The Things We Do That Make No Sense

We are guilty of actions that make no sense. We perform acts of beauty and acts of ugliness. We give in to hidden ambitions, latent hungers, and clumsy grasps at insight. At the heart of these stories are the rituals—grand and small—in which we humans partake; the peculiar gestures we hope will forge meaning or help us glean some sort of understanding. They may be formally ceremonial and spiritual, like the imposition of ashes in a darkened church. But often they are secular, private, and bizarre. A woman slips her son's old baby tooth into her mouth as he's led away to prison. A girl in a tunnel plays an invisible piano while bombs ravage the city above. A man with a laser machine creates a private galaxy to rekindle lost love. A daughter frantically searches a wax museum for her mother's second self. Set mostly in Michigan, the stories in The Things We Do That Make No Sense are woven through with the power of ritual and glimmer with lush descriptions and poignant dialogue. From both the everyday and the sacred, these characters piece together the strange mosaic of life.

The Things We Do and Why We Do Them argues against the common assumption that there is one thing called 'action' which all reason-giving explanations of action are geared towards. Sandis shows why all theories concerned with identifying the nature of our 'real' reasons for action fail from the outset.

"The book is to show that the aim of thinking about what to do, of practical reason, is to find, not what we ought to do, but what is a good thing to do for us under the circumstances. So it argues, first, that neither under prudence nor under morality there are things we ought to do. There is no warrant for the idea of our being required, by natural law perhaps or by our rationality, to do either what helps us attain our ends or what is right for moral reasons. While common moral understanding is committed to there being things we ought to do and to our being guilty and deserving blame if we fail to do them, we can lay aside these notions without loss, indeed with benefit. Second, it explains what it is for something to be good for somebody to do under the circumstances and argues for understanding practical reason in these terms. What is good for somebody to do we find by experience: from what we go through we learn what helps and what hinders and figure out on this basis both what is prudentially useful and what is morally right to do - although in the end this difference itself gives way, and morality turns out to be a part of prudence"--

Tom Wayman’s poetry has been published around the world to great acclaim. Wayman is one of Canada’s most prolific and public poets, and his writing since the 1960s has been by turns angry, engaged, hopeful, tender, and hilarious. His voice and persona are his alone but simultaneously ours too. His recurring themes—work, mortality, love, lust, friendship, the natural world—make his work a poetry of human inevitabilities, a poetry that exults in the inevitability of seeing poetry in the everyday. Wayman’s craft is poïesis (from the Ancient Greek “to make”)—making a change, making a difference, making a ruckus, making the most of our time. His working life has always been inextricable from his writing one; his poems offer an honest and candid consideration of the ideological underpinnings, practical realities, and subtle beauties of a life lived on job sites and picket lines, in union halls, classrooms, and book-stuffed offices, and on the page itself. The Order in Which We Do Things is a collection of more than thirty of Wayman’s best poems, selected and introduced by Owen Percy. Percy’s introduction explores the genesis of Wayman’s print persona and contextualizes his politically engaged, conversational voice within the pantheon of its various publics. In his afterword, “Work and Silence,” Wayman reflects on his more than forty years in print as a work poet, and underlines poetry’s sustained power to engage readers, invite solidarity, and stoke the fires of critical resistance to the order in which we do things.

Five years and more than 100,000 copies after it was first published, it's hard to imagine anyone working in Web design who hasn't read Steve Krug's "instant classic" on Web usability, but people are still discovering it every day. In this second edition, Steve adds three new chapters in the same style as the original: wry and entertaining, yet loaded with insights and practical advice for novice and veteran alike. Don't be surprised if it completely changes the way you think about Web design. Three New Chapters! Usability as common courtesy -- Why people really leave Web sites Web Accessibility, CSS, and you -- Making sites usable and accessible Help! My boss wants me to ______. -- Surviving executive design whims "I thought usability was the enemy of design until I read the first edition of this book. Don't Make Me Think! showed me how to put myself in the position of the person who uses my site. After reading it over a couple of hours and putting its ideas to work for the past five years, I can say it has done more to improve my abilities as a Web designer than any other book. In this second edition, Steve Krug adds essential ammunition for those whose bosses, clients, stakeholders, and marketing managers insist on doing the wrong thing. If you design, write, program, own, or manage Web sites, you must read this book." -- Jeffrey Zeldman, author of Designing with Web Standards

The #1 New York Times bestseller. Over 20 million copies sold! Translated into 60+ languages! Tiny Changes, Remarkable Results No matter your goals, Atomic Habits offers a proven framework for improving--every day. James Clear, one of the world's leading experts on habit formation, reveals practical strategies that will teach you exactly how to form good habits, break bad ones, and master the tiny behaviors that lead to remarkable results. If you're having trouble changing your habits, the problem isn't you. The problem is your system. Bad habits repeat themselves again and again not because you don't want to change, but because you have the wrong system for change. You do not rise to the level of your goals. You fall to the level of your systems. Here, you'll get a proven system that can take you to new heights. Clear is known for his ability to distill complex topics into simple behaviors that can be easily applied to daily life and work. Here, he draws on the most proven ideas from biology, psychology, and neuroscience to create an easy-to-understand guide for making good habits inevitable and bad habits impossible. Along the way, readers will be inspired and entertained with true stories from Olympic gold medalists, award-winning artists, business leaders, life-saving physicians, and star comedians who have used the science of small habits to master their craft and vault to the top of their field. Learn how to: make time for new habits (even when life gets crazy); overcome a lack of motivation and willpower; design your environment to make success easier; get back on track when you fall off course; ...and much more. Atomic Habits will reshape the way you think about progress and success, and give you the tools and strategies you need to transform your habits--whether you are a team looking to win a championship, an organization hoping to redefine an industry, or simply an individual who wishes to quit smoking, lose weight, reduce stress, or achieve any other goal.

INTERNATIONAL BESTSELLER • She’s an outsider desperate to belong, but the cost of entry might be her deepest secret in this intoxicating debut about a clique of dangerously ambitious students, “perfect for fans of dark academia stories like The Secret History and If We Were Villains” (Cosmopolitan). “One of the best suspense debuts I’ve read in years . . . Heather Darwent delivers one artful tease after another until you are completely lost in this labyrinth of clever women and obsessive friendship.”—Julia Heaberlin, bestselling author of We Are All the Same in the Dark Edinburgh, Scotland: a moody city of labyrinthine alleyways, oppressive fog, and buried history; the ultimate destination for someone with something to hide. Perfect for Clare, then, who arrives utterly alone and yearning to reinvent herself. And what better place to conceal the secrets of her past than at the university in the heart of the fabled, cobblestoned Old Town? When Clare meets Tabitha, a charismatic, beautiful, and intimidatingly rich girl from her art history class, she knows she’s destined to become friends with her and her exclusive circle: raffish Samuel, shrewd Ava, and pragmatic Imogen. Clare is immediately drawn into their libertine world of sophisticated dinner parties and summers in France. The new life she always envisioned for herself has seemingly begun. Then Tabitha reveals a little project she’s been working on, one that she needs Clare’s help with. Even though it goes against everything Clare has tried to repent for. Even though their intimacy begins to darken into codependence. But as Clare starts to realize just what her friends are capable of, it’s already too late. Because they’ve taken the plunge. They’re so close to attaining everything they want. And there’s no going back. Reimagining the classic themes of obsession and ambition with an original and sinister edge, The Things We Do to Our Friends is a seductive thriller about the toxic battle between those who have and those who covet—between the desire to truly belong and the danger of being truly known.

An expansive look at how culture shapes our emotions—and how we can benefit, as individuals and a society, from less anger and more shame The world today is full of anger. Everywhere we look, we see values clashing and tempers rising, in ways that seem frenzied, aimless, and cruel. At the same time, we witness political leaders and others who lack any sense of shame, even as they display carelessness with the truth and the common good. In How to Do Things with Emotions, Owen Flanagan explains that emotions are things we do, and he reminds us that those like anger and shame involve cultural norms and scripts. The ways we do these emotions offer no guarantee of emotionally or ethically balanced lives—but still we can control and change how such emotions are done. Flanagan makes a passionate case for tuning down anger and tuning up shame, and he observes how cultures around the world can show us how to perform these emotions better. Through comparative insights from anthropology, psychology, and cross-cultural philosophy, Flanagan reveals an incredible range in the expression of anger and shame across societies. He establishes that certain types of anger—such as those that lead to revenge or passing hurt on to others—are more destructive than we imagine. Certain forms of shame, on the other hand, can protect positive values, including courage, kindness, and honesty. Flanagan proposes that we should embrace shame as a uniquely socializing emotion, one that can promote moral progress where undisciplined anger cannot. How to Do Things with Emotions celebrates the plasticity of our emotional responses—and our freedom to recalibrate them in the pursuit of more fulfilling lives.