoir about mothers, daughters, and the tenacity of the love that grows between what is said and what is left unspoken.”—Mira Jacob, author of Good Talk If our family stories shape us, what happens when we learn those stories were never true? Who do we become when we shed our illusions about the past? Maya Shanbhag Lang grew up idolizing her brilliant mother, an accomplished physician who immigrated to the United States from India and completed her residency all while raising her children and keeping a traditional Indian home. Maya’s mother had always been a source of support—until Maya became a mother herself. Then the parent who had once been so capable and attentive became suddenly and inexplicably unavailable. Struggling to understand this abrupt change while raising her own young child, Maya searches for answers and soon learns that her mother is living with Alzheimer’s. Unable to remember or keep track of the stories she once told her daughter—stories about her life in India, why she immigrated, and her experience of motherhood—Maya’s mother divulges secrets about her past that force Maya to reexamine their relationship. It becomes clear that Maya never really knew her mother, despite their close bond. Absorbing, moving, and raw, What We Carry is a memoir about mothers and daughters, lies and truths, receiving and giving care, and how we cannot grow up until we fully understand the people who raised us. It is a beautiful examination of the weight we shoulder as women and an exploration of how to finally set our burdens down. Praise for What We Carry "Part self-discovery, part family history. . . [Lang's] analysis of the shifting roles of mothers and daughters, particularly through the lens of immigration, help[s] to challenge her family’s mythology. . . . Readers interested in examining their own family stories . . . will connect deeply with Lang’s beautiful memoir."—Library Journal (Starred Review) “A stirring memoir exploring the fraught relationships between mothers and daughters . . . astutely written and intense . . . [What We Carry] will strike a chord with readers.”—Publishers Weekly “Lang is an immediately affable and honest narrator who offers an intriguing blend of revelatory personal history and touching insight.”—BookPage

flu·en·cy / noun :the ability to speak a language easily and effectively Even if they want to, many Christians find it hard to talk to others about Jesus. Is it possible this difficulty is because we're trying to speak a language we haven't actually spent time practicing? To become fluent in a new language, you must immerse yourself in it until you actually start to think about life through it. Becoming fluent in the gospel happens the same way—after believing it, we have to intentionally rehearse it (to ourselves and to others) and immerse ourselves in its truths. Only then will we start to see how everything in our lives, from the mundane to the magnificent, is transformed by the hope of the gospel.

"In Ithaca, New York, in 1982, Larry Markham awakes to discover his wife, Vicki, has taken their young son, Scott, and left him - not for the first time, possibly for the last. It is a deep blow to a life already in fragments: a dead-end job delivering Wonder Bread; a strained relationship with his aging father, a veteran of World War Two; and weekly visits to the VA hospital where Larry, a former Army medic, leads a support group for disabled Vietnam vets. As he struggles to win Vicki back, Larry finds he is in danger of a far more imminent sort: A disturbed member of the support group - a trained CIA assassin - has disappeared, and is stalking Larry and his family. His methods send an unmistakable message: The game will end in death." "At the same time, The Names of the Dead is a harrowing and heartfelt portrait of the Vietnam War and the men who fought it. The year is 1968, the place A Shau valley, and Larry Markham - nineteen and green - must find a way to keep his platoon alive. Here we see the stories Larry cannot bring himself to tell - of friends who made the ultimate sacrifice in a war their country scorned." "The Names of the Dead is the story of a man trying to find his way back to himself - a story about storytelling and memories that refuse to fade. It is the story of a man rediscovering the courage to love one woman, and, through her, the world, his country, his family, and finally himself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The instant #1 New York Times, Wall Street Journal, and USA Today bestseller The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.

Emotional labor is not adequately talked about or addressed by writing program administrators. The Things We Carry makes this often-invisible labor visible, demonstrates a variety of practical strategies to navigate it reflectively, and opens a path for further research. Particularly timely, this collection considers how writing program administrators work when their schools or regions experience crisis situations. The book is broken into three sections: one emphasizing the WPA’s own work identity, one on fostering community in writing programs, and one on balancing the professional and personal. Chapters written by a diverse range of authors in different institutional and WPA contexts examine the roles of WPAs in traumatic events, such as mass shootings and natural disasters, as well as the emotional labor WPAs perform on a daily basis, such as working with students who have been sexually assaulted or endured racist, sexist, homophobic, and otherwise disenfranchising interactions on campus. The central thread in this collection focuses on “preserving” by acknowledging that emotions are neither good nor bad and that they must be continually reflected upon as WPAs consider what to do with emotional labor and how to respond. Ultimately, this book argues for more visibility of the emotional labor WPAs perform and for WPAs to care for themselves even as they care for others. The Things We Carry extends conversations about WPA emotional labor and offers concrete and useful strategies for administrators working in both a large range of traumatic events as well as daily situations that require tactical work to preserve their sense of self and balance. It will be invaluable to writing program administrators specifically and of interest to other types of administrators as well as scholars in rhetoric and composition who are interested in emotion more broadly.